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| Contributors | |
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| Introduction | |
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| The Contemporary and Globalization | |
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| Worlds Apart: Contemporary Art, Globalization, and the Rise of Biennials | |
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| "Our" Contemporaneity? | |
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| The Historicity of the Contemporary is Now! | |
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| Art After Modernism and Postmodernism | |
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| Elite Art in an Age of Populism | |
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| "Of Adversity we Live!" | |
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| Making it Work: Artists and Contemporary Art in China | |
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| Formalism | |
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| Form Struggles | |
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| Formalism Redefined | |
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| The World in Plain View: Form in the Service of the Global | |
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| Medium Specificity | |
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| The (Re)Animation of Medium Specificity in Contemporary Art | |
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| Medium Aspecificity/Autopoietic Form | |
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| Specificity | |
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| Art and Technology | |
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| Test Sites: Fabrication | |
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| Inhabiting the Technosphere: Art and Technology Beyond Technical Invention | |
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| Conceptual Art 2.0 | |
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| Biennials | |
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| In Defense of Biennials | |
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| Curating in Heterogeneous Worlds | |
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| Biennial Culture and the Aesthetics of Experience | |
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| Participation | |
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| Participation | |
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| The Ripple Effect: "Participation" as an Expanded Field | |
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| Publicity and Complicity in Contemporary Art | |
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| Activism | |
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| Activism | |
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| Knit Dissent | |
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| Light from a Distant Star: A Meditation on Art, Agency, and Politics | |
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| Agency | |
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| Participation in Art: 10 Theses | |
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| Fusions of Powers: Four Models of Agency in the Field of Contemporary Art, Ranked Unapologetically in Order of Preference | |
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| Life Full of Holes: Contemporary Art and Bare Life | |
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| The Rise of Fundamentalism | |
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| Monotheism � la Mode | |
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| Freedom's Just Another Word | |
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| On the Frontline: The Politics of Terrorism in Contemporary Pakistani Art | |
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| Judgment | |
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| Judgment's Troubled Objects | |
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| A Producers Journal, or Judgment A Go-Go | |
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| After Criticism | |
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| Markets | |
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| Globalization and Commercialization of the Art Market | |
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| Three Perspectives on the Market | |
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| Untitled | |
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| Art Schools and the Academy | |
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| Lifelong Learning | |
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| Art without Institutions | |
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| Will the Academy Become a Monster? | |
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| Scholarship | |
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| Our Literal Speed: Our Literal Speed | |
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| Globalization, Art History, and the Specter of Difference | |
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| The Academic Condition of Contemporary Art | |
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| Index | |