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| Preface and Acknowledgments | |
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| Maps | |
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| The International Style | |
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| The Backgrounds | |
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| Bohemia | |
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| The Valois Courts | |
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| Charles V and Paris | |
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| John of Berry | |
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| Philip the Bold of Burgundy | |
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| The Rhenish-Mosan Crescent | |
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| Painting, Graphics, and Sculpture in the Netherlands, Germany, and France from 1425 to 1500 | |
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| Jan van Eyck | |
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| Robert Campin and Rogier van der Weyden | |
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| The Northerners | |
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| Two Mystics | |
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| The Late Gothic Dream | |
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| Gardens of Heaven and Hell in the Art of Bosch | |
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| Diversity Along the Rhine | |
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| The Impact of Netherlandish Art on German Painting of the Later Fifteenth Century | |
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| Painting in France During the Second Half of the Fifteenth Century | |
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| Graphic Arts Before 1500 | |
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| Developments in Sculpture in the Fifteenth Century | |
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| The Renaissance in Germany, the Netherlands, and France from 1500 to 1575 | |
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| Albrecht Durer and the Renaissance in Germany | |
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| The Isenheim Altarpiece and Matthias Grunewald | |
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| Danube Landscapes and Witches: Albrecht Altdorfer and Hans Baldung Grien | |
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| Lucas Cranach the Elder: The Conflicts of Humanism and the Reformation | |
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| Hans Holbein the Younger and the Renaissance Portrait | |
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| Antwerp: Quentin Metsys, Joachim Patinir, and Joos van Cleve | |
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| Two Currents in Later South Netherlandish Painting: The "Romanists" and the "Specialists" | |
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| Holland: Amsterdam, Delft, and Haarlem | |
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| Lucas van Leyden | |
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| Jan van Scorel, Maerten van Heemskerck, and Antonis Mor | |
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| The Theatrum orbis terrarum of Pieter Bruegel the Elder | |
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| Fontainebleau and the Court Style in France | |
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| Notes | |
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| Select Bibliography | |
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| Genealogy of the House of Valois | |
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| Timetable of the Arts, History, and Science 1300-1575 | |
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| Index | |
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| Photographic Credits | |