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Introduction | |
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XV | |
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XVII | |
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XXVI | |
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XXVII | |
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XIX | |
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XXXI | |
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XXXII | |
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Last Days of Home | |
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Embrace | |
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The Calm | |
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Time | |
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Sea Surrounded | |
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Futile Flight, Futile Fugue | |
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Snow | |
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The Cloud | |
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XXX | |
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from Evohe | |
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In Fields of Sleepdreaming | |
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To Death, From the Genie of My Poetry | |
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Public Prayer | |
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The Swan | |
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The Break | |
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Wild for Love | |
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Life | |
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The Sweet Reliquaries | |
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The Ineffable | |
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Marble Beads | |
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Shadow Beds | |
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What Was Life | |
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If I Died Tonight | |
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There is no hope | |
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No | |
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A Visitor | |
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Maybe Then | |
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Each Afternoon | |
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Lifelong farewell | |
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How to shrug off | |
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How disgusting | |
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How Awful | |
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Like a Floating Jasmine | |
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Like a dog howling endlessly | |
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Like a man who kicks off his shoes | |
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Poem for Mankind and Its Hope | |
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Like the Magic Glow of a Paradise | |
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Now that I have Grown Up, Mother | |
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Another Poem to My Mother | |
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The Poem | |
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A Worker Dies | |
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Transmutation | |
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Poem of My Sleeping Sorrow | |
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Poem Arrested at Daybreak | |
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I Have Lost a Verse | |
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The Sea and You | |
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In My Labyrinth (The Minotaur's Game) | |
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For Albert, the Terrible | |
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You All Know the Story of the Two Lovers | |
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Merci Bien, Monsieur | |
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Snapshots of the Chameleon Woman | |
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The Eskimo's Woman | |
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A Small Miracle | |
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These are the Sweet Girls | |
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Kettle Rooted to the Void | |
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Smash Your Fist | |
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Warmness | |
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Speaking of Gabriel | |
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Parable of the Unfaithful Wife | |
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Silence Around an Ancient Stone | |
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The Return | |
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Meditation on the Threshold | |
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Poetry is not You | |
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Origin | |
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Destiny | |
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The Farewell | |
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When We Meet Again | |
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S.L.A.M. | |
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The Sunny Afternoon Dream | |
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They All Think | |
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The Grocer's Dream | |
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At Breakfast | |
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A Good Marriage | |
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During Recess | |
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Foretold Futures | |
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While My Father | |
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I Went to See the Doltons | |
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In My Days | |
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Murmur | |
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Time | |
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Heart's Desire | |
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Serenade | |
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Successive Deaths | |
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Easter | |
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Femmemasochism | |
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Delivery | |
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The Order and the Days | |
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Love is Round | |
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Femmepoem of Overpopulation | |
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Erotic Suite | |
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The Manifest | |
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Thoughts on Innocence | |
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Greek History | |
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Troubadour Love | |
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Reencounter with the Goddess | |
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If I Do Not Believe | |
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Your Anger | |
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The Scream is a Kind of Coffin | |
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Events Like Palaces | |
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Things of the Blind | |
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Sister | |
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Humble Litany | |
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Second Elegy (Fragment) | |
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Black Autumn | |
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Rocking | |
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Close to Me | |
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Dawn | |
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Morning | |
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Dusk | |
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Night | |
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My Mother | |
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Caribbean Sea | |
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The Empty Walnut | |
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The Little Box from Olinala | |
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To Eros | |
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Words to My Mother | |
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The Siren | |
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Camp Fire | |
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Encounter | |
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The World is Bitter | |
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Wound | |
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First Portrait of My Son | |
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Nocturne | |
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Your Hand in Mine | |
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Woman | |
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Mother | |
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To a Boy | |
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Havana Harbor | |
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I Never Saw Great Lakes | |
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Tree of Earthly Delights | |
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A Tame and Ferocious Animal | |
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Requiem for the Left Hand | |
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Poem Fifty | |
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Angela Dominguez, Ever Present | |
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Carpet | |
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Will-o'-Wisp | |
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Heart of Time | |
