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Introduction | |
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What is Color? Apparent Color The Properties of Color | |
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Color Theory: History of Color Theory Color Harmony | |
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Color Meanings: Color Index | |
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Ten Rules of Color | |
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Convey Information | |
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Create Color Harmony | |
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Attract and Hold Attention | |
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Remember That Context Is Everything | |
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Consider That Experimentation Is Key | |
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Know That People See Color Differently | |
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Assist in Mnemonic Value | |
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Think About Composition | |
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Use Standardized Color Systems | |
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Understand Limitations | |
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Color Systems | |
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Thinking About Color Systems: Trends and Forecasting | |
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Color Systems in Art and Design History | |
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Some Inspirations for a Sample of AdamsMorioka's Palettes | |
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Color Systems | |
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Color Talk: Talking About Color in Design | |
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Case Studies | |
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AdamsMorioka: Beverly Hills, CA, USA | |
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Brand New School: Santa Monica/New York, USA | |
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Chimera Design: St. Kilda, Victoria, Australia | |
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Dynamo: Dublin, Ireland | |
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Fauxpas Grafik: Zurich, Switzerland | |
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Green Dragon Office: Los Angeles, USA | |
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Johnson banks: London, UK | |
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Uwe Loesch: Erkath, Germany | |
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Lorenc + Yoo Design: Atlanta, USA | |
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LUST: The Hague, Netherlands | |
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Methodologie, Inc.: Seattle, USA | |
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Morla Design: San Francisco, USA | |
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Ogilvy & Mather/Brand Integration Group: New York/Los Angeles, USA | |
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Pentagram Design, Ltd.: London, UK | |
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Segura, Inc.: Chicago, USA | |
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Steinbranding: Buenos Aires, Argentina | |
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Gallery | |
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Glossary: Common Color Terms | |
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Directory of Contributors | |
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Bibliography Web Resources | |
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About the Authors | |