| |
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"All in green went my love riding" | |
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| |
"in Just-/spring when the world is mud-" | |
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| |
"Tumbling-hair/picker of buttercups" | |
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| |
"Humanity i love you" | |
| |
| |
"O sweet spontaneous" | |
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| |
"stinging/gold swarms" | |
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| |
"between green/mountains" | |
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| |
"Babylon slim/-ness of" | |
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| |
"ta/ppin/g/toe" | |
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| |
"Buffalo Bill's/defunct" | |
| |
| |
"the Cambridge ladies who live in furnished souls" | |
| |
| |
"god pity me whom(god distinctly has)" | |
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| |
"Dick Mid's large bluish face without eyebrows" | |
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| |
"Spring is like a perhaps hand" | |
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| |
Poem, or Beauty Hurts Mr. Vinal | |
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| |
"she being Brand" | |
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| |
"on the Madam's best april the" | |
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| |
Memorabilia | |
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| |
"next to of course god america i" | |
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| |
"lis/-ten//you know what i mean when" | |
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| |
"my sweet old etcetera" | |
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| |
"Among/these/red pieces of" | |
| |
| |
"in spite of everything" | |
| |
| |
"since feeling is first" | |
| |
| |
"i sing of Olaf glad and big" | |
| |
| |
"twi-/is -Light bird" | |
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| |
"a clown's smirk in the skull of a baboon" | |
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| |
"somewhere i have never travelled, gladly beyond" | |
| |
| |
"r-p-o-p-h-e-s-s-a-g-r" | |
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| |
"the boys i mean are not refined" | |
| |
| |
"as freedom is a breakfastfood" | |
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| |
"anyone lived in a pretty how town" | |
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| |
"my father moved through dooms of love" | |
| |
| |
"plato told" | |
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| |
"pity this busy monster, manunkind" | |
| |
| |
"a grin without a" | |
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| |
Proud Riders | |
| |
| |
Europa | |
| |
| |
Test Paper | |
| |
| |
From the Green Book of Yfan | |
| |
| |
Mater Dolorosa | |
| |
| |
Words of an Old Woman | |
| |
| |
Hasbrouck and the Rose | |
| |
| |
Bill Gets Burned | |
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| |
"On Brooklyn Bridge I saw a man drop dead" | |
| |
| |
"I met in a merchant's place" | |
| |
| |
"The shopgirls leave their work" | |
| |
| |
"How shall we mourn you who are killed and wasted" | |
| |
| |
"My work done, I lean on the window-sill" | |
| |
| |
"In the shop, she, her mother, and grandmother" | |
| |
| |
The Idiot | |
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| |
"She who worked patiently" | |
| |
| |
Epidemic | |
| |
| |
"Her work was to count linings--" | |
| |
| |
"The house-wreckers have left the door and a staircase" | |
| |
| |
Aphrodite Vrania | |
| |
| |
April | |
| |
| |
"Out of the hills the trees bulge" | |
| |
| |
"How difficult for me is Hebrew" | |
| |
| |
"I have learnt the Hebrew blessing before eating bread" | |
| |
| |
"After I had worked all day at what I earn my living" | |
| |
| |
"The Hebrew of your poets, Zion" | |
| |
| |
"Though our thoughts often, we ourselves" | |
| |
| |
"Among the heaps of brick and plaster lies" | |
| |
| |
Epitaphs | |
| |
| |
Millinery District ["The clouds ..."] | |
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| |
"A dead gull in the road" | |
| |
| |
"I like this secret walking" | |
| |
| |
Rainy Season | |
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| |
"Of course, we must die" | |
| |
| |
My grandfather, dead long before I was born" | |
| |
| |
"A grove of small trees, branches thick with berries" | |
| |
| |
Millinery District ["Many fair hours ..."] | |
| |
| |
Similes | |
| |
| |
Epitaph | |
| |
| |
Free Verse | |
| |
| |
from Early History of a Writer | |
| |
| |
Empty Bed Blues | |
| |
| |
Everyday Alchemy | |
| |
| |
Thirst | |
| |
| |
To One Loved Wholly Within Wisdom | |
| |
| |
To Mr. Maunder Maunder, Professional Poet | |
| |
| |
To the Powers of Desolation | |
| |
| |
To the Natural World: at 37 | |
| |
| |
Try Tropic | |
| |
| |
All Around the Town | |
| |
| |
Bounding Line | |
| |
| |
Hymn to Yellow | |
| |
| |
The Weed | |
| |
| |
Fructus | |
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| |
Reapers | |
