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Acknowledgments | |
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Introduction | |
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Definition of drama therapy | |
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Drama therapy as an appropriate intervention | |
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The use of drama therapy with people with a learning disability | |
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How the book is organized | |
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Getting Started | |
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Assessing the level of the group | |
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Working within the classroom environment | |
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Teaching staff how to support the sessions | |
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Creating the culture of the sessions | |
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Physical safety | |
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The Use of Traditional Stories | |
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Why use traditional stories? | |
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Guidelines for choosing traditional stories | |
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Where to find appropriate stories | |
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The use of props as aids to comprehension, participation and enjoyment | |
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Allocating roles in the story | |
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The use of song | |
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Structuring the sessions | |
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Helping Others | |
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The children and the thunder god | |
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The bell of Hamana | |
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Rata the wanderer | |
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The umbrella tree | |
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Dealing with Change | |
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Raven and the giant who sits on the tide | |
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Maui and the sun | |
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The Windmaker | |
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Working as a Team | |
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The Thunder of the Four Colours | |
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The bog people | |
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Hemi and the whale | |
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The healing waters | |
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Trickery and Stealing | |
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King Arthur's gold | |
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Jack and the beanstalk | |
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Maui's search for fire | |
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Raven and the light | |
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Stories of a Special Child | |
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The birth of Maui | |
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Momotaro | |
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Morning Star, Evening Star | |
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Unlikely Heroes | |
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Grandmother Spider | |
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Yukos and the monster | |
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Solomon and the bee | |
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The first sail | |
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Competitiveness | |
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Tarantula and Swift Runner | |
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Atalanta and the golden apples | |
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Paikea | |
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Trust | |
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Psyche and Amor | |
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Vassilisa and Baba Yaga Bony Legs | |
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Kahakura | |
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Devising Stories: A Guide to Using Stories to Explore Themes in Everyday Life | |
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Adolescent students with an intellectual disability | |
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Adolescent students with attentional or behavioural problems | |
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Students with Asperger syndrome | |
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Using a Visual Storyboard with Students with Autism | |
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The storyboard | |
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Drama Therapy and Engaging the Attention of Students with an Intellectual Disability: A Research Study | |
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Intellectual disability and the importance of attention | |
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Attention in drama therapy | |
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Alignment with special education literature | |
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Summary of literature review | |
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Components of the drama therapy sessions | |
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Measures | |
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Instructional procedure | |
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Programme support | |
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Results: therapist's record of sessions | |
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Therapist's record of changes in the four target students | |
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Summary | |
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Conclusion | |
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References | |
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Useful Websites | |
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Subject Index | |
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Author Index | |