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List of illustrations | |
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List of contributors | |
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Introduction | |
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Events | |
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Then and now | |
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Romantic history to Romantic literature | |
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Chronology | |
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Wordsworth takes over | |
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Romantic inheritances | |
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Everything and nothing | |
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Vanishings | |
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Changes | |
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Now and then | |
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Romantic orientations | |
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The historical context | |
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Revolution | |
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War | |
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Nationalism | |
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Empire and slavery | |
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Democracy, protest, and reform | |
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Further reading | |
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The literary background | |
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The sublime | |
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Sensibility | |
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Shakespeare | |
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Satire | |
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The south | |
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Further reading | |
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Classical inheritances | |
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The rise of historical criticism | |
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Romantic Hellenism | |
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Romantic pastoral | |
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Further reading | |
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Sensibility | |
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Cultural change | |
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Philosophy and science | |
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Politics | |
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An international movement | |
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Gender | |
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Poetry | |
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The novel | |
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Further reading | |
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Web link | |
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The visual arts and music | |
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British art and Romanticism | |
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John Constable and the characterization of nature | |
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William Blake's interdisciplinary art | |
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J. M. W. Turner and the directions of Romantic art | |
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The caricature print | |
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Some notes on sculpture | |
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British music | |
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'Popular' music | |
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Further reading | |
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Print culture and the book trade | |
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Radical publishing | |
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New books | |
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Libraries | |
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Cheap print | |
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Newspapers and periodicals | |
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The reprint trade | |
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Reading and writing: a case history | |
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Readers | |
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Further reading | |
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Science | |
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Geology | |
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Botany | |
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Joseph Priestley and Humphry Davy | |
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Medicine | |
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Race | |
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Astronomy | |
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Technology | |
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'Scientist' | |
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Further reading | |
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Philosophy and religion | |
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Immanuel Kant | |
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Schleiermacher and the experience of religion | |
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Beyond understanding: Coleridge on the imagination | |
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Shelley: after Jupiter | |
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Enthusiasm: the witness of the spirit | |
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Further reading | |
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England, Ireland, Scotland, Wales | |
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Crossing borders | |
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The influence of England | |
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The power of Scotland, Ireland, and Wales | |
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Further reading | |
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Europe | |
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The continental scene-Germany | |
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France | |
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Spain and Italy | |
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Poland and Russia | |
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Family likenesses and the unity of opposites | |
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Further reading | |
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Easts | |
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The great map of mankind | |
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Orientalism: theory and history | |
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Eighteenth-century orientalism and Sir William Jones | |
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Footnotes | |
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Desire and quest romance | |
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Oriental infections | |
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Further reading | |
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Americas | |
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The promise of the new | |
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British Romanticism in America | |
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Romantic exploration | |
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American utopias | |
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Transcendentalism and its antagonists | |
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New World Gothic | |
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Encountering others | |
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History and romance | |
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Further reading | |
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Reading Romanticism | |
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New Historicism | |
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Definitions, origins, and problems | |
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The characteristics of current New Historicism | |
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A short backwards history of Romantic New Historicism | |
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Reading: William Wordsworth, 'Tintern Abbey' | |
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Further reading | |
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Feminism | |
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History | |
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Themes | |
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Reading: Jane Austen, Pride and Prejudice | |
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Further reading | |
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Ecology | |
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Ecological approaches to British Romantic literature | |
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The Lake Poets: William Wordsworth and Samuel Taylor Coleridge | |
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Green language: Robert Bloomfield and John Clare | |
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The return of the nightingale: Charlotte Smith and John Keats | |
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The end of nature: William Blake, Percy Shelley, and Lord Byron | |
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The Romantic origins of environmentalism | |
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Reading: Samuel Taylor Coleridge, 'The Rime of the Ancyent Marinere' | |
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Further reading | |
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Psychoanalysis | |
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Knowledge | |
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Desire | |
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Fantasy | |
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Self | |
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Reading: Mary Shelley, Frankenstein; or, The Modern Prometheus | |
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Further reading | |
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Post-colonialism | |
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What does 'post-colonial' mean? | |
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Slavery and the Romantic imagination | |
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Bringing slavery home | |
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Domesticity and empire | |
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Reading: The Interesting Narrative of the Life of Olaudah Equiano | |
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Further reading | |
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Formalism | |
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Were the Romantics formalists? | |
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Form and power: the case of the sonnet | |
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The Coleridgean solution | |
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Readings | |
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Further reading | |
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Romantic forms | |
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Romantic forms: an introduction | |
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Romantic epic (and a note on Romantic fragments) | |
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Drama | |
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Lyric | |
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Poetic narrative, including romance | |
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Gender and genre in Romantic poetry | |
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Readings | |
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Further reading | |
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The sonnet | |
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The sonnet form and its development | |
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The sonnet revival | |
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The sonnet, sensibility, and the self | |
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Friendship and the heart | |
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The public voice of liberty | |
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Strength and stillness | |
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Readings | |
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Further reading | |
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Web link | |
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Lyric | |
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Broadening possibilities | |
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The resonant lyre | |
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Language in action: lyric as drama | |
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Vision quests | |
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Representing the self | |
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Lyric communities | |
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Readings | |
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Further reading | |
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Epic | |
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What is an epic? | |
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A short history of epic | |
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Epic revival | |
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Diversity | |