| |
| |
Cotton Song | |
| |
| |
Georgia Dusk | |
| |
| |
Nullo | |
| |
| |
Evening Song | |
| |
| |
Portrait in Georgia | |
| |
| |
Seventh Street | |
| |
| |
Storm Ending | |
| |
| |
Her Lips Are Copper Wire | |
| |
| |
Gum | |
| |
| |
The Gods Are Here | |
| |
| |
This Amber Sunstream | |
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| |
Axle Song | |
| |
| |
The Near House | |
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| |
Midland | |
| |
| |
So Simple | |
| |
| |
Where I Saw the Snake | |
| |
| |
The First Poem | |
| |
| |
Lamentations | |
| |
| |
Winter Nocturne: The Hospital | |
| |
| |
"To an Amiable Child" | |
| |
| |
Creatures in the Zoo | |
| |
| |
A Purplexicon of Dissynthegrations | |
| |
| |
Ol' Man River | |
| |
| |
Little Girl Blue | |
| |
| |
Bewitched, Bothered and Bewildered | |
| |
| |
Dead Man's Corner | |
| |
| |
Epitaphs | |
| |
| |
A House of the Eighties | |
| |
| |
The Omelet of A. MacLeish | |
| |
| |
Newsreel LIII | |
| |
| |
Waltz Against the Mountains | |
| |
| |
Something Starting Over | |
| |
| |
Noon | |
| |
| |
I Can't Get Started | |
| |
| |
They All Laughed | |
| |
| |
Elegy for Melusine from the Intensive Care Ward | |
| |
| |
Red-Headed Intern, Taking Notes | |
| |
| |
Scene: A Bedside in the Witches' Kitchen | |
| |
| |
Brother, Can You Spare a Dime? | |
| |
| |
Insects | |
| |
| |
A History of the Caesars | |
| |
| |
Medusa | |
| |
| |
Knowledge | |
| |
| |
Women | |
| |
| |
The Alchemist | |
| |
| |
My Voice Not Being Proud | |
| |
| |
Men Loved Wholly Beyond Wisdom | |
| |
| |
Sub Contra | |
| |
| |
Cassandra | |
| |
| |
Winter Swan | |
| |
| |
Dark Summer | |
| |
| |
Late | |
| |
| |
Song | |
| |
| |
Short Summary | |
| |
| |
Roman Fountain | |
| |
| |
Evening-Star | |
| |
| |
Baroque Comment | |
| |
| |
Kept | |
| |
| |
Heard by a Girl | |
| |
| |
Several Voices Out of a Cloud | |
| |
| |
Musician | |
| |
| |
Zone | |
| |
| |
Night | |
| |
| |
Morning | |
| |
| |
The Dragonfly | |
| |
| |
Sermon | |
| |
| |
Serenade | |
| |
| |
Kiss | |
| |
| |
Almost a God | |
| |
| |
Long Distance Moan | |
| |
| |
from Elegy in the Manner of a Requiem in Memory of D. H. Lawrence | |
| |
| |
Waiter | |
| |
| |
History of Education | |
| |
| |
Slow Curtain | |
| |
| |
Why Must You Know? | |
| |
| |
Would You Think? | |
| |
| |
Fish Food: An Obituary to Hart Crane | |
| |
| |
Come Over and Help Us | |
| |
| |
Anathema. Maranatha! | |
| |
| |
In the Bathtub, to Mnemosyne | |
| |
| |
Esprit d'Escalier | |
| |
| |
Cross Questions | |
| |
| |
from John Brown's Body | |
| |
| |
American Names | |
| |
| |
Cotton Mather | |
| |
| |
Daniel Boone | |
| |
| |
Metropolitan Nightmare | |
| |
| |
Winter Tenement | |
| |
| |
Ernest | |
| |
| |
Vision | |
| |
| |
Photoheliograph | |
| |
| |
from Chorus for Survival | |
| |
| |
The Cage of Voices | |
| |
| |
from Libretto for the Republic of Liberia | |
| |
| |
from Harlem Gallery | |
| |
| |
April Mortality | |
| |
| |
Ghostly Tree | |
| |
| |
The Rounds and Garlands Done | |
| |
| |
The Moon and Spectator | |
| |
| |
Fragmentary Stars | |
| |
| |
The Horn | |
| |
| |
The Figurehead | |
| |
| |
Grapes Making | |
| |
| |
Chaplinesque | |
| |
| |
For the Marriage of Faustus and Helen | |
| |
| |
Voyages | |
| |
| |
Repose of Rivers | |
| |
| |
The Wine Menagerie | |
| |
| |
At Melville's Tomb | |
| |
| |
The Bridge | |
| |
| |
O Carib Isle! | |
| |
| |
The Broken Tower | |
| |
| |
Take My Hand, Precious Lord | |
| |
| |
Dumb | |
| |
| |
Moment | |
| |
| |
Fern Song | |
| |
| |
Frog Song | |
| |
| |
True Western Summer | |
| |
| |
from The Indians in the Woods | |
| |
| |
Girl Help | |
| |
| |
The Reader | |
| |
| |
Winter Garden | |
| |
| |
Helen Grown Old | |
| |
| |
For the Father of Sandro Gulotta | |
| |
| |
The Ancient Ones: Betatakin | |
| |
| |
Garden Note I, Los Altos | |
| |
| |
Garden Note II, March | |
| |
| |
from The Wild Party | |
| |
| |
from Lolita | |
| |
| |
On Translating "Eugene Onegin" | |
| |
| |
Santo Domingo Corn Dance | |
| |
| |
Mr. Pope | |
| |
| |
Ode to the Confederate Dead | |
| |
| |
The Twelve | |
| |
| |
Last Days of Alice | |
| |
| |
The Wolves | |
| |
| |
Aeneas at Washington | |
| |
| |
The Ivory Tower | |
| |
| |
The Mediterranean | |
| |
| |
Sonnets at Christmas | |
| |
| |
The Swimmers | |
| |
| |
February Ground | |
| |
| |
Walt Whitman | |
| |
| |
Two Songs of Advent | |
| |
| |
The Magpie's Shadow | |
| |
| |
The Solitude of Glass | |
| |
| |
October | |
| |
| |
Vacant Lot | |
| |
| |
The Cold | |
| |
| |
Nocturne | |
| |
| |
The Barnyard | |
| |
| |
Wild Sunflower | |
| |
| |
The Realization | |
| |
| |
Apollo and Daphne | |
| |
| |
The Fable | |
| |
| |
The Fall of Leaves | |
| |
| |
The Slow Pacific Swell | |
| |
| |
To a Young Writer | |
| |
| |
By the Road to the Sunnyvale Air-Base | |
| |
| |
Elegy on a Young Airedale Bitch Lost Two Years Since in the Salt-Marsh | |
| |
| |
On Teaching the Young | |
| |
| |
Time and the Garden | |
| |
| |
In Praise of California Wines | |
| |
| |
To the Moon | |
| |
| |
Long Gone | |
| |
| |
Scotty Has His Say | |
| |
| |
Sister Lou | |
| |
| |
Southern Road | |
| |
| |
