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| List of illustrations | |
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| Acknowledgements | |
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| Permissions | |
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| Introduction: The Field of Subcultural Studies | |
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| The Chicago School and Urban Ethnography | |
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| Introduction to Part One | |
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| The City: Suggestions for the Investigation of Human Behavior in the Urban Environment [1925] | |
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| The Life-Cycle of the Taxi-Dancer [1932] | |
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| The Concept of the Sub-Culture and its Application [1947] | |
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| A General Theory of Subcultures [1955] | |
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| Research Method, Morality and Criminology [1967] | |
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| Notes on the Status of the Concept Subculture [1970] | |
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| The Birmingham Tradition and Cultural Studies | |
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| Introduction to Part Two | |
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| Subcultural Conflict and Working-Class Community [1972] | |
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| Subcultures, Cultures and Class [1975] | |
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| Girls and Subcultures [1977] | |
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| Culture, Institution, Differentiation [1977] | |
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| Subculture: The Meaning of Style [1979] | |
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| Second-Hand Dresses and the Role of the Ragmarket [1989] | |
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| Outside Cultural Studies: Critiques and Alternatives | |
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| Introduction to Part Three | |
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| The Subterranean World of Play [1971] | |
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| Symbols of Trouble [1980] | |
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| Defending Ski-Jumpers: A Critique of Theories of Youth Subcultures [1981] | |
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| Social Surveillance and Subjectification: The Emergence of 'Subculture' in the Work of Henry Mayhew [1990] | |
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| The Social Logic of Subcultural Capital [1995] | |
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| The Emotional Community: Research Arguments [1996] | |
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| Territories, Space, Otherness | |
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| Introduction to Part Four | |
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| Gangland [1927] | |
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| The Problem of Cornerville [1943] | |
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| Hospital Underlife: Places [1961] | |
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| Life on the Terraces [1978] | |
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| Blank Figures in the Countryside [2000] | |
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| Performing the City [2001] | |
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| Style, Fashion, Signature | |
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| Introduction to Part Five | |
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| Zoot-Suiters and Mexicans: Symbols in Crowd Behavior [1956] | |
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| Fashion and Revolt [1963] | |
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| Posing ... Threats, Striking ... Poses: Youth, Surveillance, and Display [1983] | |
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| Black Hair/Style Politics [1987] | |
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| The Graffiti Subculture: Making a World of Difference [2001] | |
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| Tattoo Enthusiasts: Subculture or Figuration? [2003] | |
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| Sexed Subjects | |
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| Introduction to Part Six | |
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| The Sociologist as Voyeur [1970] | |
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| Aids Activist Graphics: A Demonstration [1990] | |
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| Real Men, Phallicism and Fascism [1996] | |
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| When is a Body not a Body? When it's a Building [1996] | |
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| Drag Kings: Masculinity and Performance [1998] | |
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| Waiting for No Man: Bisexual Femme Subjectivity and Cultural Repudiation [1998] | |
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| Scenes of Music | |
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| Introduction to Part Seven | |
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| The Culture of a Deviant Group: The Dance Musician [1963] | |
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| Listening to Punk [1985] | |
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| Diaspora, Utopia and the Critique of Capitalism [1987] | |
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| Communities and Scenes in Popular Music [1991] | |
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| Disco 'Super-Culture': Consuming Foreing Sex in the Chinese Disco [1999] | |
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| Moments of Ecstasy: Oceanic and Ecstatic Experiences in Clubbing [1999] | |
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| Virtual, Mediated, Globalized | |
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| Introduction to Part Eight | |
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| Introduction to The Virtual Community [1994] | |
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| Community: The Zine Scene [1997] | |
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| Amateur Manga Subculture and the Otaku Incident [2000] | |
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| Meat and Metal [2000] | |
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| Communicating Goth: On-line Media [2002] | |
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| Notes on the Global Underground: Subcultures and Globalization [2004] | |
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