Preface | p. iii |
Keyboard Basics | p. 1 |
Keyboard Posture | p. 1 |
Finger Numbers | p. 3 |
Basic Note Values | p. 3 |
The Keyboard | p. 6 |
The Major Five-Finger Pattern | p. 11 |
Reading Notes | p. 18 |
Intervals | p. 20 |
Keeping Time | p. 22 |
Dynamics | p. 25 |
Slur and Phrase Markings | p. 25 |
Key Signature | p. 31 |
Transposition | p. 32 |
Eighth Notes and Eighth Rests | p. 32 |
Drone Bass | p. 38 |
Repertoire | p. 40 |
Improvisation | p. 41 |
Harmonization | p. 47 |
Sightreading Studies | p. 49 |
Technical Studies | p. 53 |
Rhythmic Studies | p. 54 |
Ensemble Pieces | p. 56 |
Worksheet Review | p. 63 |
The Five-Finger Pattern | p. 67 |
Playing in Different Registers | p. 67 |
Tempo Markings | p. 69 |
More Dynamic Markings | p. 69 |
Dotted Quarter Notes | p. 72 |
Accidentals | p. 76 |
Slurs | p. 78 |
Parallel Motion | p. 81 |
6/8 Time | p. 82 |
Identifying Flat Key Signatures | p. 85 |
Change of Dynamics | p. 89 |
Contrary Motion | p. 93 |
Major Triads | p. 96 |
Five-Finger Studies and Triads in Major | p. 96 |
The Minor Five-Finger Pattern | p. 101 |
Minor Triads | p. 103 |
Five-Finger Studies and Triads in Major and Minor | p. 104 |
More Tempo Markings | p. 111 |
Pieces Using Major and Minor Triads | p. 111 |
The Dominant-Seventh Chord | p. 115 |
Block-Chord Accompaniments with I and V6/5 | p. 118 |
Music Chord Symbols | p. 119 |
Five-Finger Melodies with Letter-Name Chord Symbols for I and V6/5 Chord Accompaniments | p. 124 |
The Subdominant Chord | p. 126 |
Cadences | p. 130 |
The Circle of Fifths and Major Key Signatures | p. 131 |
Pieces with I-IV6/4-V6/5 Accompaniments | p. 133 |
Five-Finger Melodies with Letter-Name Chord Symbols for I, IV6/4, and V6/5 Chord Accompaniments | p. 146 |
Changing Five-Finger Positions | p. 148 |
Repertoire | p. 155 |
Improvisation | p. 156 |
Creative Music and Harmonization | p. 167 |
Sightreading Studies | p. 175 |
Rhythmic Studies | p. 184 |
Technical Studies | p. 187 |
Ensemble Pieces | p. 190 |
Worksheet Review | p. 196 |
Pieces with Easy Accompaniments | p. 201 |
Major Scales | p. 201 |
Major Scales in Tetrachord Position | p. 203 |
Major Scales with Fingerings for Both Hands Together | p. 208 |
Scale Studies in Clusters | p. 212 |
Triads on Major-Scale Degrees | p. 214 |
Intervals of a Sixth, Seventh, and Eighth (Octave) | p. 215 |
Extending the Five-Finger Position | p. 216 |
Sixteenth Notes and Sixteenth Rests | p. 224 |
The Dotted Eighth Note | p. 228 |
Musical Forms: AB and ABA | p. 234 |
Melodies with Letter-Name Chord Symbols for I, IV6/4, and V6/5 Chords | p. 237 |
Broken-Chord Accompaniment Patterns | p. 238 |
Arpeggio Accompaniment Patterns | p. 245 |
Syncopation | p. 251 |
The Damper Pedal | p. 256 |
Ostinato Accompaniment Patterns | p. 258 |
Secondary Chords | p. 259 |
Intervals Within the Scale | p. 266 |
Melodic Lines with Intervals | p. 268 |
Chord Inversions | p. 273 |
The Damper Pedal (Indirect Pedaling) | p. 279 |
Hymn Style | p. 282 |
Augmented and Diminished Triads | p. 284 |
Repertoire | p. 286 |
Improvisation | p. 287 |
Creative Music and Harmonization | p. 301 |
Sightreading Studies | p. 310 |
Rhythmic Studies | p. 318 |
Technical Studies | p. 321 |
Ensemble Pieces | p. 324 |
Worksheet Review | p. 332 |
Tonality and Atonality | p. 335 |
Minor Scales | p. 335 |
Minor Key Signatures | p. 337 |
Natural Minor Scales in Tetrachord Positions | p. 338 |
Harmonic Minor Scales | p. 342 |
i-iv6/4-i-V6/5-i Chord Progression | p. 346 |
Parallel Major and Minor Scales | p. 351 |
Other Scale Forms (Modes) | p. 354 |
The Chromatic Scale | p. 364 |
Jazz | p. 368 |
Pandiatonicism | p. 370 |
The Whole-Tone Scale | p. 372 |
Bitonality | p. 374 |
Atonality | p. 376 |
Innovative Notations | p. 378 |
Quartal Harmony | p. 382 |
Repertoire | p. 384 |
Bitonal Improvisation | p. 385 |
Sightreading Studies | p. 387 |
Ensemble Pieces | p. 392 |
Worksheet Review | p. 400 |
Letter-Name Chord Symbols | p. 403 |
Letter Names of I, IV, and V7 Chords | p. 404 |
Melodies with Letter-Name Chord Symbols | p. 405 |
Strumming Accompaniments | p. 413 |
Arpeggio Accompaniments | p. 417 |
Major and Minor Seventh Chords | p. 418 |
Letter-Name Chord Chart | p. 424 |
Ensemble Pieces | p. 426 |
Twenty-One Piano Classics | p. 433 |
Lully Menuet | p. 434 |
Schein Allemande | p. 435 |
Corelli Sarabande | p. 436 |
Krieger Minuet in A Minor | p. 437 |
Mozart, L. Bourree | p. 438 |
Witthauer Gavotte | p. 439 |
Telemann Gigue | p. 440 |
Mozart, L. Burleske | p. 441 |
Haydn Gypsy Dance (Trio) | p. 442 |
Mozart, W. A. Allegro | p. 443 |
Beethoven German Dance | p. 445 |
Le Couppey Musette | p. 446 |
Schumann Melody (from 43 Piano Pieces for the Young, Op. 68) | p. 447 |
Rebikoff The Bear | p. 448 |
Bartok Springtime Song (No. 2 from For Children, Vol. 1) | p. 449 |
Kadosa Homage to Bartok | p. 450 |
Kabalevsky A Conversation (Op. 39, No. 7) | p. 452 |
Gillock Autumn Is Here | p. 453 |
Hartsell Moonlit Shores | p. 454 |
Mier Sneaky Business | p. 456 |
O'Hearn Rockin' Along | p. 458 |
Score Reading | p. 461 |
Three-Part Texture | p. 461 |
Four-Part Texture | p. 464 |
The Alto Clef | p. 466 |
The Tenor Clef | p. 468 |
Scale Accompaniments for the Instructor | p. 471 |
Major Scales | p. 471 |
Harmonic Minor Scales | p. 478 |
Performance Terms and Symbols | p. 491 |
List of Compositions | p. 495 |
Index | p. 499 |
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