Introduction | p. 1 |
The nature and purpose of bibliography | p. 1 |
The main periods of book production | p. 2 |
Book Production: The Hand-Press Period 1500-1800 | |
The Hand-printed Book | p. 5 |
Printing Type | p. 9 |
Manufacture | p. 9 |
Type-sizes; and description | p. 12 |
Type faces | p. 16 |
Gothic type | p. 17 |
Roman and italic type | p. 20 |
Greek type | p. 30 |
Founts, cases, and type-stock | p. 33 |
Composition | p. 40 |
Copy | p. 40 |
Setting type | p. 43 |
Page and galley | p. 49 |
Signatures | p. 51 |
Preliminaries, pagination, catchwords, etc. | p. 52 |
Distribution | p. 53 |
Output | p. 54 |
Paper | p. 57 |
Manufacture | p. 57 |
Paper in English printing | p. 60 |
Moulds and watermarks | p. 60 |
Sorts of paper: quality, weight, and size | p. 66 |
Tables of sizes | p. 72 |
Description | p. 76 |
Imposition | p. 78 |
Formes | p. 78 |
Format | p. 80 |
Identification of format | p. 84 |
Imposition in practice | p. 108 |
Stripping, and skeletons | p. 109 |
Proofs and correction | p. 110 |
Standing type | p. 116 |
Presswork | p. 118 |
The wooden hand-press | p. 118 |
Preparing the paper | p. 124 |
Ink | p. 125 |
Making ready | p. 126 |
Pulling and beating | p. 129 |
Printing the reiteration | p. 131 |
Press figures | p. 133 |
Cancels, etc. | p. 134 |
Special paper | p. 136 |
Two colours; and music | p. 137 |
Output | p. 139 |
The Warehouse | p. 142 |
Paper stock | p. 142 |
Drying the paper | p. 143 |
Gathering the books | p. 143 |
Binding | p. 146 |
The binding trade | p. 146 |
Binding technique | p. 147 |
Trade binding styles | p. 149 |
Decoration and Illustration | p. 154 |
Printed pictures | p. 154 |
Relief blocks | p. 154 |
Intaglio plates | p. 156 |
Patterns of Production | p. 160 |
Variation of demand | p. 160 |
Edition quantities | p. 160 |
Productive capacity | p. 163 |
Concurrent production | p. 164 |
Standards | p. 168 |
The English Book Trade to 1800 | p. 171 |
Europe and England | p. 171 |
Printing personnel | p. 171 |
Gild and chapel | p. 174 |
Scale and finance; book prices | p. 175 |
Publishing and bookselling | p. 179 |
Authorship, copyright, and censorship | p. 183 |
Book Production: The Machine-Press Period 1800-1950 | |
Introduction | p. 189 |
Survival and Change | p. 191 |
The early-nineteenth-century book house | p. 191 |
Composition | p. 191 |
Imposition | p. 196 |
Iron hand-presses | p. 198 |
Plates | p. 201 |
Stereotype | p. 201 |
Electrotype | p. 206 |
Type 1800-1875 | p. 207 |
Manufacture and trade | p. 207 |
Design | p. 209 |
Paper in the Machine-press Period | p. 214 |
Hand-made paper after 1800 | p. 214 |
Paper-making machinery | p. 216 |
Machine-made papers | p. 221 |
The nineteenth-century paper industry | p. 228 |
Edition Binding | p. 231 |
Introduction | p. 231 |
New procedures | p. 232 |
Binding machinery | p. 235 |
Publishers' cloth in Britain and America | p. 238 |
Other styles of publishers' binding | p. 247 |
The twentieth century | p. 249 |
Printing Machines | p. 251 |
Beginnings | p. 251 |
Machines for book printing | p. 253 |
Machine operation | p. 258 |
Colour printing | p. 261 |
Other printing machines | p. 262 |
Processes of Reproduction | p. 266 |
Engravings | p. 266 |
Lithography | p. 267 |
Photographic processes | p. 269 |
Identification | p. 272 |
Mechanical Composition, and Type 1875-1950 | p. 274 |
Cold-metal machines | p. 274 |
Hot-metal machines | p. 276 |
Type since 1875 | p. 283 |
Printing Practice in the Machine-press Period | p. 289 |
Personnel | p. 289 |
Production routines | p. 292 |
The Book Trade in Britain and America since 1800 | p. 297 |
The structure of the trade | p. 297 |
Forms in nineteenth-century publishing | p. 300 |
Edition quantities and prices | p. 304 |
Copyright, national and international | p. 307 |
Bibliographical Applications | p. 311 |
Identification | p. 313 |
Edition, impression, issue, and state | p. 313 |
Assessing the evidence | p. 316 |
Facsimiles | p. 320 |
Bibliographical Description | p. 321 |
Purpose and scope | p. 321 |
Transcription and reproduction | p. 322 |
Formula | p. 328 |
Technical notes | p. 333 |
Contents | p. 335 |
Other notes | p. 335 |
Textual Bibliography | p. 336 |
Textual criticism and bibliography | p. 336 |
Copy-text | p. 338 |
The transmission of the text | p. 343 |
Composition | p. 343 |
Proof-correction | p. 351 |
Later stages of production | p. 354 |
The treatment of accidentals | p. 358 |
Appendixes | |
A Note on Elizabethan Handwriting | p. 361 |
Four Specimen Bibliographical Descriptions | p. 368 |
The Transmission of the Text: Two Examples | p. 381 |
Compositor B and The merchant of Venice | p. 381 |
The textual history of David Copperfield | p. 384 |
Reference Bibliography | p. 392 |
General | p. 392 |
Periodicals | p. 393 |
Book Production: The Hand-press Period | p. 393 |
Hand-printing technology | p. 393 |
General | p. 393 |
Composition, imposition, correction | p. 394 |
Presswork | p. 395 |
Patterns of production | p. 396 |
Type | p. 396 |
Paper | p. 397 |
Binding | p. 398 |
Decoration and illustration | p. 399 |
The Book Trade to 1800 | p. 399 |
General | p. 399 |
Personnel | p. 400 |
Business organization | p. 401 |
Publishing and bookselling | p. 401 |
Authorship, copyright, and censorship | p. 402 |
Book Production: The Machine-press Period | p. 402 |
General | p. 402 |
Survival and change | p. 403 |
Hand composition | p. 403 |
Iron hand-presses | p. 403 |
Plates | p. 404 |
Type | p. 404 |
1800-1875 | p. 404 |
Since 1875 | p. 405 |
Paper | p. 405 |
Binding | p. 406 |
Printing machines | p. 407 |
Processes of reproduction | p. 408 |
Mechanical composition | p. 408 |
Printing-house organization | p. 409 |
The book trade in Britain and America since 1800 | p. 410 |
Bibliographical applications | p. 411 |
General | p. 411 |
Identification and description | p. 412 |
Textual bibliography | p. 413 |
Index | p. 414 |
Table of Contents provided by Syndetics. All Rights Reserved. |