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| Frederick Ashton | |
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| Letter to Alary Clarke | |
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| Notes on Choreography | |
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| Frederick Ashton and His Ballets | |
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| Enigma Variations | |
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| Ashton Now | |
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| Ashton Ballets | |
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| Enigma Variations | |
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| La Fille Mal Gardee | |
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| Ashton's Romeo: A Wise Virgin | |
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| Symphonic Variations | |
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| Fred Astaire | |
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| Beginnings | |
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| Ginger's Dress | |
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| The Dress | |
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| Notes on La Belle, La Perfectly Swell, Romance | |
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| Nice Work, Darling, Nice Work | |
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| Letter to Adele | |
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| George Balanchine | |
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| Marginal Notes on the Dance | |
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| Conversations with Balanchine | |
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| Some Thoughts About Classicism and George Balanchine | |
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| Personal Encounters | |
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| Meeting Balanchine | |
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| My Friend George Balanchine | |
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| A Masculine Man | |
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| Balanchine Ballets | |
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| Three Sides of Agon | |
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| Four Decades of Agon: The Pas de Deux | |
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| Ballet Imperial | |
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| Chaconne | |
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| Liebeslieder Walzer | |
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| A Midsummer Night's Dream | |
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| Mozartiana | |
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| Robert Schumann's "Davidsbundlertanze" | |
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| La Valse | |
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| Who Cares? | |
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| Balanchine Lost Ballets | |
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| Cotillon | |
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| The Figure in the Carpet | |
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| Opus 34 | |
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| Balanchine Dancers | |
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| Robert Greskovic | |
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| Robert Greskovic | |
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| Robert Greskovic | |
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| Claudia Roth Pierpont | |
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| B. H. Haggin | |
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| Arlene Croce | |
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| Mikhail Baryshnikov | |
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| The Soloist | |
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| Defection | |
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| Le Mystere Baryshnikov | |
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| Baryshnikov Dancing Judson | |
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| Giselle | |
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| August Bournonville | |
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| Myself | |
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| La Sylphide | |
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| A Folk Tale | |
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| The Guards of Amager | |
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| Choreographic Creed | |
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| Commentary | |
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| La Bayadere | |
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| Costumes by Karinska | |
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| Edwin Denby | |
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| Gelsey Kirkland: The Judy Garland of Ballet | |
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| Ulanova - A Tribute | |
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| Ballet in a Bad Time | |
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| The Audience | |
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| Dancer and the Dance | |
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| At the Ballet | |
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| Three Essays on Dancing | |
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| Critical Voices | |
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| L'Allegro, il Penseroso ed il Moderato | |
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| Petrouchka | |
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| Lilac Garden | |
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| Genie's Cool Charm | |
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| Throw Tolstoy from the Train: Boris Eifman | |
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| Against Meaning in Ballet | |
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| Superficial Thoughts on Foreign Classicism | |
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| The Rockettes and Rhythm | |
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| Alvin Ailey | |
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| Maurice Bejart | |
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| The Bolshoi | |
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| Time Tunnel: Jose Limon | |
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| Charlotte Moorman: Over His Dead Body | |
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| Steve Paxton: Tornado in a Teacup | |
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| The Significance of the Dance | |
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| The Spirit of the Classic Dance | |
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| Argentina | |
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| Sex, Violence, and Kenneth MacMillan | |
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| Trisha Brown: Dancing Through the Language Barrier | |
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| Mauve Punk: Karole Armitage | |
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| Comforts of Hell: Bill Irwin | |
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| Exhibit A and Possibly B: Meredith Monk | |
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| Ballet on Ice | |
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| The Nutcracker: Magic | |
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| Clytemnestra | |
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| Mathilde Kschessinska | |
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| Olga Preobrajenska | |
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| Lida Ivanovo | |
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| Olga Spessivtseva | |
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| Merce Cunningham | |
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| Merce | |
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| The Dancer and the Dance | |
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| At the Theater de Lys | |
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| Pale Horse, Pale Rider | |
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| Sergei Diaghilev | |
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| Sergei Diaghilev | |
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| Coming Home | |
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| Diaghilev and Music | |
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| Auditioning for Diaghilev | |
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| Isadora Duncan | |
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| In Russia | |
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| How I Met Isadora | |
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| Isadora's Death | |
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| Isadora | |
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| Isadora Duncan: In Memoriam | |
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| Free Spirit | |
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| Suzanne Farrell | |
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| Audition | |
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| A Conversation with Suzanne Farrell | |
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| A Conversation with Diana Adams | |
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| Suzanne Farrell | |
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| First Person | |
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| First Designs | |
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| Dancing with Vernon | |
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| Escape from Holland | |
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| Les Sylphides | |
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| Dancing for Twyla | |
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| Early Days | |
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| Debut | |
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| La Sonnamhula | |
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| Tsarevitch | |
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| Diaghilev | |