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Gender | |
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Politics | |
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Ambivalence | |
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Reading: John Keats, Hyperion | |
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Further reading | |
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Narrative poetry | |
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Narrative revival | |
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Byron's poetic 'romaunt' | |
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'The Italian strain' | |
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Leigh Hunt's The Story of Rimini | |
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The Orient | |
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Reading: John Keats, Isabella; or, the Pot of Basil | |
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Further reading | |
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The novel | |
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Origins and directions | |
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Genre and subgenres | |
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The narrator in the Romantic-period novel | |
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Readings | |
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Further reading | |
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Satire | |
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Novels and prose satires | |
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The theatre | |
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Reviews and pamphlets | |
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Graphic prints | |
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Poetry | |
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Reading: Lord Byron, Don Juan | |
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Further reading | |
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Web link | |
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Romantic drama | |
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The repertoire | |
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Joanna Baillie's Plays on the Passions | |
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The pursuit of novelty | |
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The theatres | |
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Star turns | |
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Reading: Elizabeth Craven, The Miniature Picture | |
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Further reading | |
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Essays, newspapers, and magazines | |
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Newspapers | |
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Magazines | |
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Reviews | |
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The periodical essay | |
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Reading: William Hazlitt, 'My First Acquaintance with Poets' | |
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Further reading | |
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Biography and autobiography | |
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Social, economic, and cultural context | |
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Individualism, natural rights, and life-writing | |
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Biography: lives in contention | |
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Autobiography: confession, self-exploration, self-making | |
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The centrality of life-writing in the Romantic period | |
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Reading: William Godwin, Memoirs of the Author of A Vindication of the Rights of Woman | |
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Further reading | |
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Romance | |
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The origins of romance | |
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The progress of romance | |
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The Romanticism in romance | |
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Readings | |
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Further reading | |
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Gothic | |
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Gothic nationalism | |
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Gothic aesthetic | |
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Gothic (anti-)modernity | |
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Gothic (anti-)rationality | |
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Gothic taboos | |
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Gothic genres | |
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Gothic criticism | |
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Readings | |
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Further reading | |
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Web links | |
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The fragment | |
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Fragments, fashion, and fakery | |
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The ruin and the unfinished | |
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Aesthetic and antiquarian contexts | |
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Responses | |
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Form or genre? | |
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The afterlife of the Romantic fragment | |
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Reading: Samuel Taylor Coleridge, 'Kubla Khan' | |
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Further reading | |
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Forgeries | |
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Poetic forgeries | |
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Medical hoaxes | |
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Travel lies | |
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Exotic others | |
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Reading: John Hatfield and the Lake Poets | |
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Further reading | |
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Non-fictional prose | |
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Aesthetics and politics: politics and aesthetics | |
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Edmund Burke's Reflections | |
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Responses to Burke | |
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Reading discursively | |
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Readings | |
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Further reading | |
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Travel writing | |
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A 'tour-writing and tour-publishing age' | |
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Explorers: the business of scientific discovery | |
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Survivors, missionaries, and other travellers | |
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Romanticism and Romantic-era travel writing | |
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Travel writing and Romantic-era literature | |
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Reading: Mungo Park, Travels in the Interior Districts of Africa | |
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Further reading | |
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Letters, journals, and diaries | |
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Popular myths and images | |
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Critical problems | |
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Letter-writing | |
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Journals, diaries, and notebooks | |
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Readings | |
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Further reading | |
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Romantic afterlives | |
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Literary criticism and theory | |
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The fascination of what's natural | |
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Feeling and wonder | |
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Ordinary language | |
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Egotism and imagination | |
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Current questions | |
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Further reading | |
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Poetry | |
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Plain style: Robert Frost | |
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Wordsworth and Anglo-American modernism | |
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The Anglophone world | |
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On his native shores | |
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Two second selves: Charles Tomlinson and Elizabeth Bishop | |
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Recompenses | |
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Further reading | |
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The nineteenth- and twentieth-century novel | |
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The Brontes | |
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The American tradition: Moby-Dick | |
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D. H. Lawrence | |
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Further reading | |
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Film | |
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The Romantic poem on screen | |
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Romantic film biography | |
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Films on the birth of a Romantic classic | |
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Filming the origins of Romanticism | |
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Further reading | |
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Web links | |
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The theatre | |
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Upstaging Prometheus | |
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Lord, Byron | |
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Hideous stage progeny: Frankenstein; or, The Modern Prometheus | |
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Afterlife now: Romanticism unbound; or 'cut' | |
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Further reading | |
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The idea of the author | |
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Lives of the poets | |
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Inventing the author | |
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Posterity | |
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Genius, originality, inspiration | |
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Craze | |
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Further reading | |
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Modernism and postmodernity | |
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Modernist debts to Romanticism | |
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Modern Romantics | |
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Later Romantics | |
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Modern constructions of Romanticism | |
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Postmodernity and postmodernism | |
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Further reading | |
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Politics | |
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A Romantic ideology? | |
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A green Romanticism? | |
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Radicals or reactionaries? | |
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Nationalism, imperialism, and orientalism | |
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Romanticism and racism | |
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Further reading | |
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Sciences | |
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Normal science | |
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Geology | |
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Astronomy | |
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Sciences of life | |
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Further reading | |
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Environmentalism | |
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The Romantic legacy | |
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Industrial society and its discontents | |
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Romantic consumerism, green consumerism | |
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Ecological criticism | |
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Further reading | |
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Romanticism in the electronic age | |
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Text analysis | |
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Digital editions | |
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Text encoding | |
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Romanticism on the Internet | |
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Learning how | |
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Further reading | |
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Web Links | |
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Index | |