Memphis Blues | |
| |
| |
Ma Rainey | |
| |
| |
Slim in Atlanta | |
| |
| |
Children's Children | |
| |
| |
Chillen Get Shoes | |
| |
| |
Sporting Beasley | |
| |
| |
Cabaret | |
| |
| |
Old Lem | |
| |
| |
A Broken View | |
| |
| |
Onion Fields | |
| |
| |
Earthworm | |
| |
| |
Slow | |
| |
| |
By Night | |
| |
| |
The Curse | |
| |
| |
While I Slept | |
| |
| |
The Sound I Listened For | |
| |
| |
As Easily As Trees | |
| |
| |
Waxwings | |
| |
| |
Pitcher | |
| |
| |
Cypresses | |
| |
| |
Swimmer | |
| |
| |
Farm Boy After Summer | |
| |
| |
Museum Vase | |
| |
| |
Ordovician Fossil Algae | |
| |
| |
Sounds | |
| |
| |
A student who sat facing me on the Osaka express | |
| |
| |
Beer Bottles | |
| |
| |
Waka | |
| |
| |
An Ancient Revisits | |
| |
| |
As Well As Any Other | |
| |
| |
Prisms | |
| |
| |
Lucrece and Nara | |
| |
| |
O Vocables of Love | |
| |
| |
Faith Upon the Waters | |
| |
| |
Sea, False Philosophy | |
| |
| |
The Map of Places | |
| |
| |
Chloe or... | |
| |
| |
Take Hands | |
| |
| |
The World and I | |
| |
| |
The Wind, the Clock, the We | |
| |
| |
Nothing So Far | |
| |
| |
Divestment of Beauty | |
| |
| |
Because of Clothes | |
| |
| |
With the Face | |
| |
| |
Reconnaissance | |
| |
| |
Southern Mansion | |
| |
| |
Dark Girl | |
| |
| |
A Black Man Talks of Reaping | |
| |
| |
Green Light | |
| |
| |
Evening Song | |
| |
| |
1933 | |
| |
| |
Escape | |
| |
| |
Dirge | |
| |
| |
Portrait | |
| |
| |
American Rhapsody (4) | |
| |
| |
Literary | |
| |
| |
How Do I Feel? | |
| |
| |
Art Review | |
| |
| |
Reception Good | |
| |
| |
Beware | |
| |
| |
4 A.M. | |
| |
| |
Bryce and Tomlins | |
| |
| |
The Negro Speaks of Rivers | |
| |
| |
Aunt Sue's Stories | |
| |
| |
When Sue Wears Red | |
| |
| |
Young Prostitute | |
| |
| |
My People | |
| |
| |
Dream Variations | |
| |
| |
Subway Face | |
| |
| |
I, Too | |
| |
| |
Suicide's Note | |
| |
| |
Summer Night | |
| |
| |
Strange Hurt | |
| |
| |
A House in Taos | |
| |
| |
Railroad Avenue | |
| |
| |
Sea Calm | |
| |
| |
Drum | |
| |
| |
Cubes | |
| |
| |
Little Lyric (Of Great Importance) | |
| |
| |
Evil | |
| |
| |
Songs | |
| |
| |
Luck | |
| |
| |
Curious | |
| |
| |
American Heartbreak | |
| |
| |
from Montage of a Dream Deferred | |
| |
| |
Spring Comes to Murray Hill | |
| |
| |
Reflection on Ice-Breaking | |
| |
| |
The Terrible People | |
| |
| |
Song of the Open Road | |
| |
| |
Very Like a Whale | |
| |
| |
A Necessary Dirge | |
| |
| |
Portrait of the Artist as a Prematurely Old Man | |
| |
| |
The Germ | |
| |
| |
Glossina Morsitans, or, the Tsetse | |
| |
| |
Samson Agonistes | |
| |
| |
Inter-Office Memorandum | |
| |
| |
Which the Chicken, Which the Egg? | |
| |
| |
For Paul | |
| |
| |
Yet Do I Marvel | |
| |
| |
Atlantic City Waiter | |
| |
| |
Incident | |
| |
| |
Heritage | |
| |
| |
For My Grandmother | |
| |
| |
For a Lady I Know | |
| |
| |
For One Who Gayly Sowed His Oats | |
| |
| |
For Hazel Hall, American Poet | |
| |
| |
From the Dark Tower | |
| |
| |
The Subway | |
| |
| |
A New York Face | |
| |
| |
"I had heard it's a fight. At the first clammy touch," | |
| |
| |
"Smelling or feeling of the several holes," | |
| |
| |
"Ya se van los pastores," | |
| |
| |
Shore Bird | |
| |
| |
Bath of Aphrodite | |
| |
| |
The Food of Birds | |
| |
| |
The Net Breaker | |
| |
| |
Learning the Language | |
| |
| |
"Remember my little granite pail?" | |
| |
| |
"The clothesline post is set," | |
| |
| |
"There's a better shine," | |
| |
| |
"What horror to awake at night," | |
| |
| |
"Paul/when the leaves/fall," | |
| |
| |
"The death of my poor father," | |
| |
| |
"Woman in middle life," | |
| |
| |
"He lived--childhood summers," | |
| |
| |
"I rose from marsh mud," | |
| |
| |
The Graves | |
| |
| |
"My friend tree," | |
| |
| |
"The men leave the car," | |
| |
| |
"My life is hung up," | |
| |
| |
"Get a load/of April's," | |
| |
| |
Poet's Work | |
| |
| |
"I married," | |
| |
| |
My Life By Water | |
| |
| |
"Far reach/of sand," | |
| |
| |
"Stone/and that hard/contact--" | |
| |
| |
Sewing a Dress | |
| |
| |
Paean to Place | |
| |
| |
"Not all harsh sounds displease--" | |
| |
| |
Darwin | |
| |
| |
The January of a Gnat | |
| |
| |
Amulet | |
| |
| |
Figures in an Ancient Ink | |
| |
| |
The Lobster | |
| |
| |
Lying in Bed on a Summer Morning | |
| |
| |
Young Girl | |
| |
| |
Americana 3 | |
| |
| |
To an Anti-Semite | |
| |
| |
Discoveries, Trade Names, Genitals, and Ancient Instruments | |
| |
| |
Two Variations on a Theme | |
| |
| |
Instructions to the Player | |
| |
| |
The Avocado Pit | |
| |
| |
Redwing | |
| |
| |
"One grey and foaming day," | |
| |
| |
Mirage | |
| |
| |
Seas Incarnadine | |
| |
| |
Since There's No Help... | |
| |
| |
The Communiques from Yalta | |
| |
| |
Sunt Lacrimae Rerum et Mentem Mortalia Tangunt | |
| |
| |
This Fevers Me | |
| |
| |
The Groundhog | |
| |
| |
'I Walked Over the Grave of Henry James,' | |
| |
| |
The Fury of Aerial Bombardment | |
| |
| |
On a Squirrel Crossing the Road in Autumn, in New England | |
| |
| |
La Crosse at Ninety Miles an Hour | |
| |
| |
Gnat on My Paper | |
| |
| |
