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| List of Figures and Tables | |
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| Preface | |
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| Introduction | |
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| From the Blues to Black Chicago | |
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| Art and Urban Places in the Twenty-First Century | |
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| Design of the Study | |
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| Finding a Research Method | |
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| Structure of the Book | |
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| Theory of Local Art Production Networks | |
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| From Individual to Network Perspectives | |
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| Production of Culture as a Research Perspective | |
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| Types of Local Art Production Networks | |
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| Conclusions | |
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| Local Places | |
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| Chicago as a Model of a City | |
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| Revalorizing the City Center and Surrounding Locales | |
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| Local People and Local Color | |
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| Change after the Modern Industrial Era | |
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| Conclusions | |
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| Community-Based Art and Ideologies of Local Participation | |
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| Mid-Century Arts Activism in Chicago | |
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| A Museum to Represent �a Community� | |
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| Community-Based as Activating a Community | |
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| Formalization of the Community-Based Approach | |
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| Pursuit of Institutional Legitimacy | |
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| Intersection of Political and Cultural Capital | |
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| Conclusions | |
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| Aesthetic Networks and Cultural Capital | |
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| Sociology and Aesthetics | |
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| Participants and Resources | |
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| Distinction of the Black Middle Class | |
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| How Collections Manage the Uncertainty of Subjective Judgment | |
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| Men's Work versus Women's Work | |
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| Formal Art Organizations and Art Markets in Bronzeville | |
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| Conclusions | |
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| Autonomy Networks and Artistic Control | |
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| Cutting-Edge Artists in Podville | |
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| Transnational: Freedom from Ethnicity | |
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| A Network of Museum-Quality Artists | |
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| Conclusions | |
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| Problem-Solving Networks and Social Stability | |
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| A Context of Cultural Diversity and Progressive Politics | |
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| Facing a Mile-Long Cement Wall | |
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| Problem-Solving Ethos in Rogers Park | |
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| Using Murals to Redefine Space | |
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| Rogers Park Business and Arts Networking Group | |
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| Conclusions | |
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| Gentrification Networks and the Whitewashing of Culture | |
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| Gentrification and Urban Transformation | |
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| Theories of Gentrification | |
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| Gentrification in Chicago | |
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| Gentrification: Establishment of Arbitrary Privileges | |
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| Exclusive Spaces for Elite-Culture Consumers | |
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| The Ethnically Driven Stability Machine | |
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| Conclusions | |
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| Empowerment Networks and the Restoration of Local Culture | |
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| A Place That History Passed By | |
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| An Empowerment Network | |
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| Contradiction and Innovation Surrounding the Bronzeville Landmarks | |
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| Local Investment Circuit | |
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| Advocates for a Fair Share of the Public Goods | |
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| Circuit of Artists and Administrators | |
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| Bronzeville as a Symbol of History and the Locale | |
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| Conclusions | |
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| Post-Urban Culture? | |
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| Researching Art in the Twenty-First Century | |
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| Importance of a New Framework | |
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| The Future of Race and Ethnicity | |
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| Unanswered Questions | |
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| Interviews | |
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| Notes | |
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| References | |
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| Index | |