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| Foreword : "the path of the artist" | |
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| No concept/no premise mini-DV moviemaking | |
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| Three mini-DV case studies : shooting three features in three months | |
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| DV features 1 : twenty-three collaborators create a DV feature in nineteen days | |
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| DV feature 2 : the Port Townsend feature workshop, August 2002 | |
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| DV feature 3 : Figueira da Foz International, Portugal | |
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| Budget for three DV features : $215 of mini-DV stock | |
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| You shoot the works : taking your DV project from script to preproduction | |
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| Selecting a viable concept for your DV feature | |
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| Scripting (or not ...) | |
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| The improv script | |
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| How to write specifically for DV | |
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| Scripting software that helps | |
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| Shopping your script and building a moviemaking team | |
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| Funding based on script | |
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| DV shooting script | |
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| Locking in : finalizing the movie script and concept | |
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| Committing to a shooting schedule | |
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| Paperwork | |
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| The contract | |
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| People work | |
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| Paid advertising to make it real | |
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| Investor presentations | |
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| Managing family and friends | |
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| Selecting your DV camera, sound gear, and incidentals | |
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| Budgeting DV equipment for a $3,000 total | |
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| Renting or buying a DV camera | |
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| Camera equipment overview : going into debt for art? | |
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| The best DV camera for you | |
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| Going Pro-DVCAM | |
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| Camera incidentals | |
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| Sound gear : matching inputs to your DV camera | |
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| Lighting for DV | |
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| The shooting schedule | |
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| Directing actors | |
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| Directing actors with a hand-held camera | |
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| Standard directing techniques | |
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| Full-partner actors | |
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| Shooting for cuts and continuity | |
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| Directing with the freeze technique | |
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| Remembering to shoot cutaways | |
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| Working with a crew | |
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| Maintaining the pace of the shoot and a sense of purpose | |
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| Changing directions : letting the movie "make you"! | |
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| Day one on the set of a DV feature | |
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| MAC of PC computer editing platform? | |
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| MAC | |
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| PC | |
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| Computer and software compatibility | |
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| Affordable editing software | |
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| Monitors | |
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| Nonlinear editing overview | |
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| Going Dogme 95 | |
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| The Dogme 95 vow of chastity | |
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| Enacting the Dogme 95 rules : signing the vow of chastity | |
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| Electronic editing : Final Cut Express, Final Cut Pro, and more | |
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| Editing overview | |
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| Final Cut Express | |
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| Final Cut Pro | |
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| The real FCP editing begins ... | |
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| Down and dirty editing with Final Cut Pro 3 : deriving a feature from 200 minutes of footage | |
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| Eighteen tips for Final Cut Pro finish editing | |
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| Adobe Premiere Pro for PC | |
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| Advanced effects editing and animation software and techniques | |
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| Personal editing needs | |
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| Guerilla promotion : a Quicktime movie player at every Web site | |
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| www.withoutabox.com : festival-entering Web site | |
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| Selecting festivals for a world premiere | |
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| Your own interest six-plex movie theater | |
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| Quicktime movies | |
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| Playing movies on a free server | |
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| Promotion finale (TV sales and so on) | |
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| Reality check : more from Ray Carney's "the path of the artist" | |
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| DV vagabonds : shooting by van | |
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| www.vangoghsDV.com : making art with DV | |
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| Traveling artist and documentarian | |
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| Lightwave 3D animations | |
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| Space-age DV | |
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| Holographic technology and more | |
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| DV filmmaking and data | |
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| Holographic storage | |
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| Multiperson collaborative contract | |
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| Feature workshops agreement | |
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| Literary purchase option agreement | |
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| Actor's release | |
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| Location release | |
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| Music rights agreement | |