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Inventions of the Studio, Renaissance to Romanticism

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ISBN-10: 080782903X

ISBN-13: 9780807829035

Edition: 2005

Authors: Michael Cole, Mary Pardo

List price: $69.95
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Between the time of Durer and that of Delacroix, the place the artist worked transformed into what nineteenth-century writers would call the "studio." The transformation implied a new kind of exchange between the workplaces of the artisan and the intellectual: art itself began to provide a model for new kinds of reflection, and the imagined place of its making a setting for cognate meditative practices. Eventually the studio, as a subject of painting, would be one through which artists would make their most ambitious statements about the nature of their vocations. InInventions of the Studio,six noted art historians follow this process over five centuries. The book looks at the Renaissance…    
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Book details

List price: $69.95
Copyright year: 2005
Publisher: University of North Carolina Press
Publication date: 1/24/2005
Binding: Hardcover
Pages: 264
Size: 6.12" wide x 9.25" long x 1.00" tall
Weight: 0.066
Language: English

Mary Pardo is associate professor of art history at the University of North Carolina at Chapel Hill.

Origins of the studio
Indoor-outdoor : the studio around 1500
Benedictus Arias Montanus and the virtual studio as a meditative place
The imagined studios of Rembrandt and Vermeer
Creation and death in the Romantic studio