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Cinema and Cultural Modernity

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ISBN-10: 0335200761

ISBN-13: 9780335200764

Edition: 2000

Authors: Gill Branston

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Description:

* What is the relationship of popular cinema to the concept of 'modernity'? * What now are the key areas of debate which focus the study of cinema and its audiences? * How can we understand the relationship of cinema to both the pleasures of consumerism and the inequalities addressed by critical politics? Cinema and Cultural Modernity carves a lucid path through the central debates of film and cinema studies and explores these in their social and political contexts. The book includes histories of the ways in which we view Hollywood's global dominance, up to the development of late modernity and the declaration of 'postmodernity'. In an accessible fashion, it discusses changing…    
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Book details

Copyright year: 2000
Publisher: McGraw-Hill Education
Binding: Paperback
Size: 6.69" wide x 8.86" long x 0.63" tall
Weight: 0.880
Language: English

Cardiff University, UK

Series Editor's Foreword
Acknowledgements
Introduction
Cinema is not dead
Modernity
Hollywood, cinema studies and this book
Hollywood Histories
Early cinema histories
Movies as culture industries
Cultures of consumption
The studio system
Classical or standardized?
A speculation on modernity and modernism
Further reading
'New Again' Hollywood
Post-studio histories
High concept and multi-marketed rollercoasters
Full global media conglomeracy
Further reading
'Globally Popular' Cinema?
Globalization, cultural imperialism and cinema
'To be global is to be American'?
FX and global narratives
Exhibiting global/local inequalities
Further reading
Authors and Agency
Theories of authoriship and cinema
A note on mise-en-scene
Cultural politics, agency, authorship
Branding authors: the case of Hitchcock
Collective production and agency
Further reading
Stars, Bodies, Galaxies
Stars in studio histories
Audiences and fans
Performance, presence, acting
Post-studio stars
Further reading
Movies Move Audiences
The limits of textiness
Mulvey and moving 'looks'
Cine-psychoanalysis
Identification and narratives
From spectators to audiences
'Escape', utopias and cinemas
Further reading
Identifying A Critical Politics of Representation
From representation to identities
Representation, stereotyping, politics
Realisms
Audiences
The burden of representation
Back to the future?
Further reading
Glossary
Bibliography
Index