On the Waterfront
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Description: 'I could have been a contender, I could have been somebody.' So speaks the haunted former boxer Terry Malloy (Marlon Brando) to his brother Charley (Rod Steiger) in a scene fromOn the Waterfront(Elia Kazan, 1954) that is one of the most famous in all cinema. Set among unionized New York longshoremen, Kazan's film (from a screenplay by Budd Schulberg) recounts Terry's struggle against corruption and his ultimate, hard-won victory. The marvelous performances of Brando, Steiger and Eva Marie Saint (as well as Karl Malden and Lee J. Cobb), Boris Kaufman's photography and Leonard Bernstein's score all justify the film's fame. ButOn the Waterfrontis also notorious, regarded by many as an attempt at justifying the decision on the part of Kazan (and Schulberg) to name names before the House UnAmerican Activities Committee. That controversial decision is still incendiary today (as was evidenced in the furor that surrounded Kazan's Academy Award for Lifetime Achievement in 1999). With Kazan's death in 2003 and Brando's in 2004, a reappraisal ofOn the Waterfrontis timely and necessary. In this definitive study, Leo Braudy tells the complicated story of the film's production. He revisits the facts behind the controversy of Kazan's testimony but, above all, he analyses the elements which contribute to the enduring appeal ofOn the Waterfront:the Method-inspired acting, the music and cinematography, the use of authentic locations and its powerfully symbolic depiction of post-war American values.
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All the information you need in one place! Each Study Brief is a summary of one specific subject; facts, figures, and explanations to help you learn faster.
List price: $17.95
Copyright year: 2005
Publisher: BFI Publishing
Publication date: 4/30/2005
Size: 5.50" wide x 7.50" long x 0.25" tall
|'On the Waterfront'|