The Old Professor | |
| |
| |
Four and a Half | |
| |
| |
I Sent Thee Late | |
| |
| |
Poem beginning "The," | |
| |
| |
"Not much more than being," | |
| |
| |
"Cocktails," | |
| |
| |
Ferry | |
| |
| |
Tibor Serly | |
| |
| |
"in that this happening" | |
| |
| |
"To my wash-stand" | |
| |
| |
"When the crickets" | |
| |
| |
"It's hard to see but think of a sea" | |
| |
| |
"The lines of this new song are nothing" | |
| |
| |
"Can a mote of sunlight defeat its purpose" | |
| |
| |
(Ryokan's scroll) | |
| |
| |
Xenophanes | |
| |
| |
"As To How Much" | |
| |
| |
Shang Cup | |
| |
| |
"A" 11 | |
| |
| |
from "A" 12 | |
| |
| |
Advice to a Man Who Lost a Dog | |
| |
| |
Sappho's Leap | |
| |
| |
Christ Is a Dixie Nigger | |
| |
| |
Sam Jackson | |
| |
| |
I Can't Give You Anything But Love | |
| |
| |
The Science of the Night | |
| |
| |
The Dragonfly | |
| |
| |
The Testing-Tree | |
| |
| |
The Catch | |
| |
| |
The Quarrel | |
| |
| |
Route Six | |
| |
| |
Touch Me | |
| |
| |
Twelfth Night | |
| |
| |
Spring Comes to the Suburbs | |
| |
| |
The 5:32 | |
| |
| |
Portrait of Girl with Comic Book | |
| |
| |
Spring, Coast Range | |
| |
| |
Andree Rexroth | |
| |
| |
The Signature of All Things | |
| |
| |
Lyell's Hypothesis Again | |
| |
| |
It Is a German Honeymoon | |
| |
| |
On Flower Wreath Hill | |
| |
| |
from The Love Poems of Marichiko | |
| |
| |
The Pavilion on the Pier | |
| |
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Epitaph for the Old Howard | |
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The Return: An Elegy | |
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Bearded Oaks | |
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Where the Slow Fig's Purple Sloth | |
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Audubon: A Vision | |
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Birth of Love | |
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Evening Hawk | |
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Heart of Autumn | |
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Vision | |
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Muted Music | |
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End of the Flower-World | |
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Bread | |
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No Images | |
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The Death Bed | |
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Conception | |
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Papermill | |
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North Philadelphia Trenton and New York | |
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Vergil Georgics 1.489-514 | |
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Bottled | |
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Sonnet to a Negro in Harlem | |
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Magalu | |
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Gloria | |
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P.O.E. | |
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A Point of View | |
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Clause for a Covenant | |
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Elegy | |
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Laudare | |
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Helianthus | |
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The Girl by the River | |
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Poems for My Cousin | |
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Yellow | |
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Discrete Series | |
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Eclogue | |
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Image of the Engine | |
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From Disaster | |
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Psalm | |
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The Occurrences | |
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Route | |
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But So As By Fire | |
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In Memoriam Charles Reznikoff | |
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The Heron | |
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The Bat | |
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Cuttings | |
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Cuttings (later) | |
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Root Cellar | |
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Old Florist | |
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Frau Bauman, Frau Schmidt, and Frau Schwartze | |
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My Papa's Waltz | |
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The Lost Son | |
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Four for Sir John Davies | |
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Elegy for Jane | |
