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| Preface | |
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| List of Illustrations | |
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| The Basics | |
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| Identifying the Sounds | |
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| The Chocolate Dandies, Bugle Call Rag (TJA#1) | |
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| Individual Voices | |
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| Benny Goodman Sextet, China Boy (TJA#2) | |
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| The Rhythm Section | |
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| Two Rhythm Sections, Three Blues in F (TJA#3,4 & 5) | |
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| One Soloist Plus the Rhythm Section | |
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| Charlie Parker Quartet, Now's The Time (TJA#6) | |
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| The Element of Swing | |
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| Don Redman and His Orchestra, Shakin' The African (TJA#7) | |
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| Form, Meter, and the Blues Scale | |
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| Dave Brubeck Quartet, Blue Rondo A La Turk (TJA#8) | |
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| The Harmonic Structure and Popular Song Form | |
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| Dave Brubeck Quartet, Take The "A" Train (TJA#9) | |
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| Duke Ellington and His Famous Orchestra with Betty Roche, Take the "A" Train (TJA#10) | |
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| The Vocal Line | |
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| Billie Holiday, Strange Fruit (TJA#11) | |
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| Ethel Waters, Black and Blue (TJA#12) | |
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| Reviewing the Basics | |
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| Louis Armstrong and His Orchestra, Knockin' A Jug (TJA#13) | |
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| Men and Women of Jazz | |
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| Two Superb Pianists | |
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| Where or When (TJA#14) | |
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| Blue in Green (TJA#15) | |
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| Five Soloists from the Rhythm Section | |
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| K-4 Pacific (TJA#16) | |
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| Improvising Brass I | |
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| Louis Armstrong and His Orchestra, Knockin' A Jug (TJA#13) | |
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| Bix Beiderbecke, Goose Pimples (TJA#17) | |
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| Improvising Brass II | |
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| Dizzy Gillespie and His All Star Quintet, Dizy Atmosphere (TJA#18) | |
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| Charlie Parker Sextet, Air Conditioning (TJA#19) | |
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| Ray Anderson Quartet, The Gahtooze (TJA#20) | |
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| Improvising Brass III: The Women | |
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| International Sweethearts of Rhythm, Jump Children (TJA#21) | |
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| Dizzy Gillespie Orchestra, My Reverie (TJA#22) | |
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| Rebecca Coupe Franks, Suit of Armor (TJA#23) | |
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| Four Pianists Before World War II | |
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| Sporting House Rag (TJA#24) | |
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| The Mule Walk (TJA#25) | |
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| Boogie Woogie (TJA#26) | |
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| Tea For Two (TJA#27) | |
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| Four Modern Masters of the Keyboard | |
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| East Of The Sun (TJA#28) | |
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| Calling Planet Earth (TJA#29) | |
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| Johnny Come Lately (TJA#30) | |
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| Weather Report, Harlequin (TJA#31) | |
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| Syncopating Saxophones I | |
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| Clarence Williams Blue Five, Texas Moaner Blues (TJA#32) | |
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| Frankie Trumbauer Orchestra, Clarinet Marmalade (TJA#33) | |
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| Count Basie Orchestra, Every Tub (TJA#34) | |
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| Clifford Brown-Max Roach Quintet, What Is This Thing Called Love? (TJA#35) | |
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| Syncopating Saxophones II | |
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| Stan Getz with Bob Brookmeyer, Cool Mix (TJA#36) | |
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| Cannonball Adderley with Bill Evans, Know What I Mean? (TJA#37) | |
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| Ornette Coleman Quartet, Free (TJA#38) | |
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| Don't Try This At Home (TJA#39) | |
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| Syncopating Saxophones III: The Women | |
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| Viola Burnside, Sweet Georgia Brown (TJA#40) | |
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| Now's The Time (TJA#41) | |
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| You Must Be Jokin' (TJA#42) | |
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| Further Into The Night (TJA#43) | |
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| Reviewing the Men and Women of Jazz | |
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| Prologue (TJA#44) | |
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| Review of Concepts and Terms | |
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| The Great Pretender (TJA#45) | |
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| Review of Styles | |
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| The Story of Jazz (TJA#46) | |
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| Living With Jazz: Yesterday, Today, and Tomorrow | |
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| Yesterday: History and the World of Duke Ellington | |
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| The Mooche (TJA#47) | |
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| Take The A Train (TJA#10) | |
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| Duke Ellington, T.G.T.T. (TJA#48) | |
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| Today and Tomorrow: Neoclassic Jazz and Beyond | |
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| Branford Marsalis, Cain and Able (TJA#49) | |
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| Freddie Bryant, Karma (TJA#50) | |
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| Worksheet for Listening Assignments | |
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