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| Acknowledgements | |
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| Introduction | |
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| Unsettled Discourses | |
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| From the Useful Arts to Applied Science | |
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| Female Fabrics versus Manly Machines | |
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| Veblen Amalgamating, Engineers, Machines, and Technology | |
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| Technology-as-Keyword on Display | |
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| From Elite Profession to Mass Occupation | |
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| 'Shopfloor Culture' and the Workplace as Moral Gymnasium | |
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| 'School Culture' and the Domestication of Outsiders | |
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| Revitalizing Male Authority Through Professionalization | |
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| Broken Paternal Promises of Promotion | |
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| Making Technology a Mask for Disunity | |
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| Bargaining for the Fraternity | |
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| Carving Out a Space Between Labor and Capital | |
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| Writing a World Without Workers | |
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| Building the Engineering Family Without Women | |
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| Appropriating the Worker's Body | |
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| (Re)Making the History of Engineering | |
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| (De)Constructing Male Professional Bridges | |
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| Scribbling Men Design Engineers | |
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| Kipling and Martha's Manliness | |
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| Women Engineer Alternative Plots | |
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| Burning Professional Bridges | |
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| Modernist Moment: Machines, Sex, and War | |
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| Women Reweaving Borrowed Identities | |
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| Surrogate Sons and the Inside Job | |
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| School Culture and the Strategy of Over-Qualification | |
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| Foot Soldiers of Bureaucracy | |
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| Facing Male Professionalism | |
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| Divide and Conquer | |
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| Organizing at Last | |
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| "Woman Power" and Daughters of Martha: Failed Allegories | |
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| Epilogue | |
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| Gender, Technology, and Man the Maker | |
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| Notes | |
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| Bibliography | |
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| Primary | |
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| Secondary | |
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| Index | |