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Preface | |
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Acknowledgments | |
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Foreword | |
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Painter Basics: Getting Started | |
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Introduction | |
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Instructor Notes | |
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What You'll Need | |
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Preparation | |
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What's What and What's Where | |
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Basic Operations | |
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Brushes Close-up | |
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Wrap | |
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Painter Empowerment: The Four Guiding Principles | |
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Introduction | |
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Instructor Notes | |
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Overview | |
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Principle I: Simplify | |
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Principle II: Organize | |
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Principle III: Optimize | |
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Principle IV: Document | |
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Wrap | |
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Painting Portraits I: Generating Form | |
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Introduction | |
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Instructor Notes | |
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Portraiture | |
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Principles | |
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Warm-up Self-Portraits | |
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The Beauty of Line | |
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Form through Tone | |
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Wrap | |
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Painting Portraits II: Unleashing the Power of Color | |
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Introduction | |
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Instructor Notes | |
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About Color | |
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Progressive Color Statements | |
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Wild Color! | |
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Using Color Sets | |
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Wrap | |
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Painting Portraits III: Expressing Personality | |
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Introduction | |
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Instructor Notes | |
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Creating a Focal Point | |
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One-Brush Painting | |
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In the Style of Other Artists | |
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Creative Improvisation | |
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Wrap | |
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Animating Paint: Generating Artistic Transitions | |
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Introduction | |
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Instructor Notes | |
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Recording a Script | |
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Playing Back a Script | |
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Converting a Script to a Movie | |
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Revealing a Photo | |
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Transitioning between Photos | |
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Painting on Video | |
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Background Scripts | |
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Wrap | |
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Transforming Photographs I: Achieving a Hand-Painted Look | |
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Introduction | |
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Instructor Notes | |
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Simple Oil and Water Color Techniques | |
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Oil Interpretation | |
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Watercolor Interpretation | |
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Basics and Loosening Up | |
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Golden Rules | |
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Setting Up a Clone Copy | |
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Free-form Self-portrait | |
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The Rough Out, Pump Up, Smooth Over Technique | |
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Backgrounds and Borders | |
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Pumping up Highlights | |
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Deepening Shadows | |
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Enhancing Eyes | |
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Smooth Watercolor Look | |
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Grainy Pastel Chalk Look | |
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Thick Oil Paint Look | |
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Gallery | |
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Classical Photo Portrait Paintings--by Jane Conner-ziser | |
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Wrap | |
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Transforming Photographs II: Walking On the Wilder Side | |
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Introduction | |
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Instructor Notes | |
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Luscious Oil: Laying It on Thick 'n' Wild | |
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Blur Dynamism: Adding Motion with Blur Effects | |
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Mosaic Magic: Modern Edge to Ancient Craft | |
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Gradient Expressionism: Instant Psychedelia | |
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Sensational Serigraphy Meets Woodcut Wizardry | |
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Pop Art a la Warhol: Inverse Texture Technique | |
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Wrap | |
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Creating Collage: Evocative Storytelling | |
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Introduction | |
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Instructor Notes | |
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General Principles and Techniques | |
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Case Study: Song for Peace | |
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Your Voice: Independent Collage Project | |
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Appendices | |
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Painter, Photoshop, and Illustrator: Which Software to Use When | |
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What Size to Make Your Files | |
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Getting Colors to Look Right When You Print | |
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Loading Extra Brushes and Art Materials | |
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Painting Portraits: Principles and Actions | |
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Troubleshooting | |
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Keyboard Shortcuts | |
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Index | |
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About Your Instructor | |
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Contributors | |