Preface | p. xi |
Cameras | p. 3 |
Viewfinder Camera | p. 8 |
Rangefinder Camera | p. 10 |
Single-Lens Reflex Camera | p. 13 |
Twin-Lens Reflex Camera | p. 23 |
View Camera | p. 24 |
Non-Traditional Cameras | p. 24 |
Panorama and Circuit Cameras | p. 24 |
Pinhole Cameras | p. 24 |
Plastic Lens Cameras | p. 24 |
Camera Support | p. 26 |
Shutter Release Devices | p. 27 |
The Lens | p. 29 |
Focal Length | p. 34 |
F-Stops | p. 36 |
Aperture | p. 36 |
Lens Speed | p. 39 |
Inverse Square Law | p. 41 |
Depth of Field | p. 42 |
Controlling Depth of Field | p. 42 |
Determining Depth of Field | p. 45 |
Focusing for Maximum Depth of Field | p. 46 |
Using Depth of Field | p. 48 |
Perspective | p. 48 |
Wide-Angle Distortion | p. 48 |
Telephoto Effect | p. 48 |
Lens Hood | p. 48 |
Film | p. 51 |
Film Exposure | p. 52 |
Film Choices | p. 53 |
Speed | p. 53 |
Graininess | p. 54 |
Other Basic Characteristics | p. 54 |
Film Construction | p. 56 |
Emulsion | p. 56 |
Support, Adhesives, and Coatings | p. 58 |
Chromogenic Black-and-White Film | p. 61 |
Polaroid | p. 61 |
Black-and-White Transparencies | p. 61 |
Exposure | p. 63 |
Nonmetered Exposure | p. 64 |
Metered Exposure | p. 66 |
Light Meters | p. 68 |
Through-the-Lens and Handheld Meters | p. 68 |
Incident- and Reflected-Light Meters | p. 69 |
Reflected-Light Metering | p. 70 |
Averaging Meters | p. 70 |
Average Value Metering | p. 71 |
Substitution Metering | p. 74 |
Incident-Light Metering Methods | p. 76 |
Equivalent Exposures | p. 79 |
Law of Reciprocity | p. 79 |
Film Processing | p. 81 |
The Basics | p. 82 |
Developing | p. 84 |
Darkrooms and Developing Tanks | p. 84 |
Chemicals | p. 87 |
Timing | p. 88 |
Temperature | p. 88 |
Loading and Agitation Techniques | p. 89 |
Replenisher | p. 90 |
Stopping | p. 90 |
Fixing | p. 91 |
Washing | p. 93 |
Drying | p. 94 |
Storing | p. 95 |
Chromogenic Processing | p. 96 |
Reversal Processing | p. 96 |
Printing | p. 99 |
The Darkroom | p. 100 |
The Dry Area | p. 102 |
The Wet Area | p. 104 |
Chemicals and Processing Steps | p. 106 |
Developing | p. 109 |
Stopping | p. 109 |
Fixing and Inspection | p. 109 |
Hypo Clearing | p. 110 |
Final Washing | p. 110 |
Drying | p. 110 |
Papers | p. 112 |
Graded Papers | p. 112 |
Multicontrast Papers | p. 114 |
Contact Sheets | p. 117 |
Proof Prints | p. 120 |
Dodging and Burning | p. 121 |
Finishing | p. 125 |
Spotting Prints | p. 127 |
Correcting Surface Blemishes | p. 128 |
Retouching Negatives | p. 128 |
Placing Prints on a Presentation Board | p. 130 |
Mounting Boards | p. 130 |
Optical Centering | p. 131 |
Dry Mounting | p. 133 |
Other Mounting Systems | p. 136 |
Overmatting | p. 137 |
Composition and Communication | p. 141 |
Composition | p. 142 |
Principles of Composition | p. 142 |
Design Elements | p. 149 |
Communication | p. 153 |
Perception | p. 153 |
Symbols | p. 157 |
Light, Lighting, and Filters | p. 159 |
Definition of Light | p. 161 |
Quality of Light | p. 162 |
Types of Light | p. 166 |
