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Mass Communication and American Social Thought Key Texts, 1919-1968

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ISBN-10: 0742528391

ISBN-13: 9780742528390

Edition: 2004

Authors: John Durham Peters, Peter Simonson, Jane. Addams, Theodor Adorno, Gordon Allport

List price: $107.00
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Description:

This anthology of hard-to-find primary documents provides a solid overview of the foundations of American media studies. Focusing on mass communication and society and how this research fits into larger patterns of social thought, this valuable collection features key texts covering the media studies traditions of the Chicago school, the effects tradition, the critical theory of the Frankfurt school, and mass society theory. Where possible, articles are reproduced in their entirety to preserve the historical flavor and texture of the original works. This text is ideal for upper-level courses in mass communication and media theory, media and society, mass communication effects, and mass…    
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Book details

List price: $107.00
Copyright year: 2004
Publisher: Rowman & Littlefield Publishers, Incorporated
Publication date: 8/3/2004
Binding: Paperback
Pages: 552
Size: 7.00" wide x 9.92" long x 1.01" tall
Weight: 2.728
Language: English

Jane Addams was born Laura Jane Addams in Cedarville, Illinois, on September 6, 1860. She graduated from Rockford Female Seminary with the hope of attending medical school. Her father opposed her unconventional ambition and, in an attempt to redirect it, sent her to Europe. In London, Addams was moved by the work done at Toynbee Hall, a settlement house. Upon her return to the United States, she began her lifelong fight for the underprivileged, women, children laborers, and social reform. In the space of four years she received Yale University's first honorary doctorate awarded to a woman, published her first book, was the first woman president of the National Conference of Charities and…    

Theodor W. Adorno is the progenitor of critical theory, a central figure in aesthetics, and the century's foremost philosopher of music. He was born and educated in Frankfurt, Germany. After completing his Ph.D. in philosophy, he went to Vienna, where he studied composition with Alban Berg. He soon was bitterly disappointed with his own lack of talent and turned to musicology. In 1928 Adorno returned to Frankfurt to join the Institute for Social Research, commonly known as The Frankfurt School. At first a privately endowed center for Marxist studies, the school was merged with Frankfort's university under Adorno's directorship in the 1950s. As a refugee from Nazi Germany during World War…    

