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| Foreword | |
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| Introduction | |
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| Later Impressionism | |
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| Edgar Degas | |
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| Auguste Renoir | |
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| Claude Monet | |
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| Paul Cezanne | |
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| Georges Seurat and Neo-Impressionism | |
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| James McNeill Whistler and Impressionism in England | |
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| Auguste Rodin | |
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| Medardo Rosso | |
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| Symbolist Art | |
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| Gustave Moreau | |
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| Pierre Puvis de Chavannes | |
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| Odilon Redon | |
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| Paul Gauguin | |
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| Vincent van Gogh | |
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| The School of Pont-Aven and the Nabis | |
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| Henri de Toulouse-Lautrec | |
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| James Ensor | |
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| Edvard Munch | |
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| Ferdinand Hodler | |
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| Art Nouveau and Jugendstil | |
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| Symbolist Art in Russia: The Slavic Revival and Mir Iskusstva | |
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| Symbolist Art in Spain: The Early Work of Pablo Picasso | |
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| English Symbolists: Burne-Jones, Beardsley, Augustus John | |
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| Symbolist Sculpture | |
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| Aristide Maillol | |
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| Expressionism | |
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| The Fauves (1900-10): Matisse, Derain, and Vlaminck | |
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| Georges Rouault | |
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| Modern German Art | |
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| Wilhelm Lehmbruck | |
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| Ernst Barlach | |
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| Kathe Kollwitz | |
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| Paula Modersohn-Becker | |
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| Emil Nolde | |
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| Die Brucke (The Bridge): 1905-14 | |
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| Kandinsky in Munich: 1896-1914 | |
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| Franz Marc and Der Blaue Reiter (The Blue Rider): 1910-16 | |
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| Henri Rousseau, 'le Douanier', and the Naive Painters | |
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| Post-Impressionist and Fauve Influences in British Painting | |
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| Cubism | |
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| Georges Braque and Pablo Picasso: 1906-20 | |
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| Juan Gris | |
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| Fernand Leger | |
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| Cubism as a Movement: 1910-14 | |
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| Orphic Cubism: 1909-14 | |
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| Purism: 1918-25 | |
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| Cubist Sculpture | |
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| Henri Laurens | |
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| Alexander Archipenko | |
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| Ossip Zadkine | |
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| Raymond Duchamp-Villon | |
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| Jacques Lipchitz | |
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| Futurism: 1909-16 | |
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| Vorticism: 1913-20 | |
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| Abstract and Non-Objective Art | |
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| Abstract and Non-objective Art in Russia: 1904-22 | |
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| Larionov, Goncharova, and Rayonism | |
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| Malevich and Suprematism | |
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| Constructivism | |
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| El Lissitzky | |
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| De Stijl in The Netherlands: 1917-32 | |
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| Theo van Doesburg | |
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| Piet Mondrian | |
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| The Bauhaus and Abstract Art in Germany | |
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| Lyonel Feininger | |
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| Oskar Schlemmer | |
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| Kandinsky at the Bauhaus: 1922-33 | |
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| Laszlo Moholy-Nagy | |
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| Josef Albers and Max Bill | |
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| Willi Baumeister | |
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| The Abstract Film: Viking Eggeling and Hans Richter | |
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| Abstract Art in France | |
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| Later Constructivist Sculpture: Pevsner and Gabo | |
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| Abstract Art in England | |
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| Dada and Surrealism | |
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| Dada in Zurich: 1916-21 | |
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| Dada in New York: 1913-21 | |
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| Dada in Berlin and Cologne: 1918-20 | |
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| Dada in Hanover: Kurt Schwitters | |
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| Dada in Paris: 1919-22 | |
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| From Dada to Surrealism: Andre Breton | |
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| Giorgio de Chirico and the Scuola Metafisica: 1913-19 | |
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| The Surrealist Image | |
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| Max Ernst | |
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| Yves Tanguy | |
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| Salvador Dali | |
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| Rene Magritte and Paul Delvaux | |
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| Abstract Surrealism: Andre Masson and Joan Miro | |
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| The Surrealist Object | |
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| Alberto Giacometti | |
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| The Surrealist Movement in England | |
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| The School of Paris: 1920-40 | |
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| Amedeo Modigliani | |
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| Chaim Soutine | |
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| Jules Pascin | |
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| Maurice Utrillo | |
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| Marc Chagall | |
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| Neo-Romanticism: Berman, Tchelitchew, and Balthus | |
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| The Later Work of Matisse | |
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| The Later Work of Braque | |
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| The Later Work of Picasso | |
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| Constantin Brancusi and Jean Arp | |
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| Julio Gonzalez | |
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| Other Schools and Masters | |
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| Art in Germany: 1920-40 | |
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| George Grosz and Otto Dix | |
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| Carl Hofer and Max Beckmann | |
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| German Sculpture: 1920-40 | |
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| 'Entartete Kunst' (Degenerate Art) | |
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| Austrian Expressionism: Richard Gerstl and Egon Schiele | |
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| Oscar Kokoschka | |
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| Paul Klee | |
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| Painting in Belgium and Holland: 1900-40 | |
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| Painting and Sculpture in Italy: 1920-40 | |
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| Stanley Spencer and Henry Moore | |
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| Notes | |
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| Bibliography | |
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| List of Illustrations | |
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| Index | |