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British Theatre Between the Wars, 1918-1939

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ISBN-10: 052162407X

ISBN-13: 9780521624077

Edition: 2000

Authors: Clive Barker, Maggie B. Gale, David Bradby

List price: $138.00
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Description:

Initiating a reassessment of mid-twentieth century British theatre cultures, this volume brings together essays that reflect a complex theatre world, with accounts of the craze for thrillers, musicals and revues alongside analyses of pageantry.
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Book details

List price: $138.00
Copyright year: 2000
Publisher: Cambridge University Press
Publication date: 3/15/2001
Binding: Hardcover
Pages: 272
Size: 6.30" wide x 9.33" long x 0.94" tall
Weight: 1.232
Language: English

Critics of the horror story have frequently called Clive Barker the "British Stephen King". Born in Liverpool in 1952, Barker attended the University of Liverpool but moved to London in 1977, where he worked as a commercial artist and became involved with the avant-garde theatrical community. Primarily a playwright during this period, he also produced short fiction that he would eventually publish as part of his six-volume collection titled Books of Blood (1984-85). More than any other author of contemporary horror fiction, Barker has had a major impact on the direction of the genre. He has introduced strong elements of sex and graphic violence into his fiction, but these elements are…    

List of illustrations
Notes on contributors
Introduction
Theatre and society: the Edwardian legacy, the First World War and the inter-war years
Body parts: the success of the thriller in the inter-war years
When men were men and women were women
Girl crazy: musicals and revue between the wars
Errant nymphs: women and the inter-war theatre
Blood on the bright young things: Shakespeare in the 1930s
The religion of socialism or a pleasant Sunday afternoon?: The ILP Arts Guild
Delving the levels of memory and dressing up in the past
The ghosts of war: stage ghosts and time slips as a response to war
Index