Natural Light | p. 166 |
Continuous Light | p. 170 |
Electronic Flash | p. 172 |
Exposure with Flash | p. 176 |
Filters | p. 177 |
Absorption Filters | p. 177 |
Interference Filters | p. 182 |
Special Effects Filters | p. 184 |
Filter Factor | p. 184 |
Advanced Printing | p. 187 |
Multiple-Filter Printing | p. 188 |
Contrast Reduction | p. 190 |
Contrast Increase | p. 192 |
Split Developers and Water Bath Development | p. 194 |
Enlarger Effects | p. 196 |
Manipulative Techniques | p. 199 |
Methods of Manipulating Photographs | p. 200 |
Direct Processes | p. 200 |
Photograms | p. 200 |
Multiple Exposure | p. 202 |
Sandwiched Negatives | p. 206 |
Sabattier | p. 209 |
Intermediate Processes | p. 209 |
Negative Printing | p. 209 |
High Contrast | p. 210 |
Bas Relief | p. 210 |
Tone Line | p. 211 |
Posterization | p. 211 |
The View Camera | p. 215 |
View Camera Parts | p. 216 |
View Camera Types | p. 219 |
View Camera Advantages and Disadvantages | p. 220 |
View Camera Setup | p. 220 |
View Camera Lens and Shutter | p. 222 |
View Camera Film | p. 224 |
View Camera Film Holders | p. 225 |
Sheet Film Holders | p. 225 |
Instant Film Holders | p. 227 |
Factory-Loaded Film Holders | p. 228 |
View Camera Movements | p. 230 |
Rise-Fall | p. 230 |
Shift | p. 231 |
Tilt | p. 231 |
Swing | p. 231 |
Control of the Plane of Focus for Overall Image Sharpness | p. 232 |
Parallel planes | p. 232 |
Scheimpflug | p. 233 |
Control of the Rear Standard for Subject Size Relationship | p. 234 |
Bellows Compensation and the Inverse Square Law | p. 236 |
Sheet Film Processing | p. 239 |
Dip-and-Dunk Processing | p. 239 |
Tray Processing | p. 241 |
Rotary Tube Processing | p. 242 |
Advanced Control of Film | p. 245 |
Dodging Exposure | p. 246 |
Flashing Film | p. 247 |
Film Characteristic Curves | p. 247 |
Creation of the Curve | p. 248 |
Parts of the Curve | p. 249 |
Film Speed Testing | p. 252 |
Exposure-Processing Control | p. 256 |
Development Control | p. 259 |
Zone Placement | p. 262 |
The Zone System | p. 267 |
Previsualization | p. 268 |
Back to the Zone System | p. 270 |
Print Values | p. 271 |
Texture and Detail | p. 271 |
Calculating the System | p. 273 |
N+ Development | p. 276 |
The Effect of N+1 Development | p. 276 |
The Effect of N+2 Development | p. 276 |
N-Development | p. 277 |
The Effect of N-1 Development | p. 277 |
The Effect of N-2 Development | p. 277 |
Digital Imaging | p. 279 |
Digital Capture | p. 280 |
Very large Prints | p. 284 |
Digital Image Processing | p. 284 |
Digital Outputs | p. 286 |
Uses for Digital Imaging | p. 289 |
Exhibition, Portfolio, and Reproduction | p. 293 |
Exhibition | p. 294 |
Print Size | p. 294 |
Consistency | p. 296 |
Size | p. 297 |
Exhibition Lighting | p. 301 |
Print Finishing | p. 301 |
Portfolio | p. 305 |
Reproduction | p. 307 |
Milestones in the History of Photography | p. 309 |
Photographers | p. 319 |
Glossary | p. 321 |
Index | p. 333 |
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