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New Negro, Old Left African-American Writing and Communism Between the Wars

ISBN-10: 0231114257

ISBN-13: 9780231114257

Edition: 1999

Authors: William J. Maxwell

List price: $32.00
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Description:

Howard "Stretch" Johnson, a charismatic Harlemite who graduated from Cotton Club dancer to Communist Party youth leader, once claimed that in late 1930s New York "75% of black cultural figures had Party membership or maintained regular meaningful contact with the Party." He stretched the truth, but barely. In a broad-ranging, revisionary account of the extensive relationship between African-American literary culture and Communism in the 1920s and 1930s, William J. Maxwell uncovers both black literature's debt to Communism and Communism's debt to black literature -- reciprocal obligations first incurred during the Harlem Renaissance. Juxtaposing well-known and newly rediscovered works by Claude McKay, Andy Razaf, Mike Gold, Langston Hughes, Louise Thompson, Richard Wright, Zora Neale Hurston, and Nelson Algren, Maxwell maintains that the "Old," Soviet-allied Left promoted a spectrum of exchanges between black and white authors, genres, theories, and cultural institutions. Channels opened between radical Harlem and Bolshevik Moscow, between the New Negro renaissance and proletarian literature. Claude McKay's 1922-23 pilgrimage to the Soviet Union, for example, usually recalled as a lighthearted adventure in radical tourism, actually jumpstarted the Comintern's controversial nation-centered program for Afro America. Breaking from studies governed by Cold War investments and pivoting on the Great Depression, Maxwell argues that Communism's rare sustenance for African-American initiative -- not a seduction of Depression-scarred innocents -- brought scores of literary "New Negroes" to the Old Left.
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Book details

List price: $32.00
Copyright year: 1999
Publisher: Columbia University Press
Publication date: 6/17/1999
Binding: Paperback
Pages: 272
Size: 6.00" wide x 9.00" long x 1.00" tall
Weight: 0.836
Language: English

William J. Maxwell is associate professor of English and African American studies at Washington University in St. Louis. He is the author of "New Negro, Old Left: African-American Writing and Communism between the Wars" and the editor of Claude McKay's "Complete Poems".

Acknowledgments
Introduction: Black and Red All Over?
Kitchen Mechanics and Parlor Nationalists: Andy Razaf, Black Bolshevism, and Harlem's Renaissance
Home to Moscow: Claude McKay's The Negroes in America and the Race of Marxist Theory
The Proletarian as New Negro; the New Negro as Proletarian: Mike Gold Meets Claude McKay
Scottsboro Delimited: White Bait, Red Triangles, and Interracialism Between Men
Black Belt/Black Folk: The End(s) of the Richard Wright-Zora Neale Hurston Debate
Native Sons Divorce: A Conclusion
Notes
Bibliography
Index