Introduction: Mass Communication and American Social Thought: Key Texts, 1919-1968
From Hope to Disillusionment: Mass Communication Theory Coalesces, 1919-1933
Introduction
"The Process of Social Change," from Political Science Quarterly (1897)
"The House of Dreams," from The Spirit of Youth and the City Streets (1909)
From Winesburg, Ohio (1919)
From the Introduction to the Science of Sociology (1921)
"Nature, Communication, and Meaning," from Experience and Nature (1925)
"The Disenchanted Man," from The Phantom Public (1925)
"Criteria of Negro Art," from Crisis Magazine (1926)
"The Results of Propaganda," from Propaganda Technique in the World War (1927)
"Manipulating Public Opinion: The Why and the How" (1928)
From Middletown: A Study in Contemporary American Culture (1929)
"Communication," from Encyclopaedia of the Social Sciences (1931)
The World in Turmoil: Communications Research, 1933-1949
Introduction
"Conclusion," from Movies and Conduct (1933)
"The Integration of Communication," from Communication Agencies and Social Life (1933)
"Toward a Critique of Negro Music," from Opportunity (1934)
From Technics and Civilization (1934)
"The Business Nobody Knows," from Our Master's Voice (1934)
"The Influence of Radio upon Mental and Social Life," from The Psychology of Radio (1935)
"Foreword," from Public Opinion Quarterly (1937)
"Human Interest Stories and Democracy," from Public Opinion Quarterly (1937)
From The Fine Art of Propaganda (1939)
"A Powerful, Bold, and Unmeasurable Party?" from The Pulse of Democracy (1940)
"Democracy in Reverse," from Public Opinion Quarterly (1940)
"Needed Research in Communication," from the Rockefeller Archives (1940)
"On Borrowed Experience: An Analysis of Listening to Daytime Sketches," from Studies in Philosophy and Social Science (1941)
"Art and Mass Culture," from Studies in Philosophy and Social Science (1941)
"Administrative and Critical Communications Research," from Studies in Philosophy and Social Science (1941)
"The Popular Music Industry," from Radio Research 1941 (1942)
From Dialectic of Enlightenment (1944)
"Nazi Propaganda and Violence," from German Radio Propaganda (1944)
"Biographies in Popular Magazines," from Radio Research 1942-1943 (1944)
"The Negro Press," from An American Dilemma: The Negro Problem and Modern Democracy (1944)
"A Social Critique of Radio Music," from the Kenyon Review (1945)
"The Social and Cultural Context," from Mass Persuasion (1946)
"The Requirements," from A Free and Responsible Press (1947)
"Mass Media," from UNESCO: Its Philosophy and Purpose (1947)
"The Enormous Radio," from The Enormous Radio and Other Stories (1947)
"Mass Communication, Popular Taste, and Organized Social Action," from The Communication of Ideas (1948)
Table from "Communication Research and the Social Psychologist," from Current Trends in Social Psychology (1948)
"Information, Language, and Society," from Cybernetics: Control and Communication in the Animal and the Machine (1948)
"Consensus and Mass Communication," from American Sociological Review (1948)
"What 'Missing the Newspaper' Means," from Communications Research (1949)
The American Dream and Its Discontents: Mass Communication Theory, 1949-1968
Introduction
"Industrialism and Cultural Values," from The Bias of Communication (1950)
"Emerging from Magic," from Hollywood: The Dream Factory (1950)
"Storytellers as Tutors in Technique," from The Lonely Crowd (1950)
"Our Next Frontier...Transoceanic TV," from Look (1950)
"Communication in the Sovietized State, as Demonstrated in Korea," from Public Opinion Quarterly (1951)
"The Consumer's Stake in Radio and Television," from Quarterly of Film, Radio and Television (1951)
"The Unique Perspective of Television and Its Effect: A Pilot Study," from American Sociological Review (1952)
"Technology and Political Change," from International Journal (1952)
"A Theory of Mass Culture," from Diogenes (1953)
"Sight, Sound, and Fury," from Commonweal (1954)
"Between Media and Mass," from Personal Influence (1955)
"The Theory of Mass Society: A Critique," from Commentary (1956)
"Mass Communication and Para-Social Interaction: Observations on Intimacy at a Distance," from Psychiatry (1956)
"The Mass Society," from The Power Elite (1956)
"FDR and the White House Mail," from Public Opinion Quarterly (1956)
"Notes on a Natural History of Fads," from American Journal of Sociology (1957)
"Mass Communication and Socio-cultural Integration," from Social Forces (1958)
"Modernizing Styles of Life: A Theory," from The Passing of Traditional Society (1958)
"The Social-Anatomy of the Romance-Confession Cover Girl," from Journalism Quarterly (1959)
"The State of Communication Research," from Public Opinion Quarterly (1959)
"The State of Communication Research: Comments," from Public Opinion Quarterly (1959)
"What Is Mass Communication?" from Mass Communication: A Sociological Perspective (1959)
"Social Theory and Mass Media," from Canadian Journal of Economics and Political Science (1961)
"Television and the Public Interest" (1961)
"The Kennedy Assassination and the Nature of Political Commitment," from The Kennedy Assassination and the American Public (1965)
"TV Overseas: The U.S. Hard Sell," from The Nation (1966)
"Aggressiveness in Advanced Industrial Societies," from Negations (1968)
Afterword and Acknowledgments
Other Readers and Historical Collections in American Mass Communication Study and Related Subjects
Suggested Films
Select Supplementary Reading List
The Intellectual History of North American Media Studies, 1919-1968: A Selected Bibliography (Including Works Cited in Interpretive Essays)
Credits
Index