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Preface | |
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Introduction | |
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Ben Johnston: Art and Survival | |
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Origins | |
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An Overview of Tonality | |
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Expanded Scale Resources | |
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Extensions of Triadic Harmony | |
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Musical Hierarchy | |
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Vectoral Analysis | |
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Edgard Varese: Density 21.5 | |
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George Rochberg: No Center | |
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Atonality and Serialism | |
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Atonality and Pitch Class | |
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Sets, Vectors, and Subsets | |
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Serial Techniques | |
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Combinatoriality | |
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Integral Serialism | |
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Vectoral Analysis | |
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Anton von Webern: Symphonie, op. 21 | |
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David Cope and Galen Wilson: An Interview with Pierre Boulez | |
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Texturalism | |
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Principles | |
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Cluster Techniques | |
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Rhythmic Developments | |
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Vectoral Analysis | |
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Krzysztof Penderecki: Capriccio for Violin and Orchestra | |
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David Felder and Mark Schneider: An Interview with Krzysztof Penderecki | |
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Timbralism and Tuning | |
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Traditional Instrument Exploration | |
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New Instruments | |
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Timbre and Spatial Modulation | |
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Non-Western Influences | |
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Microtones and Tuning Systems | |
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Vectoral Analysis | |
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Peter Maxwell Davies: Eight Songs for a Mad King | |
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Tom Everett: An Interview with Henry Brant | |
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Indeterminacy | |
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Improvisation | |
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Indeterminacy | |
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Composer Indeterminacy | |
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Performer Indeterminacy | |
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Composer and Performer Indeterminacy | |
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Vectoral Analysis | |
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John Cage: Cartridge Music | |
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David Cope: An Interview with John Cage | |
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Experimentalism | |
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Fundamentals | |
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Danger Music | |
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Conceptualism | |
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Biomusic | |
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Soundscapes | |
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Multimedia, Mixed Media, and Intermedia | |
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Virtual Reality and the Internet | |
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Vectoral Analysis | |
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Pauline Oliveros: Sonic Meditation XIII | |
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Morton Feldman: Between Categories | |
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Electroacoustic Music | |
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Background | |
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Fundamental Concepts | |
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Examples | |
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Poeme electronique | |
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Digital Electroacoustic Music | |
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MIDI | |
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Vectoral Analysis | |
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Jean-Claude Risset: Inharmonic Soundscapes | |
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Andrew R. Brown: An Interview with Paul Lansky | |
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Algorithmic Composition | |
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Background | |
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Expert Systems | |
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Neural Networks | |
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Mathematical Sources | |
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Interactive Composition | |
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Current Programs | |
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Vectoral Analysis | |
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Iannis Xenakis: Atrees | |
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John Cage, Lukas Foss, Iannis Xenakis: Short Answers to Difficult Questions | |
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Minimalism | |
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Sources | |
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Minimalism | |
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The New Tonality | |
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Vectoral Analysis | |
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Philip Glass: Einstein on the Beach | |
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Andrew R. Brown: An Interview with Steve Reich | |
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Integration | |
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Background | |
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Synthesis | |
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Quotation | |
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Vectoral Analysis | |
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Luciano Berio: Sinfonia | |
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David Felder: An Interview with Luciano Berio | |
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Postlude | |
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Appendix I | |
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Glossary of Terms | |
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Appendix II | |
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Biographical Data | |
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Appendix III | |
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Notations | |
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Introduction | |
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Brief Bibliography | |
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New Music Notations | |
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Source Addresses | |
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Record Companies | |
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Periodicals | |
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Music Publishers | |
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Hardware | |
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Software | |
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MIDI Organizations and Publications | |
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Web Addresses (a few interesting websites) | |
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Bibliography | |