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Stylistics

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ISBN-10: 0194372405

ISBN-13: 9780194372404

Edition: 2002

Authors: Peter Verdonk, H. G. Widdowson, H.g. Widdowson

List price: $34.10
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This book deals with the study of style in language, how styles can be recognized, and their features. It examines how style is used in literary and non-literary texts, and how familiarity with style is a matter of socialization. The author also discusses the relationship between text and discourse, the production and reception of meaning as a dynamic contextualized interaction, the question of perspective and the variable representation of reality, and how stylistics can complementliterary criticism. The final chapter deals with social reading and ideological positioning, including some thoughts on feminist stylistics and critical discourse analysis.
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Book details

List price: $34.10
Copyright year: 2002
Publisher: Oxford University Press, Incorporated
Publication date: 5/9/2002
Binding: Paperback
Pages: 144
Size: 5.12" wide x 7.87" long x 0.31" tall
Weight: 0.396
Language: English

Peter Verdonk is Emeritus Professor of Stylistics, University of Amsterdam, the Netherlands.nbsp; His books include Twentieth-century Poetry (1993) and Stylistics (2002),nbsp; Literature andthe New Interdisciplinarity (1994, with Roger D. Sell), Twentieth-century Fiction (1995, with Jean JacquesWeber), and Exploring the Language of Drama (1998,with Jonathan Culpeper and Mick Short).

Preface
Survey
br /
The concept of style
Features of style: a newspaper headline
Style as motivated choice
Style in context
Style and persuasive effect
Conclusion
Style in literature
Text type and style
Text type and function
Conclusion
Text and discourse
The nature of text
The nature of discourse
Textual and contextual meaning
The headline revisited
The context of literary discourse
The communicative situation in literary discourse
Conclusion
Perspectives on meaning
The double meaning of perspective
Perspective in narrative fiction
Stylistic markers of perspective and positioning
Deixis
Given and new information
Ideological perspective
Conclusion
The language of literary representation
Perspective in third-person narration
Speech and thought representation
Conclusion
Perspectives on literary interpretation
Literary criticism
Interpreting a complete poem
Substantiation by analysis
Literary interpretation revisited
Conclusion
Stylistics and ideological perspectives
Social reading and ideological postioning
Incorporation of literary criticism into linguistic criticism?
Critical Discourse Analysis (CDA)
Conclusion
Readings
References
Glossary