Playing with History The Historical Approach to Musical Performance
Buy it from $41.97
This item qualifies for FREE shipping
*A minimum purchase of $35 is required. Shipping is provided via FedEx SmartPost® and FedEx Express Saver®. Average delivery time is 1 – 5 business days, but is not guaranteed in that timeframe. Also allow 1 - 2 days for processing. Free shipping is eligible only in the continental United States and excludes Hawaii, Alaska and Puerto Rico. FedEx service marks used by permission."Marketplace" orders are not eligible for free or discounted shipping.
30 day, 100% satisfaction guarantee
If an item you ordered from TextbookRush does not meet your expectations due to an error on our part, simply fill out a return request and then return it by mail within 30 days of ordering it for a full refund of item cost.
Learn more about our returns policy
Description: Butt sums up recent debates on the nature of the early music movement & historically informed performance, calling upon ideas from historical musicology, analytic philosophy, literary theory, historiography & theories of modernism & post modernism.
Rush Rewards U
You have reached 400 XP and carrot coins. That is the daily max!
Limited time offer:
Get the first one free!
All the information you need in one place! Each Study Brief is a summary of one specific subject; facts, figures, and explanations to help you learn faster.
Copyright year: 2002
Publisher: Cambridge University Press
Publication date: 5/30/2002
Size: 6.00" wide x 9.00" long x 0.75" tall
Laurence Dreyfus is Professor of Music at the University of Oxford and a Fellow of Magdalen College.
|List of abbreviations|
|Historically Informed Performance in Music Criticism|
|Joining the historical performance debate|
|Historically Informed Performance and the Implications for Work, Composer and Notation|
|Historical performance and 'truth to the work': history and the subversion of Platonism|
|Historical performance and 'truth to the composer': rehabilitating intention|
|Negotiating between work, composer and performer: rewriting the story of notational progress|
|Historically Informed Performance within the Culture of the Late Twentieth Century|
|Historical performance at the crossroads of modernism and postmodernism|
|'A reactionary wolf in countercultural sheep's clothing?' - historical performance, the heritage Industry and the politics of revival|