Vested Interests Cross-Dressing and Cultural Anxiety
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Description: Beginning with the bold claim, "There can be no culture without the transvestite," Marjorie Garber explores the nature and significance of cross-dressing and of the West's recurring fascination with it. Vested Interests is a tour de force of cultural criticism: its investigations range across history, literature, film, photography, and popular and mass culture, from Shakespeare to Mark Twain, from Oscar Wilde to Peter Pan, from transsexual surgery and transvestite "sororities" to Madonna, Flip Wilson, Rudolph Valentino and Elvis Presley. What, Garber asks, does clothing have to do with sexuality? How do dress codes contribute to the organization of society? How is passing as a man or a woman related to racial passing? Is transvestitism a sign of homosexuality? What are the politics of drag? Why are cross-dressing rituals so commonly a part of the male power elite? How do transvestites appear--and disappear--in detective fiction? Is religious costume a kind ofcross-dressing? Why is Peter Pan played by a woman? The books fifteen chapters include "Cross-Dressing for Success," "Fetish Envy," The Chic of Araby," "Phantoms of the Opera," "Black and White TV" (on transvestitism in African-American literature and culture), Spare Parts" (on transsexual surgery, the surgical construction of gender) and "Red Riding Hood and the Wolf in Bed." Rich in anecdote and insight, Vested Interests offers a provocative and entertaining view of our ongoing obsession with dressing up--and with the power of clothes.
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List price: $41.95
Copyright year: 1998
Publication date: 11/25/1997
Size: 7.00" wide x 10.25" long x 1.25" tall
|Introduction List of Plates|
|Dress Codes or the Theatricality of Difference|
|Cross-Dress for Success|
|The Transvestite's Progress|
|Spare Parts: The Surgical Construction of Gender|
|Breaking the Code: Transvestitism and Gay Identity|
|Fear of Flying or Why is Peter Pan a Woman|
|Cherchez la Femme: Cross-Dressing in Detective Fiction|
|Phantoms of the Opera: Actor, Diplomat, Transvestite, Spy|
|Black and White TV: Cross-Dressing the Colour Line|
|The Chic of Araby: Transvestitism and the Erotics of Cultural Appropriation|
|The Transvestite Continuum: Liberace-Valentino-Elvis Conclusion a tergo: Red Riding- Hood and the Wolf in Bed|