Preface | |
Introduction | |
On Translation | |
Chameleon | p. 2 |
What's Left of You | p. 4 |
I Don't Know | p. 4 |
To the Readers Who Write to Me | p. 4 |
Epigram for a Worm | p. 6 |
If | p. 6 |
Felines | p. 8 |
Seagulls | p. 8 |
Biographical News | p. 8 |
Love Says | p. 10 |
Meditations and Maxims | |
Madame X | p. 12 |
The Crazy Mother | p. 12 |
Before Our Encounter | p. 14 |
Map of the Winter Sky | p. 16 |
Spring | p. 16 |
It Is like a Shortness of Breath | p. 18 |
Anniversary with Agave Plants | p. 18 |
The White Summer Clothes Are Folded Away | p. 22 |
At Times I Say: Let's Try to Be Joyous | p. 22 |
Love, Today My Lip | p. 22 |
Now I Want All My Letters White Again | p. 24 |
Devout like a Branch | p. 24 |
Indian Summer | p. 26 |
The Tiger Absence | p. 26 |
Canon IV | p. 28 |
Brevity of Embraces | p. 30 |
Upon Closing the Book | p. 30 |
Readings | p. 30 |
In Emily's Manner | p. 32 |
I Look at You So Old | p. 32 |
Delivery | p. 34 |
Under an Impure Star | p. 34 |
Perhaps One Day There Will Be Ways | p. 36 |
Your Hands, My Love | p. 38 |
Circle and Obsession of Walls | p. 38 |
Etruscan Notebook | p. 40 |
I'd Like to Try Telling You of Spring | p. 42 |
Moviola | p. 44 |
The Present | p. 46 |
The Prison | p. 46 |
Memory's Usefulness | p. 48 |
It Is Said by Some Sailors, the Old | p. 48 |
Ultrasound | p. 50 |
The Crossroads | p. 50 |
To the Readers | p. 52 |
Spark of Green | p. 52 |
To the Victims of Mauthausen | p. 52 |
Role Reversal | p. 54 |
Old Dedication | p. 56 |
Against the Current | p. 56 |
To Allen Ginsberg and Co | p. 58 |
Places | p. 60 |
Work | p. 62 |
The Smile | p. 64 |
Eurydice | p. 66 |
Summer | p. 66 |
September 22nd | p. 68 |
October 27th | p. 68 |
December 15th | p. 76 |
April 5th | p. 76 |
June 30th | p. 78 |
Infinite We Count the Dead! The Dance Is Almost Finished! Death | p. 82 |
If the Soul Loses Its Gift Then It Loses Ground, If Hell | p. 82 |
Dawn Presented Itself Bare-Armed and Immodest | p. 84 |
A Feeble Little Voice: All It Takes Is Barely Opening the Shutter | p. 84 |
In the Evening the Sky Roams, a Meager | p. 84 |
Around This Body of Mine | p. 86 |
I Dreamt of Visiting Relatives | p. 88 |
A Blue That Isn't Even Blue or in Any Case | p. 88 |
The Mirrors! The | p. 90 |
Tonight with Bold Desire | p. 92 |
It Wasn't the Love of Others or Mine | p. 94 |
Steep Acquisitions Motionless Fears | p. 94 |
There Is Not and There Will Never Be So Much | p. 94 |
Here Where the Path | p. 96 |
If a Privileged Light | p. 96 |
Indeed You Came Home Too Late | p. 96 |
The Ship Waits in the Harbor | p. 98 |
What Is Left and by Now Reduced to Little | p. 98 |
Among Myths and Specters of the Future | p. 98 |
Love Dream Verse | p. 100 |
Dies irae | p. 102 |
Hymn | p. 102 |
Genesis | p. 104 |
Song of Reply | p. 104 |
Ah If at Least I Could | p. 106 |
The Bird of Fire | p. 106 |
I Leave You These Imprints on the Earth | p. 108 |
I Was Born on the Twenty-First in Spring | p. 108 |
The Overcoat | p. 108 |
I Open the Cigarette | p. 110 |
Talin of the Pasta Factory | p. 112 |
Sentimental Suffering of the Oyster of Smoke | p. 114 |
Rondeau Tempo | p. 116 |
The Angel Who Separated Us with the Flame | p. 118 |
Nursery Rhyme in Eight Strophes | p. 120 |
Bella and the Golem | p. 126 |
So Inferred | p. 134 |
The Clear Form Clashes | p. 134 |
Syntactic and Verbal | p. 134 |
