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Acknowledgements | |
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Introduction: Altered States, Affect and Film | |
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Mixed Planes and Singular Encounters: Methods | |
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Critical Contexts | |
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Altered States: Menu | |
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The Dream Machine | |
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Spellbound | |
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Schizoanalysis, Becoming and Film | |
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Dreams in Anti-Oedipus | |
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Deleuze Bergson and Dreams | |
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Ultra-confusional Activity: Dreams and Un Chien andalou | |
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The Dreamer Entranced: Meshes of the Afternoon | |
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Waking Dreams: Fire Walk with Me | |
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Fire Walk with Me | |
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Worlds Out of Frame | |
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Beyond the Flashback: Recollections, Dreams and Thoughts | |
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From Dream-Image to Implied Dream: The Cinema of Enchantment and The Tales of Hoffmann | |
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Pharmacoanalysis | |
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Altered States: The Return of the Repressed | |
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Castaneda and Becoming-Primitive | |
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Creative (D)evolution | |
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Becoming Anti-matter | |
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Tuning In, Turning On, Dropping Out: The Trip and Easy Rider | |
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The Camera as Drug: Easy Rider | |
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The Breakdown: Trainspotting and Requiem for a Dream | |
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Black Holes and Lines of Death: Requiem for a Dream | |
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Counter-actualisation: Two Kinds of Death | |
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Inauguration of the Pleasure Dome: Narcotic Multiplicity | |
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Dancing in the Light: Ecstasy in Human Traffic | |
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Conclusions: Pharmacoanalysis and the Great Health | |
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Altered Body Maps and the Cinematic Sensorium | |
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Sensational Cinema | |
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Images of Sensation | |
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Stan Brakhage and the Art of Vision | |
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Dog Star Man: Connection to the Cosmos | |
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Flicker | |
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The Flicker: Stroboscopic Film | |
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Yantra and Lapis: Analogue Trance | |
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Sensational Sex | |
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Fuses | |
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Performance: Erotic Home Movie | |
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Strange Days: Sex in the Head | |
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Altered States of Time | |
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Sculpting in Time: Deleuze, Tarkovsky and Stalker | |
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Bergson's Time: Movement and Duration | |
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Deleuze's Time-Image | |
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Entrancing Time: The Crystal-Image and Altered States in Heart of Glass | |
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The Crystal-Image | |
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Agitation of the Mind | |
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Crystal and Cloud | |
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Liquid Crystal: Stalker | |
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Donnie Darko: Incompossible Worlds | |
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Deflecting Time's Arrow | |
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2001: A Time Odyssey | |
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A Prehistory of Consciousness | |
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Jupiter and Beyond the Infinite | |
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Insert: The Abstract Time-Image | |
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Time in a Room | |
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Conclusion: Becoming-Fractal | |
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Virtual States/Actual Implications | |
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Forms of Thought or Creation | |
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Bibliography | |
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Works Cited | |
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Electronic Resources | |
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Filmography | |
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Index | |