Acknowledgments | |
Introduction | |
Panel | |
The Art of Film Music | p. 1 |
You Can't Go Home Again: David Shire on Return to Oz | p. 18 |
Suspicion Breeds Confidence: Michael Kamen on Brazil | p. 25 |
Getting a Foot in the Door | p. 33 |
Unto the Breach: Patrick Doyle on Henry V | p. 40 |
Scissors Cur Paper Wraps Stone: Collaboration | p. 47 |
Backward Prison Gangs, Scandinavian Hymns, "Danny Boy," and Yodeling: Carter Burwell on the Coen Brothers | p. 57 |
Immersion: Beginning the Process | p. 72 |
Bait-and-Switch: Elmer Bernstein on The Grifters | p. 96 |
Collaboration with Other Composers | p. 101 |
A Friend Like Me: Alan Menken on Howard Ashman and the Rebirth of the Film Musical | p. 104 |
Bending the Rules | p. 130 |
Sounds of Apocalypse: John Corigliano on Altered States | p. 131 |
Life in Transformation: Phillip Glass on Koyaanisqatsi and Powaqqatsi | p. 141 |
The Driving Force: Elia Cmiral on Ronin | p. 153 |
Period Pieces | p. 162 |
Steeping Yourself in the Culture: Carter Burwell on Rob Roy | p. 164 |
Mythmaker: Basil Poledouris on Conan the Barbarian | p. 167 |
The Shape of the Sound: Orchestration | p. 176 |
Carnival of the Animals: Mark Isham on Never Cry Wolf and Fly Away Home | p. 185 |
It's "The Francie Brady Show": Elliot Goldenthal on The Butcher Boy | p. 195 |
Adaptation | p. 202 |
Everything Old Is New Again: Elmer Bernstein on Reinventing Cape Fear | p. 204 |
Dream State: Jocelyn Pook on Eyes Wide Shut | p. 212 |
Like a Duet: Patrick Doyle on Love's Labour's Lost | p. 220 |
Recording | p. 226 |
Coda | p. 232 |
The Organic Score | p. 236 |
A Reflection, Like the Moon on Water: Philip Glass on Kundun | p. 238 |
Playing with Paradoxes: Mychael Danna on The Sweet Hereafter | p. 244 |
Provenance: John Corigliano on The Red Violin | p. 258 |
I'll Show Thee Wondrous Things, That Highly May Advantage Thee to Hear: Elliot Goldenthal on Titus | p. 267 |
Lost and Found: Robert Townson on Alex North, 2001, and the Art of the Soundtrack Album | p. 277 |
End Titles | p. 290 |
Appendix | p. 299 |
Index | p. 303 |
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