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| Introduction | |
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| Founding Debates | |
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| Introduction: The Paradoxical Fits and Starts of the New "Optical Unconscious" | |
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| The "Arrested" Instant: Between Stillness and Motion | |
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| Photography/Cinema: Complementary Paradigms in the Early Twentieth Century | |
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| A Subjectivity Torn between Stasis and Movement: Still Image and Moving Image in Medical Discourse at the Turn of the 20th Century | |
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| 'A Series of Fragments': Man Ray's Le Retour � la raison (1923) | |
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| Crossings between Media | |
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| Introduction: Between the Photograph and the Film Frame | |
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| The Great Trade of Tricks: On Some Relations Between Conjuring Tricks, Photography, and Cinematography | |
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| "Cinema in a Single Photo": The Animated Screen Portrait of the 1910s | |
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| The Path�orama Still Film (1921): Isolated Phenomenon or Paradigm? | |
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| The Mixed Use of Still and Moving Images in Education during the Interwar Period | |
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| Cinema and the Printed Page | |
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| Introduction: Cinema Flipped Through: Film in the Press and in Illustrated Books | |
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| "The Little Paper Cinema": The Transformations of Illustration in Belle Epoque Periodicals | |
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| From Illustrated Narratives to Narratives in Images: Influences of the Moving Image on the French Daily Press in the Interwar Period | |
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| On a Cinema Imaginary of Photography (1928-1930) | |
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| From the Cinematic Book to the Film-Book | |
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| Freeze Frames | |
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| Introduction: Between Deadly Trace and Memorial Scansion: The Frozen Image in Film | |
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| Photography and the Denarrativization of Cinematic Practice in Italy, 1935-55 | |
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| After La Jet�e: Cine-Photo Albums of the Disaster Diane Arnaud | |
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| Postcards in Agn�s Varda's Cinema | |
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| Freeze Frame, Photograph, and Re-animation in Martin Scorsese's Films | |
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| Photo Browse and Film Browse: Between Images that Move and Images that Remain (in Chris Marker's Work) | |
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| Contemporary Sequences | |
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| Introduction: Sequencing, Looping | |
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| The Suspended Time of Movement: Muybridge, a Model for Conceptual Art | |
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| Chronophotography of Another Order: Nan Goldin's Life Told in Her Slide Shows | |
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| Pensive Hybrids: On some of Raymond Depardon's Filmo-photographic Setups | |
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| The Paradoxical Status of the Referent of Stillness in Comics | |
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| Biographical Notes on the Contributors | |
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| Index | |