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| Antiquity And Medieval 1 | |
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| Epitaph of Seikilos (1st century C.E.) | |
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| Plainchant Mass for Christmas Day | |
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| Introit (Propers) | |
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| Kyrie (Ordinary) | |
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| Gloria (Ordinary) | |
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| Gradual (Propers) | |
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| Alleluia (Propers) | |
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| Credo (Ordinary) | |
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| Offertory (Propers) | |
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| Sanctus (Ordinary) | |
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| Agnus Dei (Ordinary) | |
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| Communion (Propers) | |
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| Plainchant Vespers on Pentecost Tuesday | |
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| Antiphon Pacem relinquo vobis | |
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| Psalm 116 Laudate Dominum | |
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| Plainchant Hymn Pange lingua gloriosi corporis mysterium (late 13th century) | |
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| Hildegard von Bingen (1098-1179): Ordo virtutum(excerpt) (ca. 1150) | |
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| Beatriz de Dia(d. ca.1212): A chantar (early 13th century) | |
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| Peire Vidal(fl. 1180-1205): Baros, de mon dan covit (ca. 1200) | |
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| Alfonso el Sabio (?) (1221-84): Cantigas de Santa Maria, no. 140: A Santa Maria dadas (ca. 1270-1290) | |
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| Walther von der Vogelweide(ca. 1170-1230): Palstinalied (ca. 1200) | |
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| Melismatic organum Kyrie Cunctipotens genitor deus (ca. 1120-1130) | |
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| Lonin (?) (fl. mid- to late 12th century): Two-Voice Organum Viderunt omnes (mid- to late 12th century) | |
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| Protin (fl. late 12th century): Four-voice Organum Viderunt omnes (late 12th century) | |
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| Two-voice Clausula on "Dominus" (late 12th century?) | |
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| Motet Factum est salutare/Dominus (13th century) | |
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| Motet Super te / Sed fulsit / Dominus (4 vv.) (13th century) | |
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| Motet A Paris / On parole / Frese nouvele (late 13th century) | |
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| Conductus Flos ut rosa floruit (second half of 13th century) | |
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| Philippe de Vitry (?) (1291-1361):Motet Garrit Gallus / In nova fert / Neuma (ca. 1315) | |
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| Guillaume de Machaut(ca. 1300-1377): Messe de Nostre Dame: Kyrie (ca. 1360) | |
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| Guillaume de Machaut: Ballade Je puis trop bien ma dame comparer (ca. 1350?) | |
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| Guillaume de Machaut: VirelaiDouce dame jolie (ca. 1330-1350?) | |
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| Guillaume de Machaut: RondeauMa fin est mon commencement (ca. 1350-1360?) | |
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| Solage (fl. late 14th century): Virelai Joieux de cuer (late 14th century) | |
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| Francesco Landini (ca. 1325-1397): Ballata Ecco la primavera (second half of 14th century) | |
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| Jacopo da Bologna(fl. 1340-1360): Madrigal Non al suo amante (ca. 1340-1360) | |
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| Lorenzo da Firenze(d. 1372 or 1373): Caccia A poste messe (ca. 1350-1372) | |
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| Johannes Ciconia(ca. 1370-1412): Motet Doctorum principem / Melodia suavissima / Vir mitis (ca. 1410) | |
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| Canon Sumer is icumen in (ca. 1250) | |
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| Song Edi be thu, heven-queene (late 13th century) | |
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| La quinte estampie real (second half of 13th century) | |
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| The Renaissance 52 | |
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| John Dunstable(ca. 1390-1453): Motet Quam pulchra es (ca. 1410-1430) | |
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| Guillaume Du Fay(1397-1474): Conditor alme siderum (ca. 1430?) | |
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| Guillaume Du Fay: MotetNuper rosarum flores (1436) | |
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| Josquin des Prez(ca. 1450-1521): Motet Ave Maria … virgo serena (ca. 1475-1485?) | |
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| Guillaume Du Fay:Chanson Se la face ay pale (ca. 1435) | |
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| Guillaume Du Fay: Missa Se la face ay pale: Gloria (ca. 1450) | |
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| Johannes Ockeghem(ca. 1420-1496): Missa prolationum: Kyrie (last quarter of 15th century) | |
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| Ser Felice(?) or Antoine Busnois(?) (ca. 1430-1492): Chanson Fortuna desperata (ca. 1473-1478) | |
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| Josquin des Prez:Missa Fortuna desperata: Kyrie and Agnus Dei (ca. 1500?) | |
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| Josquin des Prez:Missa Pange lingua: Kyrie (ca. 1513-1521) | |
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| Josquin des Prez (?) or Pierre de la Rue (?) (ca. 1452-1518): Motet Absalon, fili mi (ca. 1510?) | |
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| Guillaume Du Fay: Chanson Adieu ces bons vins de Lannoys (ca. 1425-ca. 1450) | |
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| Antoine Busnoys: ChansonJe ne puis vivre ainsy(ca. 1470) | |
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| Henricus Isaac (ca. 1450-1517): Innsbruck , ich muss dich lassen (ca. 1530) | |
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| Marchetto Cara(ca. 1470-1525): Hor venduto ho la speranza (ca. 1500-1504) | |
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| Josquin des Prez (?): El grillo (ca. 1500-1505) | |
