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Introduction | |
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Seeing | |
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See for Yourself Seven Ways the Artist Sees | |
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The Language of Painting Aesthetic Conventions | |
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Seeing in Symbols Form Follows | |
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Function Style Exotic Locations and Local | |
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Equivalents Learning from the Masters | |
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Looking at Paintings | |
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Tastes Change | |
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Principles | |
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The Fatigue Mutations Design-Contrast | |
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Gradation Theme and Variations-Major and Minor Themes | |
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Restraint Every Picture is Not a Painting Center of Interest | |
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Design Principles May Combine Pattern Organizing Principles | |
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Element Patterns | |
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Combining Patterns | |
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Organizing Patterns | |
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Balance Passage and Counterchange Patterns of Clarity and Interest Type | |
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Instinctive Types | |
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Acquired Types | |
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Formal Types | |
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Using Type Emotion | |
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Mood Stimulating Emotion | |
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Organizing Emotion | |
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Materials | |
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Color | |
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Basic Characteristics Color in Nature and Paint | |
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The Three-Value System | |
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Relative Clarity | |
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Secondary Characteristics Color Relationships | |
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Balance and Organization | |
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Seven Ways to Use Color | |
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Open and Closed Color Line | |
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Generating a Line | |
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The Language of Line Lost and Found Edges | |
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Hierarchy of Edges Texture | |
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The Golden Section Mass Form | |
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Description and Surface Texture | |
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Figure and Ground Volume | |
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The Picture Box Perspective Defined | |
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One-Point Perspective | |
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Two- and Three-Point Perspectives | |
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Proportional Division | |
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Uphill and Downhill Illusions | |
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Compromise Perspectives Overlap | |
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Perspective Aerial | |
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Perspective Light and Shade Scale Volume Control | |
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Look Into, Look Through, Look Over | |
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The Sense of Space | |
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The Bridge | |
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Style, the Bridge from Theory to Practice | |
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Personal Profile Procedure Planning | |
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The Notated Sketch | |
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The Plan View Pattern Schemes | |
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Format and Horizon Point of View and Key Color Plans | |
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Composition | |
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Drawing | |
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Painting | |
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The Underpainting Notan: The Second Layer | |
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Layering Editing-Spotting: The Final Darks Calligraphy | |
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The Line-and-Wash Job Framing | |
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The Crit Fine Points Learning | |
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The Purpose of Learning Apperceptive Mass | |
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The Gateway to Learning | |
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The Pathway to Memory | |
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The Pleasure of Practice | |
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The Autonomous Stage | |
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The Antidote to Tension Picture | |
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Credits | |
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Bibliography | |