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The Waking | |
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I Knew a Woman | |
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A Walk in Late Summer | |
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The Rose | |
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The Thing | |
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In a Dark Time | |
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I Have Seen Black Hands | |
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The FB Eye Blues | |
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Selected Haiku | |
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Mune Rune | |
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The Huntsman | |
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Shallow-Water Warning | |
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"Not met and marred with the year's whole turn of grief" | |
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"So it begins. Adam is in his earth" | |
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"Now stands our love on that still verge of day" | |
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"This little time the breath and bulk of being" | |
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To Walker Evans | |
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"Wake up Threeish" | |
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Shoreline | |
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Logging Trestle | |
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The Field | |
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Static | |
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The Solitary | |
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Probably Nobody | |
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The Pleiades | |
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Lethe | |
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Blues in the Night | |
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Midnight Sun | |
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The Four Black Bogmen | |
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Casualty | |
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Paris--Christmas 1938 | |
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First Love | |
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Fixin' to Die | |
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Manuscript with Illumination | |
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Horae | |
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Et Quidquid Aspiciebam Mors Erat | |
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Farewell | |
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Mutations | |
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History | |
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Souls Lake | |
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South Side | |
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Spring Shade | |
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Luck, Be a Lady | |
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The Mind's Disguise | |
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Memory of Quiet | |
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Height | |
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La Preface | |
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These Days | |
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In Cold Hell, in Thicket | |
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The Moon Is the Number 18 | |
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Merce of Egypt | |
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As the Dead Prey Upon Us | |
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Variations Done for Gerald Van De Wiele | |
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from The Maximus Poems Letter 3 | |
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Maximus, to himself | |
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The Ocean | |
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"flower of the underworld" | |
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"I live underneath/the light of day" | |
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Crocus Air | |
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Flowering Quince | |
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The U.S. Sailor with the Japanese Skull | |
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Winslow Homer | |
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The Orange Tree | |
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Kites: Ars Poetica | |
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The Map | |
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The Man-Moth | |
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Sleeping on the Ceiling | |
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Roosters | |
