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| Translator's Introduction | |
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| Translator's Note | |
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| Abbreviations | |
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| Editions of Nietzsche's Works | |
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| Editions of Other Works | |
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| Translator's Acknowledgements | |
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| An Unheard-of and Insolent Philosophy | |
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| Metaphor, Symbol, Metamorphosis | |
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| Music, the Privileged Art | |
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| The Strategic Status of Metaphor | |
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| The Rehabilitation of Metaphor | |
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| The Pre-Socratic Model | |
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| The Forgetting of Metaphor | |
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| The Originary Metaphorical Activity | |
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| The Artistic Paradigm | |
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| The Rhetorical Paradigm | |
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| The Concept | |
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| Concept and Language | |
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| Concept and Principle of Reason | |
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| The Metaphors for Metaphor | |
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| Genesis of the Concept and Genesis of Justice | |
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| Forgetting, the Product of a Perspectival Shift | |
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| The Role of the Priest | |
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| Morality, the Ally of Logic | |
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| Metaphorical Architectures | |
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| Architects' Good and Bad Taste | |
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| The Beehive | |
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| The Tower, the Bastion, the Stronghold | |
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| The Egyptian Pyramid and the Roman Columbarium | |
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| The Spider | |
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| Saturnalia | |
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| Nakedness, Dress | |
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| Proper, Appropriation, Property | |
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| History, Etymology, Genealogy | |
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| The Original Text, Homo Natura | |
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| Writing, Reading | |
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| To Have a Thousand Eyes | |
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| Vertigo | |
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| Misunderstanding | |
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| Genealogy, Interpretation, Text | |
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| Author's Acknowledgements | |
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| Notes | |
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| Sarah Kofman: A Complete Bibliography, 1963-1993 | |
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| Index of Nietzsche's Works Cited | |
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| General Index | |