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Oracle | |
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The Secret | |
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Speak to Me | |
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Only You | |
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Grain of Sand | |
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If Time Waits | |
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Hidden Pleasure | |
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Oblivion | |
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Dream | |
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Mariana II | |
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Like Raquel | |
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Rosa/Fili | |
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The Signs on the Table | |
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Part One: The Orders Begin | |
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September 11, 1973 | |
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No | |
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To the Child that Never Was | |
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From Now Until Chile | |
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The Blood of Others | |
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Birth | |
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Nicaragua Water Fire | |
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Brief Lessons in Eroticism I | |
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Poems from the Erotic Left | |
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Affairs of Memory | |
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Exile | |
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State of Seige | |
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Domestic Battles | |
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"From Your Depths and Kneeling..." | |
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Glance | |
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Greek Metamorphosis | |
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And Here are the Poets in Their Sad Portraits | |
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Women Don't Die on the Front Lines | |
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Poet's Biography | |
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For the Moment | |
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Creed | |
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Survival I | |
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Survival II | |
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Perspectives | |
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Wo / men | |
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Fazal | |
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Haiti | |
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When She Showed Me Her Photograph... | |
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Memorial | |
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The Most Unbelievable Part | |
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Disappeared Woman V | |
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Seven Stones | |
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Language | |
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Accounting | |
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Ars Poetica | |
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Erosion | |
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Nocturnal Visits | |
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Silence | |
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The Grandmother | |
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Have Pity | |
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Letter to an Exile | |
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Stretched Out in Solitude | |
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Storing Memories | |
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Another Day | |
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Tenderness | |
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Daily Task | |
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Between the Lines | |
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The Moon's Cadaver | |
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Tea at the Magdalene | |
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Magical Devices | |
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Who Will Throw the First Stone? | |
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In the Darkness of the Other | |
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Untitled poems | |
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Final Manuscript | |
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These Green Paths... | |
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The Rise of the Afternoon is a Wide Glory | |
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This sense of space... | |
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The Crazed Woman | |
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The Woman I Know | |
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Four times during the night | |
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I remember the long corridors... | |
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Bird dressed as solitude and tears | |
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From Their Eyes Adorned With Vitreous Sands | |
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Sediment of Lukewarm and Radiant Rain | |
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Sri Nityanada Mandir (The Temple of Nityananda) | |
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Banyan | |
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Kali | |
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Visions | |
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Uma Worshiping Shiva | |
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Dayeinu (Enough already) | |
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Testimonies | |
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from Palabrarmas | |
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from Tree of Diana | |
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Recognition | |
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Shadow of Days to Come | |
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Foundation Stone | |
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Fragments to Overcome Silence | |
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Suspicion | |
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Poem for My Father | |
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Speaking Your Name | |
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Untitled Poems | |
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Wanted | |
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The Lighthouse of Alexandria | |
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Without Histories | |
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Song | |
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At This Juncture | |
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Movement | |
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Irreverent Epistle to Jesus Christ | |
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Monday | |
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Panorama | |
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Panorama II | |
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Protest | |
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Nocturnal | |
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Martyrdom | |
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Gestures from My Window | |
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Intact Pitcher | |
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Pointless Journey | |
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Nocturne of Hope | |
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Night, I Know All About You | |
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Poppies | |
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So You Would Listen to Me | |
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Burdens | |
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When I Passed in the Afternoon | |
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from In the Life and Death of Rosamel Del Valle | |
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from Creation | |
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Thirst for the Sea | |
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Attitude | |
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Watch of Time | |
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Opprobium | |
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Message | |
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You Have Lost, They Tell Me, Your Reason | |
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Ballerina | |
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I Curse in the Highest Sky | |
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Attention Young Bachelors | |
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Why Is It This Way, Almighty God? | |
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To Be Seventeen Again | |
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Song for a Seed | |
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I Thank Life for So Many Gifts | |
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At the Center of Injustice | |
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Because the Poor Have Nothing | |
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CXLII | |
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CXXXIX | |
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CXXX | |
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CXXXIV | |
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Afterword - Celeste Kostopulos-Cooperman | |
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The Translators | |
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