Singing a Hindu Nation Marathi Devotional Performance and Nationalism
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Description: Singing a Hindu Nationis a study ofr=agsgtr=iya k=irtan, a western Indian performance medium that combines song, Hindu philosophical discourse, and nationalist storytelling. Beginning during the anti-colonial movement of the late nineteenth-century, performers ofr=agsgtr=iya k=irtanled masses of Marathi-speaking people in temples and streets, and they have continued to preach and sing nationalism as devotion in the post-colonial era, and into the twenty-first century. In this book, author Anna Schultz demonstrates how, through this particular form of musical performance, the political becomes devotional, and explores why it motivates people to action and violence. Through both historical and ethnographic studies, Schultz shows thatr=agsgtr=iya k=irtanhas been especially successful in combining these two realms because k=irtank=ars perform as representatives of the divine sage Narad, thereby infusing their nationalist messages with ritual weight. By speaking and singing in regional idioms with rich associations for Maharashtrian congregations, they use music to combine political and religious signs in ways that seem natural and desirable, promoting embodied experiences of nationalist devotion. As the first monograph on music and Hindu-nationalism,Singing a Hindu Nationpresents a rare glimpse into the lives and performance worlds of nationalists on the margins of all-India political parties and cultural organizations, and is an essential resource for ethnomusicologists, as well as scholars of South Asian studies, religion, and political theory.
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List price: $27.95
Copyright year: 2012
Publisher: Oxford University Press, Incorporated
Publication date: 12/13/2012
Size: 6.25" wide x 9.25" long x 0.50" tall
|Notes on Transliteration and Orthography|
|About the Companion Website|
|Standing on Narad's Mat: Nationalism and Hindu Performance in Western India|
|Marathi Kirtan and Modernity Before 1947|
|Naradiya Kirtan for "Modern Educated Graduates"|
|Rastrlya Kirtan: Resisting Modernity, Devotionalizing Nationalism|
|Nationalist Kirtan Within and Beyond the Post-Colonial State|
|"From 'Self Rule' to 'Good Rule'": Nationalism and Kirtan after Independence|
|The Re-Institutionalization of Marathi Kirtan|
|Performing a Hindu Nation|
|Performance, Genre, and Politics in Rastriya Kirtan|
|Sudhatai Dhamankar: Embedded Embodiments|
|Yogeshwar Upasani: The Collision of Genres and Collusion of Participants|