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| Claudin de Sermisy (ca. 1490-1562): Chanson Tant que vivray (ca. 1520-1528) | |
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| Jacob Arcadelt(ca. 1505-1568): Madrigal Il bianco e dolce cigno (ca. 1535-1539) | |
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| Cipriano de Rore(1516-1565): Madrigal Da le belle contrade d'oriente (1566) | |
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| Maddalena Casulana(ca. 1544-after 1583): Madrigal Morir non pu il mio cuore (1566) | |
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| Luca Marenzio (1553 or 1554-1599): Madrigal Solo e pensoso (ca. 1595-1599) | |
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| Luzzasco Luzzaschi(1545-1607): Madrigal T'amo mia vita (ca. 1590?) | |
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| Orlande de Lassus (1530 or 1532-1594): Matona mia cara (ca. 1575-1581) | |
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| Ludwig Senfl(ca. 1486-1542 or 1543): Zwischen Berg und tiefem Tal (ca. 1530-1534) | |
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| Luis Miln(ca. 1500-after 1561): Al amor quiero vencer (1536) | |
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| Thomas Morley (1557-1602): Madrigal Now Is the Month of Maying (ca. 1595) | |
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| John Farmer(ca. 1570-1605): Madrigal Fair Phyllis I Saw Sitting All Alone (1599) | |
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| John Dowland(1563-1626): Lute Song Come,Heavy Sleep (ca. 1590-1597) | |
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| Thomas Tallis(1505-1585): Anthem Verily,Verily I Say Unto You (ca. 1580?) | |
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| William Byrd(ca. 1540-1623): Anthem Sing Joyfully Unto God (ca. 1590-1623) | |
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| Giovanni Pierluigi da Palestrina(1525 or 1526-1594): Missa Papae Marcelli: Credo (ca. 1565-1567) | |
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| Orlande de Lassus:Motet Cum essem parvulus (ca. 1579) | |
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| Orlande de Lassus: Prophetiae Sibyllarum: Prologue (ca. 1550-1552) | |
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| Antonio de Cabezn(1510-1566): Diferencias sobre el canto de la Dama le demanda (ca. 1540-1566?) | |
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| Vincenzo Capirola (1474-after 1548): Recercar quinto (ca. 1517) | |
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| Andrea Gabrieli (1532 or 1533-1585): Ricercar del duodecimo tuono (ca. 1589) | |
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| William Byrd:Pavana,The Earle of Salisbury (1613) | |
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| Michael Praetorius(1571-1621): Dances from Terpsichore (ca. 1595-1621) | |
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| The Baroque Era 149 | |
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| Giacopo Peri(1561-1633): Dunque fra torbid' onde from Il Canto d'Arione (1589) | |
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| Giulio Caccini(1545-1618): Sfogava con le stelle (1602) | |
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| Claudio Monteverdi (1567-1643): Madrigal Cruda Amarilli (ca. 1598-1605) | |
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| Monteverdi: Madrigal T'amo mia vita (ca. 1598-1605) | |
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| Monteverdi:Madrigal Zefiro torna e di soavi accenti (ca. 1630) | |
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| Francesca Caccini (1587-ca. 1640): Lasciatemi qui solo (1618) | |
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| Barbara Strozzi(1619-1677): Tradimento! (1659) | |
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| Etienne Moulini (ca. 1600-after 1669): Enfin la beaut que j'adore (1624) | |
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| Monteverdi: OperaL' Orfeo, Act II, excerpt (1607) | |
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| Monteverdi: Opera L'incoronazione di Poppea, Act I, Scene 3 | |
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| Heinrich Schtz(1585-1672): Singet dem Herren ein neues Lied, SWV 342 (1647) | |
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| Schtz:Motet Saul, was verfolgst du mich? SWV 415 (1650) | |
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| Jean-Baptiste Lully (1632-1687): Opera Armide, Overture and Act II, Scene 5 (1686) | |
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| George Frideric Handel (1685-1759): Opera Giulio Cesare, Act I, Scenes 5-7 (1724) | |
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| Henry Purcell(1659-1695): Opera Dido and Aeneas, Act I (excerpt) (1689) | |
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| John Gay(1685-1732) and Johann Christoph Pepusch(1667-1752): The Beggar's Opera (excerpts) (1728) | |
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| Giacomo Carissimi(1605-1674): Jephte (excerpt) (ca. 1645-1649) | |
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| Handel: Anthem Zadok the Priest (1727) | |
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| Elisabeth Jacquet de la Guerre(1665-1729): "Le coup est achev" from Judith(1708) | |
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| Johann Sebastian Bach(1685-1750): Cantata Jesu, der du meine Seele, BWV 78 (excerpts) (1724) | |
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| Isabella Leonarda(1620-1704): Sonata duodecima (1693) | |
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| Arcangelo Corelli(1653-1713): Concerto grosso in F Major, Op. 6, No. 2 (ca. 1685?) | |
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| Antonio Vivaldi(1678-1741): Concerto in A minor, Op. 3, No. 8, first movement (1711) | |
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| Franois Couperin(1668-1733): Pices de clavecin, Book I, Second ordre (excerpts) (1713) | |
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| Jean-Fry Rebel(1661-1747): "Le cahos" from Les lmens: (1737) | |
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| Girolamo Frescobaldi(1583-1643): Toccata IX from Il Secondo Libro di Toccate (1627) | |
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| Dietrich Buxtehude(1637-1707): Praeludium in G minor, BuxWV 149 (ca. 1675-1689) | |
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| J. S. Bach: The Well-Tempered Clavier, Book I (excerpts) (1722) | |
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| Johann Pachelbel(1652-1706): Chorale prelude on the Magnificat peregrini toni (late 17th century) | |
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| J. S. Bach: Chorale prelude on Meine Seele erhebt den Herren, BWV 648 (1748) | |
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| J. S. Bach:Aria mit dreiig Vernderungen, BWV 988 ("Goldberg" Variations) (excerpts) (1742) | |