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| Acknowledgements | |
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| Preface | |
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| The Culture of the Greek Workshop | |
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| Man as Raw Material | |
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| The Body and Its Tools | |
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| Military and Civil Crafts | |
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| Greek Art and the Culture of Conflict | |
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| The General as Craftsman and the Soldier as Artefact | |
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| The Necessity of the Phalanx | |
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| The Iliad: Women at Home, Men at War | |
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| War and Art: The 'Military' Style of Pottery | |
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| War and Art: Phalanx and Temple | |
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| War and Philosophy: Kosmos and Harmonia | |
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| War and Philosophy: The First 'Mathematicians' | |
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| War, Mathematics and Art: The 'Square' Man | |
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| Mathematical Art versus the Mathematical Army | |
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| Plato and the Mathematical Guards | |
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| The Power of Women and the Aesthetics of Peace | |
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| Greek Art and the Culture of Competition | |
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| Work and Competition | |
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| Competition, Imitation and Improvement | |
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| Competition: Its Organisation and Regulation | |
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| Competition in Art | |
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| Competition and the Rise of Classical Art | |
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| Competition and Continuous Change | |
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| The Intellectual Marketplace: Competitive Models | |
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| The Intellectual Marketplace: Plato's Paradigm | |
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| Isocrates and the Theory of Classical Culture | |
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| Hellenistic Art and the Culture of Character | |
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| Alexander: Paradigmatic Breaker of the Paradigm | |
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| Alexander and Art | |
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| Responses to the Paradigm | |
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| The 'Modern' Artist | |
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| 'Modern' Art | |
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| The Patron, the Artist, the Model and the Viewer | |
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| From the Viewer as Hero to the Viewer as Victim | |
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| Man Caught in His Own Net | |
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| Paradigms Packaged: Education and the Copy | |
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| Athens, the Capital of Packaging | |
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| Roman Art and the Culture of Memory | |
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| The Instruments of Success | |
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| Augury and Mapping | |
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| Art and Memory | |
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| Money, Monuments and Signs | |
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| Monuments and Memory | |
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| Vespasian's Architectural Memory System | |
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| Money and Monuments in the Later Empire | |
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| Memorials of the Dead | |
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| Christianity: A Contract for the After-life | |
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| The Sign of the Cross | |
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| Rome and the Culture of Imagination | |
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| Beyond Reason | |
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| Metamorphosis and the Magic of Augustus | |
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| Metamorphosis of Nature | |
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| Metamorphosis and the History of Art | |
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| Metamorphosis of Culture | |
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| Roman Style as the Style of Transformation | |
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| The Empire of the Imagination | |
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| Rhetoric and the Education of the Imagination | |
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| The Educated Imagination and the Work of Art | |
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| Imagination and the Psychology of Perception | |
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| From Images in Clouds to Pictures in Marble | |
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| The Rise of the Imagination and Material Decline | |
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| Dreams and Visions; Conversion and Transubstantiation | |
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| The Culture of the Christian Church | |
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| Closing the Schools | |
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| The Christian and the External World | |
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| The Christian and the Internal World | |
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| Christian Building Blocks | |
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| Bibliographical Note | |
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| List of Illustrations | |
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| Index | |