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Preface | |
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Acknowledgments | |
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Authorship | |
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Looney and the Oxfordians | |
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New Criticism | |
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The Naked Babe and the Cloak of Manliness | |
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"Honest" in Othello | |
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"Introductory" Chapter About the Tragedies | |
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The "New Criticism" and King Lear | |
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Dramatic Kinds | |
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The Argument of Comedy | |
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Ambivalence: The Dialectic of the Histories | |
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The Saturnalian Pattern | |
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The Jacobean Shakespeare: Some Observations on the Construction of the Tragedies | |
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The 1950s and 1960s: Theme, Character, Structure | |
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Reflections on the Sentimentalist's Othello | |
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Form and Formality in Romeo and Juliet | |
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King Lear or Endgame | |
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The Cheapening of the Stage | |
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How Not to Murder Caesar | |
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Reader-Response Criticism | |
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On the Value of Hamlet | |
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Rabbits, Ducks, and Henry V | |
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Textual Criticism and Bibliography | |
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The New Textual Criticism of Shakespeare | |
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Revising Shakespeare | |
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Narrative About Printed Shakespeare Texts: "Foul Papers" and "Bad Quartos" | |
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Psychoanalytic Criticism | |
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"Anger's my meat": Feeding, Dependency, and Aggression in Coriolanus | |
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The Avoidance of Love: A Reading of King Lear | |
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To Entrap the Wisest: Sacrificial Ambivalence in The Merchant of Venice and Richard III | |
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What Did the King Know and When Did He Know It? Shakespearean Discourses and Psychoanalysis | |
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The Turn of the Shrew | |
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Historicism and New Historicism | |
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The Cosmic Background | |
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Invisible Bullets: Renaissance Authority and its Subversion, Henry IV and Henry V | |
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The New Historicism in Renaissance Studies | |
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"Shaping Fantasies": Figurations of Gender and Power in Elizabethan Culture | |
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Materialist Criticism | |
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Shakespeare's Theater: Tradition and Experiment | |
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King Lear (ca. 1605-1606) and Essentialist Humanism | |
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Give an Account of Shakespeare and Education, Showing Why You Think They Are Effective and What You Have Appreciated About Them. Support Your Comments with Precise References | |
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Feminist Criticism | |
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Egyptian Queens and Male Reviewers: Sexist Attitudes in Antony and Cleopatra Criticism | |
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"I wooed thee with my sword": Shakespeare's Tragic Paradigms | |
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The Family in Shakespeare Studies; or Studies in the Family of Shakespeareans; or The Politics of Politics | |
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Disrupting Sexual Difference: Meaning and Gender in the Comedies | |
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Studies in Gender and Sexuality | |
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"This that you call love": Sexual and Social Tragedy in Othello | |
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The Performance of Desire | |
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The Secret Sharer | |
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The Homoerotics of Shakespearean Comedy | |
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Performance Criticism | |
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Shakespeare and the Blackfriars Theatre | |
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The Critical Revolution | |
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William Shakespeare's Romeo + Juliet: Everything's Nice in America? | |
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Deeper Meanings and Theatrical Technique: The Rhetoric of Performance Criticism | |
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Postcolonial Shakespeare | |
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Nymphs and Reapers Heavily Vanish: The Discursive Con-texts of The Tempest | |
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Sexuality and Racial Difference | |
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Discourse and the Individual: The Case of Colonialism in The Tempest | |
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Reading Closely | |
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Shakespeare's Prose | |
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