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| Preface | |
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| Acknowledgments | |
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| Introduction | |
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| An Unanswered Question | |
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| Goals and Methodology | |
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| Music Cognition and Music Theory | |
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| The Input Representation | |
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| The Preference Rule Approach | |
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| The Implementation Strategy | |
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| Six Preference Rule Systems | |
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| Metrical Structure | |
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| Meter | |
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| Previous Research on Metrical Analysis | |
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| A Preference Rule System for Meter | |
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| Implementation | |
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| Tests | |
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| Problems and Possible Improvements | |
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| Other Factors in Metrical Structure | |
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| Choosing the Right Tactus | |
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| Melodic Phrase Structure | |
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| Musical Grouping and Phrase Structure | |
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| Studies of Musical Grouping in Psychology | |
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| Models of Grouping Structure | |
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| A Preference Rule System for Melodic Phrase Structure | |
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| Implementation and Tests | |
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| Grouping in Polyphonic Music | |
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| Contrapuntal Structure | |
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| Counterpoint | |
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| Sequential Integration in Auditory Psychology | |
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| Computational Models of Contrapuntal Analysis | |
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| A Preference Rule System for Contrapuntal Analysis | |
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| Implementation | |
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| Tests | |
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| Pitch Spelling and the Tonal-Pitch-Class Representation | |
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| Pitch-Class, Harmony, and Key | |
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| Spatial Representations in Music Theory | |
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| Tonal-Pitch-Class Labeling | |
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| A Preference Rule System for Tonal-Pitch-Class Labeling | |
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| Implementation | |
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| Tests | |
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| Harmonic Structure | |
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| Harmony | |
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| Experimental and Computational Work on Harmonic Analysis | |
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| A Preference Rule System for Harmonic Analysis | |
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| Implementation | |
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| Some Subtle Features of the Model | |
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| Tests | |
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| Other Aspects of Harmonic Structure | |
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| Key Structure | |
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| Key | |
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| Psychological and Computational Work on Key | |
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| The Krumhansl-Schmuckler Key-Finding Algorithm | |
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| Improving the Algorithm's Performance | |
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| Modulation | |
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| Implementation | |
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| Tests | |
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| An Alternative Approach to Modulation | |
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| Extensions and Implications | |
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| Revision, Ambiguity, and Expectation | |
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| Diachronic Processing and Ambiguity | |
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| Modeling the Diachronic Processing of Music | |
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| Examples of Revision | |
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| Revision in Tonal Analysis | |
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| Synchronic Ambiguity | |
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| Ambiguity in Contrapuntal Structure | |
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| Ambiguity in Meter | |
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| Expectation | |
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| Meter, Harmony, and Tonality in Rock | |
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| Beyond Common-Practice Music | |
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| Syncopation in Rock | |
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| Applications and Extensions of the Syncopation Model | |
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| Harmony in Rock | |
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| Modality and Tonicization in Rock | |
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| Meter and Grouping in African Music | |
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| African Rhythm | |
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| Meter in African Music | |
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| How Is Meter Inferred? | |
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| Western and African Meter: A Comparison | |
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| Hemiolas and the "Standard Pattern" | |
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| "Syncopation Shift" in African Music | |
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| Grouping Structure in African Music | |
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| Conclusions | |
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| Style, Composition, and Performance | |
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| The Study of Generative Processes in Music | |
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| Describing Musical Styles and Compositional Practice | |
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| Further Implications: Is Some Music "Nonmetrical"? | |
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| Preference Rules as Compositional Constraints: Some Relevant Research | |
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| Preference Rule Scores and Musical Tension | |
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| Performance | |
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| Functions of the Infrastructure | |
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| Beyond the Infrastructure | |
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| Motivic Structure and Encoding | |
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| Musical Schemata | |
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| Tension and Energy | |
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| The Functions of Harmony and Tonality | |
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| Arbitrariness | |
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| Explaining Musical Details: An Exercise in Recomposition | |
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| The Power of Common-Practice Music | |
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| List of Rules | |
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| Notes | |
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| References | |
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| Author Index | |
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| Subject Index | |