Industrial Design Reader

ISBN-10: 1581153104

ISBN-13: 9781581153101

Edition: 2003

Authors: Carma Gorman

List price: $19.95
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Book details

List price: $19.95
Copyright year: 2003
Publisher: Skyhorse Publishing Company, Incorporated
Publication date: 10/1/2003
Binding: Paperback
Pages: 256
Size: 6.00" wide x 10.00" long x 0.50" tall
Weight: 1.122

Editor's Note
1852: Henry Cole, "On the International Results of the Exhibition of 1851"
1852: Horatio Greenough, "The Law of Adaptation"
1853: John Ruskin, "The Nature of Gothic"
1856: Owen Jones, Grammar of Ornament
1867: Karl Marx, "The Capitalist Character of Manufacture"
1868: Charles Eastlake, Hints on Household Taste
1873: Christopher Dresser, Principles of Decorative Design
1877: William Morris, "The Lesser Arts"
1882: Lewis Foreman Day, "To Ladies and Amateurs"
1893: Candace Wheeler, "Decorative and Applied Art"
1897: Henry van de Velde, "A Chapter on the Design and Construction of Modern Furniture"
1899: Thorstein Veblen, "Pecuniary Canons of Taste"
1901: Frank Lloyd Wright, "The Art and Craft of the Machine"
1905: Josef Hoffmann and Koloman Moser, "The Work-Program of the Wiener Werkstatte"
1908: C. R. Ashbee, Craftsmanship in Competitive Industry
1909: Filippo Tommaso Marinetti, "The Foundation and Manifesto of Futurism"
1910: Adolf Loos, "Ornament and Crime"
1911: Hermann Muthesius, "Aims of the Werkbund"
1911: Frederick Winslow Taylor, The Principles of Scientific Management
1914: Hermann Muthesius and Henry van de Velde, Statements from the Werkbund Conference of 1914
1919: Christine Frederick, "The Labor-Saving Kitchen"
1919: Walter Gropius, "Program of the Staatliche Bauhaus in Weimar"
1922: Theo van Doesburg, "The Will to Style"
1922: Alexander Rodchenko and Varvara Stepanova, "Program of the First Working Group of Constructivists"
1923: Le Corbusier, "Eyes Which Do Not See: Automobiles"
1925: Helen Appleton Read, "The Exposition in Paris"
1928: Henry Ford, "Machinery, The New Messiah"
1930: Fortune, "Color in Industry"
1930: Sigmund Freud, Civilization and Its Discontents
1932: Earnest Elmo Calkins, "What Consumer Engineering Really Is"
1934: Alfred H. Barr, Jr. and Philip Johnson, Machine Art
1934: Norman Bel Geddes, "Streamlining"
1935: Marcy Babbitt, "As a Woman Sees Design: An Interview with Belle Kogan"
1936: Fortune, "What Man Has Joined Together..."
1940: Harold Van Doren, "The Designer's Place in Industry"
1941: Eliot Noyes, Organic Design in Home Furnishings
1950: Edgar Kaufmann, Jr., What is Modern Design?
1951: Raymond Loewy, "The MAYA Stage"
1953: Dwight D. Eisenhower, "Peaceful Uses of Atomic Energy"
1955: Henry Dreyfuss, "Joe and Josephine"
1958: Program of the Hochschule fur Gestaltung, Ulm
1959: Richard Nixon and Nikita Khrushchev, "The Kitchen Debate"
1963: Ann Ferebee, "Is Industrial Design Color Blind?"
1964: Edward Carpenter, "Statement: The Designing Women"
1965: Ralph Nader, Unsafe at Any Speed
1966: Robert Venturi, Complexity and Contradiction in Architecture
1969: R. Buckminster Fuller, Operating Manual for Spaceship Earth
1971: Victor Papanek, Design for the Real World
1973: Richard Nixon, "Address to the Nation About Policies To Deal With the Energy Shortages"
1976: Alexander Kira, "Historical Aspects of Personal Hygiene Facilities"
1984: Klaus Krippendorff and Reinhart Butter, "Product Semantics: Exploring the Symbolic Qualities of Form"
1984: Barbara Radice, "Memphis and Fashion"
1984: Dieter Rams, "Omit the Unimportant"
1985: The Japan Management Association, "Just-In-Time at Toyota"
1988: C. Thomas Mitchell, "The Product As Illusion"
1990: Americans With Disabilities Act (U.S. Public Law 101-336)
1991: Kenichi Ohmae, "Global Products"
1992: David H. Rice, "What Color Is Design?"
1996: Charles Jencks, "The Post-Modern Information World and the Rise of the Cognitariat"
1998: Kenji Ekuan, "Japanese Aesthetics"
1999: Hartmut Esslinger, "Frog Stands For..."
1999: Donald Norman, "Time for a Change: Design in the Post-Disciplinary Era"
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