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| Music, Consciousness and Altered States | |
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| Music and Altered States of Consciousness: An Overview | |
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| Music and Trance | |
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| The Effects of Listening to Monotonous Drumming on Subjective Experiences | |
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| Perception and Responses to Schemata in Different Cultures: Western and Arab Music | |
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| Music as Medicine: The Adyghs' Case | |
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| Music and Drug-Induced Altered States of Consciousness | |
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| The Role of Music in Healing with Hallucinogens: Tribal and Western Studies | |
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| Polyrhythms Supporting a Pharmacotherapy: Music in the Iboga Initiation Ceremony in Gabon | |
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| Dangerous Music: Working with the Destructive and Healing Powers of Popular Music in the Treatment of Substance Abusers | |
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| On a Journey to Somatic Memory: Theoretical and Clinical Approaches for the Treatment of Traumatic Memories in Music Therapy-Based Drug Rehabilitation | |
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| Music Therapy and Spirituality: A Transcendental Understanding of Suffering | |
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| Music Therapy and Spirituality and the Challenges of End-Stage Illness | |
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| References | |
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| The Contributors | |
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| Subject Index | |
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| Author Index | |
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| List of Figures | |
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| Varieties of consciousness states according to Fischer 1971, p.898 | |
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| Liam Muhammad al Hindi | |
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| Example of some errors | |
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| Proportion of correct and mistaken verbal explanations and percentage of 'no answer' from Task 2 | |
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| The effect of musical knowledge on explanation from Task 2 (Western patterns) | |
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| Directions of errors: 'identical-similar-different' from Task 1 | |
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| The effect of learned schemata and culture from Task 1: percentage of errors in comparison of Western patterns based on harmony | |
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| The effect of culture and separation between components from Task 1: percentage of errors ('different' instead of 'similar') in comparison of two kinds of Arab pairs | |
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| The effect of minuscule momentary events, culture and knowledge from Task 1: percentage of errors in comparison of Arab patterns | |
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| The effect of category of patterns and knowledge from Task 3: percentage of errors in singing Western patterns | |
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| Topography of the mountains of the North Caucasus | |
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| Melody for the Chapsh ritual (from Shu 1997, p.31) | |
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| The rites at the bed of injured or traumatized people, the North Caucasus, settlement of Khakurinokhabl, 1927. Adygh National Museum, photographer unknown | |
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| Music used in the Chapsh ritual (from Shu 1997, p.30) | |
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| Melody for distraction from pain (from Shu 1997, p.32) | |
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| Melody for the operation of removing a bullet (from Shu 1997, p.33) | |
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| Apperception, functionality of perceptual reduction from Keidel (1975, Chapter 16, p.1) | |
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| Iboga visions | |
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| On the way to the ritual bath | |
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| Entering the community of initiated men | |
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| The art of variation: Raphia cloth of the Kuba tribe, Congo; from author's collection | |
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| Playing the mouth-bow | |
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| Mouth-bow music | |
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| Playing the bamboo cane | |
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| Antoine Makondo playing the harp | |
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| Polyrhythmic harp music with horizontal and vertical mirroring | |
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| Mayaya dance | |
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| The final dance | |
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| Possession trance | |
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| Polyrhythmic harp music with polymetric clapping | |
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| Arousal and the window of tolerance around optimal arousal | |
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| List of Tables | |
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| Differentiation of ecstasy and trance according to Rouget (1985, p.11 | |
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| PCI scales during drumming and alert state | |
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| Rhythmic categories in the content of the interviews | |
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| Categories in the content of the interviews associated with drumming | |
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| The six categories arranged hierarchically by errors and degrees of directionality | |
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| The effect of mathematical aptitude and negative correlation between success in identifying numerical series and errors in music | |
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| Polymetric placing of accents on 12 elementary beats at the time of X | |
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| The meaning of the eight harp strings | |
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| Definitions of spirituality from journal articles | |
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| Definitions of religion from journal articles | |