Only Indirectly | p. 136 |
Harry's Bar Ballad | p. 138 |
The Geographical History | p. 140 |
Frisbees on Light | p. 142 |
Iteration | p. 148 |
Demand | p. 148 |
Project | p. 148 |
Ready-Made World | p. 148 |
"Now Melanctha Had neither Home, nor Regular Occupation." | p. 150 |
I Dreamt a Pig | p. 156 |
The Man with Long Legs | p. 156 |
Love If This Is Love | p. 158 |
Family Stories | p. 158 |
I Am Two | p. 160 |
I Spent the Night | p. 162 |
Your Face Has No Name | p. 164 |
Lemon, Hot Water and a Blood Clot | p. 164 |
A Little Woman with Medusa Eyes | p. 166 |
To Know Me? | p. 168 |
The Parabola of the Heart | p. 172 |
The Colic Passion | p. 176 |
The Tapestry of the Heart | p. 176 |
The Rooting | p. 180 |
The Scream of Abu Nuwas | p. 182 |
Forgetfulness is Not | p. 186 |
Difficult with You | p. 186 |
Even Your Escape Is a Bit Special | p. 188 |
The Nomad of the Sky | p. 190 |
In the Deposits of the Heart | p. 190 |
[To One Afflicted with Adolescence] | p. 192 |
Fragment for the Mother | p. 194 |
There Is Only One Almighty | p. 194 |
The Holm Oak | p. 196 |
The Name | p. 198 |
Biography | p. 198 |
If Nature Bellows | p. 200 |
In That Moment When the Body Drowns | p. 200 |
Let Us Love As We Choose: Water | p. 202 |
I Say That the Cricket the Scorpion the Grasshopper | p. 204 |
Epilogue [at the Proper Distance] | p. 204 |
The Poet's Home | |
If One Always Denies | p. 208 |
Body and Soul | p. 208 |
Distance | p. 210 |
Marsh Metropolitan Season | p. 212 |
Winter Landscape | p. 212 |
Brief Ecstasy | p. 212 |
The Dim Light Splits the Woods in Two Distinct Lines | p. 214 |
Erosion of Utopia or Rigor of Patience? | p. 214 |
It Is True. I Am Not a Poet the Way You Are | p. 214 |
Heloise | |
Dianae sumus in fide | p. 218 |
Myopia | p. 220 |
Shipwreck | p. 222 |
Self-Portrait in the Third Person | p. 222 |
There Was a Castle | p. 224 |
Illegitimate Poem | p. 224 |
I Wanted to Dream the Mailman | p. 224 |
The Lady of the Snow | p. 226 |
The Lady of the Last Time | p. 226 |
Newborn Lover | p. 226 |
The Gentleman in Front | p. 226 |
The Gentleman in the Heart | p. 228 |
The Gentleman and the Lady | p. 228 |
Little Girl | p. 228 |
Prayer of Mothers Who Unintentionally Failed Their Children | p. 230 |
Looking at the Moon | p. 230 |
Stunned, I Was Looking for Reasons | p. 232 |
In the Just Dampened Park | p. 232 |
To Simulate the Burning of the Heart, the Humiliation | p. 232 |
Far from the Kingdoms | p. 234 |
Of All Distances the Best Possible One | p. 234 |
Across My Face the Nights Fall | p. 236 |
Inside Your Sea My Boat Was Sailing | p. 236 |
If Now You Knocked on My Door | p. 238 |
It Will Not Apprehend the Object | p. 238 |
"I Go, but Where? Oh Gods!" | p. 240 |
Eurydice | p. 242 |
Sea Dreams | p. 242 |
Make Your Body a Heart | p. 246 |
The Heart and the Severed Head | p. 248 |
I | p. 250 |
The Lightening | p. 250 |
Nudity | p. 250 |
Monotony | p. 250 |
On the Sea | p. 252 |
Poems for a Little Boy | |
The Other Simulation | p. 258 |
The Word Knows How to Seduce the Flesh | p. 258 |
I Despair Because I Don't Have Words | p. 258 |
And This Is a Beautiful Night That in the Heart | p. 260 |
Why Are Those Who Are Loved So Dull and Leaden? | p. 260 |
Notes | p. 265 |
About the Poets | p. 271 |
Selected Bibliography | p. 301 |
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