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| Preface | |
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| Film Language | |
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| Film Technique [On Editing] | |
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| Film Form Beyond the Shot [The Cinematographic Principle and the Ideogram] The Dramaturgy of Film Form [The Dialectic Approach to Film Form] | |
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| What is Cinema? The Evolution of the Language of Cinema | |
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| Toward a Non-Bourgeois Camera Style | |
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| Film Language Some Points in the Semiotics of Cinema Problems of Denotation in the Fiction Film | |
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| Semiotics and the Cinema | |
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| The Discourse of Pictures: Iconicity and Film Studies | |
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| The Tutor-Code of Classical Cinema | |
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| Against "The System of Suture" | |
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| The Spectator-in-the-Text: The Rhetoric of Stagecoach | |
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| Film and Reality | |
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| Theory of Film The Establishment of Physical Existence | |
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| What is Cinema? The Ontology of the Photographic Image The Myth of Total Cinema | |
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| Film As Art The Complete Film | |
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| The Apparatus: Metapsychological Approaches to the Impression of Reality in Cinema | |
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| Mystifying Movies Jean-Louis Baudry and "The Apparatus" | |
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| Modernizing Vision | |
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| Cinema Preface to the English Edition The Origin of the Crisis: Italian Neo-realism and the French New Wave Beyond the Movement-Image | |
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| The Film Medium: Image And Sound | |
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| Style and Medium in the Motion Pictures | |
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| Theory of Film The Establishment of Physical Existence | |
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| Theory of the Film The Close-up The Face of Man | |
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| Film As Art Film and Reality The Making of a Film | |
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| Philosophical Problems of Classical Film Theory The Specificity Thesis | |
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| Film/Cinema/Movie Projection | |
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| The World Viewed Photograph and Screen Audience, Actor, and Star Types: Cycles as Genres Ideas of Origin | |
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| Statement on Sound | |
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| The Voice in the Cinema: The Articulation of Body and Space | |
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| Technology and Aesthetics of Film Sound | |
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| Film Narrative and the Other Arts | |
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| What is Cinema? Theater and Cinema | |
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| The World in a Frame Acting: Stage vs. Screen | |
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| Dickens, Griffith, and Ourselves [Dickens, Griffith, Film Today] | |
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| Concepts in Film Theory Adaptation | |
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| Novel to Film | |
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| Narrative Discourse and the Narrator System | |
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| Film Music and Narrative Agency | |
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| Godard and Counter Cinema: Vent d'est | |
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| Cognition and Comprehension: Viewing and Forgetting in Mildred Pierce | |
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| The Film Artist | |
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| Notes on the Auteur Theory in 1962 | |
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| Signs and Meaning in t | |
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