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The Fish | |
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Over 2000 Illustrations and a Complete Concordance | |
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The Bight | |
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At the Fishhouses | |
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The Prodigal | |
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The Shampoo | |
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Song for the Rainy Season | |
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The Armadillo | |
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Sestina | |
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Sandpiper | |
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Twelfth Morning; or What You Will | |
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In the Waiting Room | |
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Crusoe in England | |
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One Art | |
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Sonnet | |
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Dream Vision | |
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A Moral Poem | |
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For My Contemporaries | |
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Montana Pastoral | |
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Selected Epigrams | |
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To What Strangers, What Welcome | |
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The Evening of the Sixth Day | |
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The Lordly Hudson | |
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Stones in My Passway | |
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Hellhound on My Trail | |
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Me and the Devil Blues | |
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Housewife | |
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All Hallow | |
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Sale | |
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"After noon I lie down" | |
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Album | |
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Street Corner College | |
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Religion Is That I Love You | |
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23rd Street Runs into Heaven | |
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The Figure Motioned with Its Mangled Hand Towards the Wall Behind It | |
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The Horses of Yilderlin | |
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The Origin of Baseball | |
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The Lions of Fire Shall Have Their Hunting | |
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Lonesome Boy Blues | |
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The Airman Who Flew Over Shakespeare's England | |
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Winter, Never Mind Where | |
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For T.S.E. Only | |
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As the Great Horse Rots on the Hill | |
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Consider the Lilies of the Sea | |
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Winter Twilight | |
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The Beanstalk Country | |
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2 Pages, 122 Words on Music and Dance | |
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from Composition in Retrospect | |
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Muscat Pruning | |
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Tor House | |
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Rainy Easter | |
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A Canticle to the Waterbirds | |
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Gale at Dawn | |
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Stone Face Falls | |
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Song in Sligo | |
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The Grand Canyon | |
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Grenoble Cafe | |
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Dust Storm Disaster | |
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Talking Dust Bowl | |
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Vigilante Man | |
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Death Bells | |
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Moving In | |
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The Snow Light | |
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February Days | |
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Buckroe, After the Season, 1942 | |
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Exit Amor | |
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The Fox with the Blue Velvet Band | |
