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| The Lover Showeth How He Is Forsaken of Such as He Sometime Enjoyed | |
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| The Appeal | |
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| 'One Day I Wrote Her Name upon the Strand' | |
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| "'As Ye Came from the Holy Land'" | |
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| Her Reply | |
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| 'Loving in Truth, and Fain in Verse My Love to Show' | |
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| His Lady's Cruelty | |
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| The Bargain | |
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| Cards and Kisses | |
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| A Summer Song | |
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| Diaphenia | |
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| 'If This Be Love, to Draw a Weary Breath' | |
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| The Parting | |
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| The Passionate Shepherd to His Love | |
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| 'Shall I Compare Thee to a Summer's Day?' | |
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| 'That Time of Year Thou Mayst in Me Behold' | |
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| 'From You Have I Been Absent in the Spring' | |
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| 'When in the Chronicle of Wasted Time' | |
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| 'Let Me Not to the Marriage of True Minds' | |
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| 'My Mistress' Eyes Are Nothing Like the Sun' | |
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| Cherry-Ripe | |
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| 'Thou Art Not Fair, for All Thy Red and White' | |
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| Vobiscum est Iope | |
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| Elizabeth of Bohemia | |
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| The Sun Rising | |
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| The Canonization | |
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| Song | |
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| The Apparition | |
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| The Ecstasy | |
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| The Funeral | |
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| Elegy: On His Mistress Going to Bed | |
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| To Celia | |
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| The Hour Glass | |
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| Matin Song | |
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| 'I Loved a Lass, a Fair One' | |
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| To the Virgins, to Make Much of Time | |
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| Upon Julia's Clothes | |
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| Chop-Cherry | |
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| A Divine Rapture | |
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| Sonnet | |
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| Exequy on His Wife | |
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| Song | |
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| To His Inconstant Mistress | |
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| On a Girdle | |
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| Song | |
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| On His Deceased Wife | |
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| 'Why So Pale and Wan, Fond Lover?' | |
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| The Constant Lover | |
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| To Lucasta, Going to the Wars | |
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| To Althea, from Prison | |
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| The Scrutiny | |
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| To His Coy Mistress | |
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| The Definition of Love | |
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| The Mower to the Glo-Worms | |
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| 'Farewell, Ungrateful Traitor!' | |
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| Return | |
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| A Song of a Young Lady to Her Ancient Lover | |
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| An Ode | |
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| 'Pious Selinda Goes to Prayers' | |
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| 'False though She Be to Me and Love' | |
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| Sweet William's Farewell to Black-Eyed Susan | |
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| Sally in Our Alley | |
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| To Mary | |
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| 'How Sweet I Roam'd from Field to Field' | |
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| Love's Secret | |
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| The Clod and the Pebble | |
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| The Garden of Love | |
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| 'Of A' the Airts the Wind Can Blaw' | |
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| John Anderson My Jo | |
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| The Banks o' Doon | |
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| A Red, Red Rose | |
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| 'Strange Fits of Passion Have I Known' | |
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| 'She Dwelt among the Untrodden Ways' | |
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| 'Surprised by Joy--Impatient as the Wind' | |
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| An Hour with Thee | |
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| 'Past Ruin'd Ilion Helen Lives' | |
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| 'Proud Word You Never Spoke, but You Will Speak' | |
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| Rose Aylmer | |
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| 'You Smiled, You Spoke, and I Believed' | |
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| 'The Torch of Love Dispels the Gloom' | |
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| 'If I Am Proud, You Surely Know' | |
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| Freedom and Love | |
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| Did Not | |
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| An Argument | |
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| At the Mid Hour of Night | |
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| 'When We Two Parted' | |
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| 'She Walks in Beauty, Like the Night' | |
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| 'So, We'll Go No More A-Roving' | |
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| Love's Philosophy | |
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| To | |
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| First Love | |
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| To Mary: 'It Is the Evening Hour' | |
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| To Mary: 'I Sleep with Thee, and Wake with Thee' | |
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| The Secret | |
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| I Hid My Love | |
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| 'Bright Star, Would I Were Stedfast as Thou Art--' | |
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| Ruth | |
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| The Wife A-Lost | |
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| Give All to Love | |
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| 'I Thought Once How Theocritus Had Sung' | |
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| 'How Do I Love Thee? Let Me Count the Ways' | |
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| To Helen | |
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| To One in Paradise | |
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| Annabel Lee | |
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| 'Now Sleeps the Crimson Petal, Now the White' | |
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| 'Come Not, When I Am Dead' | |
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| The Last Ride Together | |
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| Meeting at Night | |
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| Bad Dreams | |
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| Love | |
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| Remembrance | |
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| 'If Grief for Grief Can Touch Thee' | |
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| Once I Pass'd through a Populous City | |
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| When I Heard at the Close of the Day | |
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| Sometimes with One I Love | |
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| As if a Phantom Caress'd Me | |
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| From Pent-Up Aching Rivers | |
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| Longing | |
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| Absence | |
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| The Revelation | |
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| A Farewell | |
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| The Azalea | |
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| Sudden Light | |
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| Silent Noon | |
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| Severed Selves | |
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| Without Her | |
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| The Orchard-Pit | |
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| 'By This He Knew She Wept with Waking Eyes' | |
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| 'In Our Old Shipwrecked Days There Was an Hour' | |
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| 'We Outgrow Love Like Other Things' | |
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| 'My Life Closed Twice before Its Close' | |
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| A Birthday | |
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| Echo | |
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| May | |
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| The First Day | |
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| Love Is Enough | |
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| Love and Sleep | |
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| St. Valentine's Day | |
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| A Broken Appointment | |
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| In a Cathedral City | |
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| A Thunderstorm in Town | |
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| Renouncement | |
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| 'Oh, When I Was in Love with You' | |
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| 'Along the Field as We Came By' | |
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| 'White in the Moon the Long Road Lies' | |
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| Down by the Salley Gardens | |
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| Brown Penny | |
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| A Drinking Song | |
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| Never Give All the Heart | |
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| When You Are Old | |
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| White Heliotrope | |
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| Non sum qualis eram bonae sub regno Cynarae | |
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| Eros Turannos | |
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| Juliet | |
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| Meeting and Passing | |
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| Gloire de Dijon | |
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| Ezra Pound (1885-1972) | |
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| The River-Merchant's Wife: A Letter | |
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| Like the Touch of Rain | |
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| Piazza Piece | |
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| 'I, Being Born a Woman and Distressed' | |
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| Carrier Letter | |
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| Alphabetical List of Titles and First Lines | |