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| Introduction: One Film at a Time, by Chris Berry | |
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| 15: Deciphering the Local and ?Slanging Up? to the Global, by Song Hwee Lim | |
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| Big Shot?s Funeral: Performing a Postmodern Cinema of Attractions, by Yingjin Zhang | |
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| Black Cannon Incident: Countering the Counterespionage Fantasy, by Jason McGrath | |
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| Blind Shaft: Underground as Trope, by Jonathan Noble | |
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| Boat People: Second Thoughts on Text and Context, by Julian Stringer | |
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| Centre Stage: A Shadow in Reverse, by Bérénice Reynaud | |
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| A Chinese Ghost Story: Ghostly Counsel and Innocent Man, by John Zou | |
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| Chungking Express: Time and its Displacements, by Janice Tong | |
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| Crouching Tiger, Hidden Dragon: Cultural Migrancy and Translatability, by Felicia Chan | |
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| Crows and Sparrows: Allegory on a Historical Threshold, by Yiman Wang | |
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| Durian, Durian: Defamiliarisation of the ?Real?, by Esther Cheung | |
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| Ermo: (Tele)Visualizing Urban/Rural Transformation, by Ping Fu | |
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| Farewell My Concubine: National Myth and City Memories, by Yomi Braester | |
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| Flowers of Shanghai: Visualizing Ellipses and (Colonial) Absence, by Gang Gary Xu | |
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| Formula 17: Mainstream in the Margins, by Brian Hu | |
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| The Goddess: Fallen Woman of Shanghai, by Kristine Harris | |
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| Hero: The Return of a Traditional Masculine Ideal in China, by Kam Louie | |
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| In The Mood for Love: Intersections of Hong Kong Modernity, by Audrey Yue | |
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| Kekexili: Mountain Patrol?Moral Dilemma and a Man with a Camera, by Cui Shuqin | |
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| Love Eterne: Almost a (Heterosexual) Love Story, by Tan See Kam and Annette Aw | |
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| Not One Less: The Fable of a Migration, by Rey Chow | |
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| The Personals: Backward Glances, Knowing Looks, and the Voyeur Film, by Margaret Hillenbrand | |
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| PTU: Re-mapping the Cosmopolitan Crime Zone, by Vivian Lee | |
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| The Red Detachment of Women: Resenting, Regendering, Remembering, by Robert Chi | |
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| Riding Alone for Thousands of Miles: Redeeming the Father by Way of Japan? by Hui Xiao | |
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| Spring in a Small Town: Gazing at Ruins, by Carolyn FitzGerald | |
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| Suzhou River: Visual Fetishism and the Defamiliarisation of Shanghai, by Alexander C.Y. Huang | |
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| A Time to Live, A Time to Die: A Time to Grow, by Corrado Neri | |
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| A Touch of Zen: Action in Martial Arts Movies, by Mary Farquhar | |
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| Vive L?Amour: Eloquent Emptiness, by Fran Martin | |
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| Wedding Banquet: A Family Affair, by Chris Berry | |
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| Woman, Demon, Human: Spectral Journey Home, by Haiyan Lee | |
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| Xiao Wu: Watching Time Go By, by Chris Berry | |
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| Yellow Earth: Apprenticeship and Bitter Agency, by Helen Hok-Sze Leung | |
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| Yi Yi: Reflections on Reflexive Modernity in Taiwan, by David Leiwei Li | |