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List of Tables | |
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Acknowledgments | |
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The Representation of Form and Space | |
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Perspective on Drawing: Deriving a Developmental Model for Artistic Talent | |
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The Role of Figurative and Operative Processes in Talent: A Working Hypothesis | |
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Conception, Perception, and Production in Children's Drawings | |
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The Role of Visual Exploration, Memory, and Representation in Drawing | |
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Summary and Predictions | |
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Samples and Methods for the Spontaneous Drawings Studies | |
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Identifying Talent | |
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Sampling and Design for Studies | |
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From Line to Representaion | |
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The Elements of Drawing | |
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Line, Shape, and Plane in the Spontaneous Drawings Studies | |
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Qualitative Illustrations of Similarities and Differences in Drawings of Talented Less Talented Children | |
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Conclusions | |
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The Human Figure | |
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The Human Figure Emerges | |
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Development of Figure Proportions | |
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Development of Figure Rotation in the Spontaneous Drawings Studies | |
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Case Studies of the Development of Rotation in Talented Children | |
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The Evolution of Single Viewpoint | |
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Toward Realism in Representing Space | |
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Tracing the Development of Perspective in the Spontaneous Drawings Studies | |
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Case Studies of the Development of Perfective Drawing | |
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Conclusions | |
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Putting Pictorial Space Together | |
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Developmental Change | |
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Development Rate in the Spontaneous Drawings Studies | |
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Individual Trajectories for Talented Children | |
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Composition | |
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Composing the Picture | |
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Principles of Composition | |
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Studies of Children's Artistic Compositions and Aesthetic Experience | |
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Compositions by Talented Children | |
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Conclusions | |
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Conducting the Composition Study: Methods and Procedures | |
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Composition Tasks and Procedures | |
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Analyzing the Children's Compositions | |
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The Compositions Studies | |
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Analyzing Children's Free Compositions | |
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Analyzing the Provoked Compositions | |
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Conclusions | |
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Toward a Model of Artistic Development | |
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An Integrated Model of Artistic Development | |
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Appendixes | |
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Bibliography | |
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Index | |