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| Acknowledgments | |
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| Introduction | |
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| Non-Linear Storytelling | |
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| Amores Perros Transformation of the American Comedy | |
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| Annie Hall Tableau Narrative Structure and Sound Design | |
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| Apocalypse Now The Body as Cinematic Landscape | |
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| L'Avventura Editing | |
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| Russian Montage | |
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| The Battleship Potemkin Italian Neorealism | |
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| The Bicycle Thief Production Design | |
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| Blade Runner Dream State | |
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| Blue Velvet The Period Film as Mirror for the Present | |
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| Bonnie and Clyde Expressionism in Cinema | |
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| The Cabinet of Dr. Caligari Classical Hollywood Film Style | |
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| Cassablanca Surrealism in Cinema | |
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| Un Chien Andalou The Authorial Voice | |
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| Citizen Kane Shot Structure | |
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| The Crowd Thematic Unity | |
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| The Decalogue Mythopoetic Film | |
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| Dog Star Man Political Objectives through Cinematic Storytelling | |
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| Do the Right Thing Film Noir | |
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| Double Idemnity The Personal Film | |
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| 8 1/2 Animation and Music | |
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| Fantasia An American Musical | |
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| 42nd Street New York Filmmaking | |
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| The French Connection Period Comedy | |
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| The General Parallel Storytelling | |
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| Intolerance French New Wave | |
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| Jules and Jim The Epic | |
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| Lawrence of Arabia The Political Thriller | |
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| The Manchurian Candidate Self-Referential Cinema | |
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| Man with the Movie Camera Architecture in Production Design | |
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| Metropolis Roots of Documentary Film | |
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| Nanook of the North Multiplot, Multicharacter Narrative | |
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| Nashville Method Acting | |
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| On the Waterfront The Close Up | |
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| The Passion of Joan of Arc Dark Side of American Cinema | |
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| Psycho Subtext in Personal Expression | |
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| Raging Bull Multiple Point-of-View Narrative | |
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| Rashomon Widescreen Filmmaking | |
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| Rebel without a Cause Camera Movement as Metaphor | |
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| LaRonde Mise-en-Scene | |
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| Rules of the Game Direct Cinema | |
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| Salesman The Freudian Western | |
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| The Searchers Defining Theme, Metaphor, and Character through Color, Texture, and Environmental Design | |
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| Se7en Symbolism in the Cinema | |
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| The Seventh Seal Art of the B-Movie | |
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| Shock Corridor Digital Filmmaking | |
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| Star Wars | |
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| Episode II | |
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| Attack of the Clones Birth of a Nonfiction Film Style | |
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| The Thin Blue Line Experimental Narrative: 2001 | |
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| A Space Odyssey The Essay Film | |
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| Weekend Screen Violence as Metaphor | |
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| The Wild Bunch Independent Filmmaking | |
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| A Woman Under the Influence | |
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| Glossary | |
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| Bibliography | |
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| Index | |