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Between Still and Moving Images Photography and Cinema in the 20th Century

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ISBN-10: 0861967070

ISBN-13: 9780861967070

Edition: 2012

Authors: Laurent Guido, Olivier Lugon

List price: $32.00
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Between Still and Moving Images traces the evolving concepts of movement, duration, and the moment grounded in the fusion of still and moving images. By examining the relationship between different forms of visual media, the essays in this collection demonstrate the impact of such visual fusion on artistic production across mediums. Of the multiple unexpected consequences in the shift to digital technologies, the sudden convergence of still and moving images is apparent in every domain, whether amateur or professional. The union of these visual states is primarily technical: the same machine may produce one and the other, a computer screen can display either one, and a single key is able to…    
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Book details

List price: $32.00
Copyright year: 2012
Publisher: Indiana University Press
Publication date: 10/31/2012
Binding: Paperback
Pages: 350
Size: 5.98" wide x 9.02" long x 0.59" tall
Weight: 2.046
Language: English

Founding Debates
Introduction: The Paradoxical Fits and Starts of the New "Optical Unconscious"
The "Arrested" Instant: Between Stillness and Motion
Photography/Cinema: Complementary Paradigms in the Early Twentieth Century
A Subjectivity Torn between Stasis and Movement: Still Image and Moving Image in Medical Discourse at the Turn of the 20th Century
'A Series of Fragments': Man Ray's Le Retour � la raison (1923)
Crossings between Media
Introduction: Between the Photograph and the Film Frame
The Great Trade of Tricks: On Some Relations Between Conjuring Tricks, Photography, and Cinematography
"Cinema in a Single Photo": The Animated Screen Portrait of the 1910s
The Path�orama Still Film (1921): Isolated Phenomenon or Paradigm?
The Mixed Use of Still and Moving Images in Education during the Interwar Period
Cinema and the Printed Page
Introduction: Cinema Flipped Through: Film in the Press and in Illustrated Books
"The Little Paper Cinema": The Transformations of Illustration in Belle Epoque Periodicals
From Illustrated Narratives to Narratives in Images: Influences of the Moving Image on the French Daily Press in the Interwar Period
On a Cinema Imaginary of Photography (1928-1930)
From the Cinematic Book to the Film-Book
Freeze Frames
Introduction: Between Deadly Trace and Memorial Scansion: The Frozen Image in Film
Photography and the Denarrativization of Cinematic Practice in Italy, 1935-55
After La Jet�e: Cine-Photo Albums of the Disaster Diane Arnaud
Postcards in Agn�s Varda's Cinema
Freeze Frame, Photograph, and Re-animation in Martin Scorsese's Films
Photo Browse and Film Browse: Between Images that Move and Images that Remain (in Chris Marker's Work)
Contemporary Sequences
Introduction: Sequencing, Looping
The Suspended Time of Movement: Muybridge, a Model for Conceptual Art
Chronophotography of Another Order: Nan Goldin's Life Told in Her Slide Shows
Pensive Hybrids: On some of Raymond Depardon's Filmo-photographic Setups
The Paradoxical Status of the Referent of Stillness in Comics
Biographical Notes on the Contributors