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Introduction | |
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Setting the Scene: Weimar Berlin, circa 1920 | |
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Historical Legacies and Reformist Beginnings | |
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Martin Wagner and the New Berlin | |
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Case Study: Potsdamer Platz | |
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Mapping Weimar Society: On Masses, Classes, and White-Collar Workers | |
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The Rise of the White-Collar Workers | |
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Weimar Berlin, the Quintessential Modern Metropolis | |
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Mass Discourse and White-Collar Culture | |
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White-Collar Culture and the New Objectivity | |
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Organizing the Modern Masses: New Building in Weimar Berlin | |
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Constructing the New Berlin | |
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The Project of New Building | |
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Erich Mendelsohn and the Functionalist Aesthetic | |
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Ludwig Hilberseimer and the High-Rise City | |
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Walking in the Metropolis: The City Texts of Franz Hessel and Siegfried Kracauer | |
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Case Study: The Kurfurstendamm | |
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Hessel's Urban Flaneries | |
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Kracauer's Urban Hieroglyphics | |
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Picturing the New Berlin: Photography, Architecture, and Modern Mass Society | |
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Architecture and Photography in Weimar Culture | |
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Case Study: Mossehaus | |
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Images of Alexanderplatz | |
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Deconstructing Modern Subjectivity: On Berlin Alexanderplatz | |
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Case Study: Alexanderplatz | |
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On the Streets with Franz Biberkopf | |
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The City Novel and Weimar Literary Culture | |
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Alfred Doblin and Berlin | |
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Reconstructing Modern Subjectivity: On Berlin, Symphony of the Big City | |
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A City Symphony in Five Movements | |
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Walter Ruttmann and the City Film | |
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The Spectacle of White-Collar Culture | |
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Critical Reception and Filmic Reinterpretation | |
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Notes | |
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Index of Names | |
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Index of Places | |
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Index of Titles | |