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Preface | |
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Acknowledgments | |
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The Elements | |
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Getting Started: A Thumbnail Sketch of the Approach | |
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Toward a Working Definition of Narrative | |
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Profiles of Narrative | |
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Narrative: Basic Elements | |
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Framing the Approach: Some Background and Context | |
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Interdisciplinary Perspectives on Narrative and Narrative Theory | |
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Major Trends in Recent Scholarship on Narrative | |
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Back to the Elements: Narrative Occasions | |
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Situating Stories | |
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Sociolinguistic Approaches | |
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Positioning Theory | |
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The Narrative Communication Model | |
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Conclusion | |
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Temporality, Particularity, and Narrative: An Excursion into the Theory of Text Types | |
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From Contexts of Narration to Narrative as a Type of Text | |
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Text Types and Categorization Processes | |
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Narrative as a Text-Type Category: Descriptions versus Stories versus Explanations | |
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Coda: Text Types, Communicative Competence, and the Role of Stories in Science | |
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The Third Element; or, How to Build a Storyworld | |
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Narratives as Blueprints for Worldmaking | |
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Narrative Ways of Worldmaking | |
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Narrative Worlds: A Survey of Approaches | |
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Configuring Narrative Worlds: The WHAT, WHERE, and WHEN Dimensions of Storyworlds | |
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Worlds Disrupted: Narrativity and Noncanonical Events | |
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The Nexus of Narrative and Mind | |
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The Consciousness Factor | |
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Consciousness across Narrative Genres | |
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Experiencing Minds: What It's Like, Qualia, Raw Feels | |
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Storied Minds: Narrative Foundations of Consciousness? | |
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Appendix | |
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Literary Narrative: Ernest Hemingway's "Hills Like White Elephants" (1927) | |
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Narrative Told during Face-to-Face Communication: UFO or the Devil (2002) | |
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Excerpted Panels from Ghost World (1997), a Graphic Novel by Daniel Clowes | |
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Screenshots from Terry Zwigoff's Film Version of Ghost World (2001) | |
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Glossary | |
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Notes | |
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References | |
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Index | |