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| Acknowledgements | |
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| Introduction | |
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| A New England Called Ireland? | |
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| Ireland--England's Unconscious? Interchapter | |
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| Oscar Wilde--The Artist as Irishman | |
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| John Bull's Other Islander | |
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| Anglo-Ireland: The Woman's Part Interchapter | |
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| Tragedies of Manners | |
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| Lady Gregory and the Empire Boys | |
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| Yeats: Looking Into The Lion's Face Interchapter | |
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| Childhood and Ireland | |
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| The National Longing for Form | |
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| Return To The Source? Interchapter | |
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| Deanglicization | |
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| Nationality or Cosmopolitanism? | |
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| Remembering the Future | |
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| Revolution And War Interchapter | |
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| Uprising | |
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| The Plebeians Revise the Uprising | |
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| The Great War and Irish Memory | |
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| Worlds Apart? | |
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| Ireland and the End of Empire | |
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| Inventing irelands interchapter | |
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| Writing Ireland, Reading England | |
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| Inventing Irelands | |
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| Revolt Into Style | |
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| The Last Aisling--A Vision | |
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| James Joyce and Mythic Realism | |
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| Sexual Politics Interchapter | |
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| Elizabeth Bowen--The Dandy in Revolt | |
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| Fathers and Sons | |
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| Mothers and Daughters | |
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| Protestant Revivals Interchapter | |
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| Protholics and Cathestants | |
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| Fabian Feminist, Protestant Mystic | |
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| The Winding Stair | |
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| Religious Writing: Beckett and Others | |
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| Underdevelopment Interchapter | |
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| The Periphery and the Centre | |
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| Flann O'Brien, Myles, and The Poor Mouth | |
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| The Empire Writes Back | |
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| Beckett's Texts of Laughter and Forgetting | |
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| Post-Colonial Ireland--"A Quaking Sod" | |
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| Recovery and Renewal Interchapter | |
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| Under Pressure--The Writer and Society 1960-90 | |
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| Friel Translating | |
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| Translating Tradition | |
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| Reinventing Ireland | |
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| Imagining Irish Studies Notes | |
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| Index | |