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The Overturned Lake | |
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I Wouldn't Put It Past You | |
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Those Winter Sundays | |
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Homage to the Empress of the Blues | |
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Middle Passage | |
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Runagate Runagate | |
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Soledad | |
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The Night-Blooming Cereus | |
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Ice Storm | |
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Bone-Flower Elegy | |
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The Evergreen | |
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The Book of the Dead | |
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Ajanta | |
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The Outer Banks | |
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The Speed of Darkness | |
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The Poem as Mask | |
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Myth | |
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Monterey | |
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It Is Sticky in the Subway | |
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Prospect Park | |
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Victor Record Catalog | |
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A Successful Summer | |
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No Title | |
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In the Naked Bed, in Plato's Cave | |
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Sonnet: The Beautiful American Word, Sure | |
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Far Rockaway | |
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Tired and Unhappy, You Think of Houses | |
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In the Slight Ripple, the Mind Perceives the Heart | |
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The Ballet of the Fifth Year | |
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Do the Others Speak of Me Mockingly, Maliciously? | |
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The Heavy Bear Who Goes With Me | |
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Darkling Summer, Ominous Dusk, Rumorous Rain | |
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The Mind Is an Ancient and Famous Capital | |
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Lincoln | |
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Auto Wreck | |
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University | |
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Troop Train | |
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Full Moon: New Guinea | |
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Homecoming | |
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The Alphabet | |
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The Confirmation | |
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The First Time | |
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I Am an Atheist Who Says His Prayers | |
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| |
The Funeral of Poetry | |
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| |
Question | |
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| |
The Centaur | |
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| |
Almanac | |
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| |
Riding the "A," | |
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| |
Distance and a Certain Light | |
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Colors Without Objects | |
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Unconscious Came a Beauty | |
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The Shape of Death | |
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| |
Electronic Sound | |
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| |
How Everything Happens (Based on a study of the Wave) | |
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| |
Bronco Busting, Event #1 | |
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| |
One of the Strangest | |
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Shu Swamp, Spring | |
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Staring at the Sea on the Day of a Death of Another | |
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| |
Biographical Notes | |
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| |
Note on the Texts | |
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Acknowledgments | |
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Notes | |
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Index of Titles and First Lines | |
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Index of Poets | |