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Publisher's Note | |
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Author's Note | |
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Extenuating Circumstances | |
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poet becoming | |
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marital song | |
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sonnet of the hot flushes | |
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writing ode | |
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the men you were | |
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my words of love | |
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the day surrenders to its sadness | |
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illness | |
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morning tea | |
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how do you say this | |
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arrivals | |
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ma will be late | |
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transparency of the sole | |
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for my daughter | |
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for my son | |
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extenuating circumstances | |
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man and wife | |
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as the tale was told | |
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avowal | |
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paternoster | |
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The Lady as Allegory | |
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Lady Anne Barnard at the Castle of Good Hope | |
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"I think I am the first woman"- Lady Anne on Table Mountain | |
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from the Castle at Cape of Good Hope | |
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Lady Anne Barnard looks out on Table Bay | |
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Lady Anne looks out again from the Castle of Good Hope | |
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Lady Anne Barnard: remembered for her parties in my history book | |
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Lady Anne paints a watercolour of the Mission at Genadendal | |
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Lady Anne's inland diary | |
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Lady Anne leaves the Cape | |
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Lady Anne as guide because a hero needs a bard | |
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Lady Anne to Andrew Barnard in the Cape | |
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Andrew Barnard at the Cape to Lady Anne in London | |
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Lady Anne in Wimpole | |
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Lady Anne got back | |
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neither family nor friends says Lady Anne | |
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ending I | |
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Colour Never Comes Alone | |
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nine narratives from the stone-desert in 1999: | |
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Grief Fanner of Eksteenfontein | |
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Maria Johanna Domroch of Kubus | |
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old nomadic movement patterns | |
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goatfarmer oom Jakobus de Wet speaks poetry | |
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the narrative of stone | |
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on the banks of the Gariep river | |
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narrative of a diamond sorter | |
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narrative of another diamond sorter | |
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the goats | |
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/xam narratives (1873-1879): | |
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the wind | |
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what the stars say | |
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eaten by a lion | |
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the young man and the lion | |
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translations of praise poems from African languages: | |
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praise poem for Pheladi (P Mamogoho) | |
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until you give me a drink of water (C T Msimang) | |
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living the moons of the Pedi calendar | |
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praise poem for Desmond and Leah Tutu on his eightieth birthday | |
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Table Mountain rondeau in four parts | |
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VernacularWhite | |
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land | |
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Bessie | |
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every day I treat you as if you were mine | |
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scar- | |
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-tissue | |
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lament | |
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letter-poem lullaby for Ntombizana Atoo | |
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toilet poem | |
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nightmare of A Samuel born Krog | |
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a one dimensional song for the northern Freestate, more specifically Middenspruit* | |
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in transit-a cycle of the early nineties: | |
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first Christmas weekend under the state of emergency 1988 | |
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refused march at Kroonstad Monday 23 October 1989 | |
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Brentpark march 1990 | |
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1992 | |
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1994 (before the election) | |
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1995 (after the election) | |
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litany | |
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some seasonal observations of Table Mountain | |
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country of grief and grace: | |
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between you and me | |
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in the beginning is seeing | |
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speechless I stand | |
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because of you | |
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this body bereft | |
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what does one do with the old | |
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but if the old is not guilty | |
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becomings: | |
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(Citadel) | |
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(Beginning: Gor�e) | |
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(Griot Songs) | |
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(Griot's Story Told on the Niger) | |
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(River: N'ger-n-gereo) | |
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(Beverage) | |
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(Boat) | |
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(Free From the Tyranny of One) | |
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(Poet Becoming) | |
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Body Bereft | |
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it is true | |
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since | |
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five menopausal sonnets: like death in my arms | |
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bronze bull of Lavigny | |
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short visit | |
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hormone sonnet | |
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God, Death, Love | |
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leave me a lonely began | |
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when tight is loose | |
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softsift of the hourglass | |
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some seasonal observations of Table Mountain | |
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on my behalf | |