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| Goebbels | |
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| East Fifty-ninth Street: The Birthplace | |
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| Swan Lake | |
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| Crisis | |
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| The End of Denishawn | |
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| Opening Night | |
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| La Chatte | |
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| A Dancer's Childhood | |
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| The Thaw | |
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| The Renoirs Go to the Ballet | |
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| Egypta | |
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| Dancing with Nijinska | |
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| Margot Fonteyn | |
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| Snowflake to Superstar | |
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| Rudolf | |
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| The Art of Pleasing | |
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| Margot Fonteyn | |
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| Martha Graham | |
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| Martha Graham | |
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| A Chat with Martha Graham | |
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| Martha | |
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| A Conversation with May O'Donnell | |
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| Primitive Mysteries | |
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| Dance Goddess with Feet of Clay | |
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| Graham Crackers | |
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| Historical | |
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| The Ballet Club | |
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| Letter to Heine | |
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| Maria Theresa: Isadora's Last Dancing Daughter | |
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| Salome | |
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| Interviews | |
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| Barbara Newman | |
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| Robert Gottlieb | |
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| Joan Acocella | |
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| Barbara Newman | |
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| Francis Mason | |
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| Francis Mason | |
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| Leonide Massine | |
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| Meeting Diaghilev | |
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| Massine | |
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| Interviewing Massine | |
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| Movies | |
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| Cleopatra | |
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| Limelight | |
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| The Turning Point | |
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| Disney's Dances | |
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| Interview with John Kobal | |
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| The Red Shoes | |
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| Singin' in the Rain | |
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| Vaslav Nijinsky | |
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| Nijinsky | |
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| Le Sacre du Printemps | |
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| Notes on Nijinsky Photographs | |
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| Working on Sacre | |
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| Nijinsky and Til Eulenspiegel | |
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| The Strangeness of Til | |
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| Nijinsky's Last Days in the Theatre | |
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| The Specter of Nijinsky | |
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| A God Twice Buried | |
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| Rudolf Nureyev | |
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| Some of My Memories | |
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| A Celestial Accident | |
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| Nureyev Remembered | |
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| Obituaries | |
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| Arlene Croce | |
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| Mindy Aloff | |
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| Janet Flanner | |
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| Christopher Caines | |
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| Walter Terry | |
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| Anna Pavlova | |
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| Anna Pavlova | |
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| Anna Pavlova | |
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| The Genius of Pavlova | |
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| Pavlova | |
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| Pavlova at the Met | |
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| Russian Ballet in Tokyo | |
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| Present at The Creation | |
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| Apollo | |
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| Ballets 1933 | |
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| Clytemnestra | |
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| Firebird | |
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| A Midsummer Night's Dream | |
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| The Moor's Pavane | |
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| Parade | |
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| Petrouchka | |
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| Pillar of Fire | |
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| Primitive Mysteries | |
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| Le Sacre du Printemps | |
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| Serenade | |
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| Profiles | |
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| Colonel de Basil | |
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| The Marquis de Cuevas | |
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| Ninette de Valois | |
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| Senta Driver: Stomping Out a Niche for Herself | |
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| Bob Fosse: Dancing and the Dark | |
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| Lincoln Kirstein | |
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| Nicolas Legat | |
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| Carmelita Maracci | |
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| Alicia Markova | |
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| Olga Spessivtseva | |
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| Mary Wigman | |
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| Jerome Robbins | |
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| Jerome Robbins | |
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| Bringing Back Robbins's Fancy | |
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| Dances at a Gathering | |
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| The Sleeping Beauty | |
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| The Sleeping Beauty | |
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| Tchaikovsky and the Ballet | |
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| The Sleeping Beauty | |
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| The Big Sleep | |
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| Paul Taylor | |
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| Paul Taylor | |
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| Aureole | |
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| Sunset | |
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| Moving Pictures | |
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| Why I Make Dances | |
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| Teachers | |
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| Class with Balanchine | |
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| On Teaching | |
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| My Teachers | |
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| Nijinska | |
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| Fokine | |
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| Balanchine's Teaching | |
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| Interview with Barbara Newman | |
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| The Quality of the Moment: Stanley Williams | |
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| Twyla Tharp | |
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| Twyla | |
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| Push Comes to Shove | |
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| Push Comes to Shove | |
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| Nine Sinatra Songs | |
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| Tharp Against the Whirlwind | |
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| Extras | |
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| On the Ballet | |
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| A Note on the Ballet | |
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| Pavlova Goes Shopping | |
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| Alec: or the Future of Choreography | |
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| An Early Interview | |
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| The Ballet Cook Book | |
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| Permissions | |